Moving back and forth with decisive brush strokes and dynamic gestures, I work rapidly to capture that ephemeral
feeling in tangible form.
Not exact matches
From the psychedelically primordial My Forsaken Love,
in which biomorphs traverse a black - fringed molten - pink ground, to the strata - like composition of Standing on the Riverbank of My Hometown I Shed Tears, a canvas filled with sedimentary layers of cell - like dots, eyes and extravagantly decorated lashes, the paintings generate new motifs and arrangements of
forms while continuing a lifelong preoccupation with the mysteries of the physical and metaphysical, the
tangible and ineffable - the space where seeing and
feeling intersect.
One former student, Bruce Klein, comments: «
In my studio I've tacked up this Bischoff quote: «What is most desired in the final outcome is a condition of form which dissolves all tangible facts into intangibles of feeling.&raqu
In my studio I've tacked up this Bischoff quote: «What is most desired
in the final outcome is a condition of form which dissolves all tangible facts into intangibles of feeling.&raqu
in the final outcome is a condition of
form which dissolves all
tangible facts into intangibles of
feeling.»
The circular
form provides structural strength
in rough weather, natural thermodynamics that negate the need for extra heating, and panoramic views, as well as something less
tangible, the open
feeling that comes from being
in a space without corners.