Commenting on the works he brought to the fair, Centeno added, «I wanted to find a balance between figuration, gesture and abstraction, and also
a feeling of human presence on the stand.»
Not exact matches
In so doing, we learn to
feel the
presence of others, nonhuman and
human, as part
of who and what we are.
But along with those deeply
human reactions, there was this other
feeling of her real
presence.
1.300 - 318) called monads, firsts, or «
feeling qualities,» are omitted from the account
of things found in physics and chemistry, except for the methodological point that we detect the
presence of the various magnitudes and spatio - temporal structures by our qualitative
human sense perceptions, visual or tactual.
They tell us that they have arrived at an unshakable conviction, not based on inference but on immediate experience, that God is a spirit with whom the
human spirit can hold intercourse; that in him meet all that they can imagine
of goodness, truth, and beauty that they can see his footprints everywhere in nature, and
feel his
presence within them as the very life
of their life, so that in proportion as they come to themselves they come to him.
But the whole array
of our instances leads to a conclusion something like this: It is as if there were in the
human consciousness a sense
of reality, a
feeling of objective
presence, a perception
of what we may call «something there,» more deep and more general than any
of the special and particular «senses» by which the current psychology supposes existent realities to be originally revealed.
This can also by all means be regarded as ensuing in the interest
of a more inclusive analysis
of the
human being, as an opportunity for the theoretical comprehension
of the so - called «primitive» experiences which even
human beings have — and indeed to a large extent in every case — experiences which, as a rule, reach the level
of consciousness only, for example, in a dull bodily sensation, in the
feeling of various degrees
of general psychophysical «
presence,» etc..
The vivid imagination and the sharp observation
of men and nature that marked his mind; his acquaintance with common speech and his joy in the use
of proverbs; indeed, his capacity to express in creative speaking with a skill that only a poet and genius possesses the whole range
of human emotions from awe in the
presence of the numinous to the
feelings of the body — all are reflected in his sermons (as also in the commentaries, his work
of the lecture room), not consistently,
of course, and not every time, yet most impressively in the Church Postil Sermons, one
of the products
of his exile on Wartburg Castle, written in order to furnish to the preachers
of the Reformation examples
of Biblical preaching.
These benefits include but are not limited to the power
of the
human touch and
presence,
of being surrounded by supportive people
of a family's own choosing, security in birthing in a familiar and comfortable environment
of home,
feeling less inhibited in expressing unique responses to labor (such as making sounds, moving freely, adopting positions
of comfort, being intimate with her partner, nursing a toddler, eating and drinking as needed and desired, expressing or practicing individual cultural, value and faith based rituals that enhance coping)-- all
of which can lead to easier labors and births, not having to make a decision about when to go to the hospital during labor (going too early can slow progress and increase use
of the cascade
of risky interventions, while going too late can be intensely uncomfortable or even lead to a risky unplanned birth en route), being able to choose how and when to include children (who are making their own adjustments and are less challenged by a lengthy absence
of their parents and excessive interruptions
of family routines), enabling uninterrupted family boding and breastfeeding, huge cost savings for insurance companies and those without insurance, and increasing the likelihood
of having a deeply empowering and profoundly positive, life changing pregnancy and birth experience.
For three decades, NASA's space shuttle programme has expanded our knowledge
of the cosmos and made space
feel closer by establishing a continuous
human presence aboard the International Space Station.
Classical conditioning is a learning process that occurs both in animals and
humans alike when two stimuli are repeatedly paired (such as the bell ringing and the feeding, or a particular behavior and the electric shock), so that the response originally elicited by the second stimulus (the secretion
of saliva that originally occurs in the
presence of food or the unpleasant sensation that follows an electric shock) is eventually elicited by the first stimulus alone (meaning that after a number
of repetitions, the sound
of the bell is enough to make the dog salivate like it does in the
presence of food and the engagement in unwanted behavior is enough to make you
feel the same discomfort an electric shock would cause).
Co-op salvages some
of the enjoyment since it limits the
presence of miserable friendly AI, but unless you are playing with a full party
of humans, you'll still
feel the sting.
The character's milquetoast
presence makes for an interesting foil for Ava — she's the most
human of the two, arguably the three — but it's hard to
feel anything for him, even when Garland pulls back the curtain on some middling secrets in the picture's third act.
However, as Hotaling points out, viewers can still
feel human presence in his landscapes because agricultural farming has given character to even the remote fields
of the rural Ohio that he paints.
First, they link a work
of art's
presence not to its formal autonomy, but to something
felt and something
human.
«I have a fascination with the figure, which is more or less always female, but the
presence of the
human figure can be
felt even when there is no figure at all.»
They imply a sense
of absence, but they are far from empty and the
human presence is visible and
felt.
With the implication
of a
human presence, Rafferty's work deals with humor and the absurd, yet there is a sense
of melancholy, leaving an unsettling
feeling in the viewer.
Employing various mediums, each artist conveys earnest and intimate
human feelings of longing beyond the body and its representative radiance, exceeding the limits
of tangible
presence toward meditative states.
Common to all works was and is the complete absence
of any
human presence; Khedoori's structures and buildings never
feel as if they are populated by people.
All
of the works in the multifaceted show symbolize some aspect
of human existence — whether it's the spine
of an ergonomic chair found in Ms. Tajima's mood light sculptures or the spiritual
presence of workers at a textile factory in her abstract portraits made from woven
felt.
Gazing into the luminous, eye - like portals and across the rippling fields
of cloth we know have enveloped a
human body, we
feel we are in the
presence of an uncannily familiar stranger.