Sentences with phrase «feeling of its dead weight»

It hung around in my car, making more of itself, piling on, the feeling of its dead weight slowing me down, drawing out the drama of expectation and allowing me to witness each potential calamity in slow motion until, eventually, I arrived on the other side, astonished and safe.

Not exact matches

But at the same time that I was learning to engage with God as a hungry, growing young Christian, the realization dawned on me like a dead weight sinking in my stomach that no amount of spiritual growth seemed to have any effect on my sexual preference... There was nothing, it felt, chosen or intentional about my being gay.

So if you want to write down how you felt during your last run, or keep a record of the amount of weight that you last dead - lifted, etc., your performance will likely benefit.

I love feeling strong and fit and being able to run up subway steps, instead of dragging my carcass around like dead weight.

Of all things, the series ends up feeling light - weight, and the seemingly constant need for Cassar to flash back or forward kills the pace and tension of proceedings stone deaOf all things, the series ends up feeling light - weight, and the seemingly constant need for Cassar to flash back or forward kills the pace and tension of proceedings stone deaof proceedings stone dead.

Myself, over at Oracle of Film, is feeling similar regret with Alicia Vikander, stranded in a dead weight of a Lara Croft movie.

In an actual biting political satire, such quiet time is wholly acceptable, yet it somehow feels like dead weight in a movie so cotton candy that any amount of pressure at all is bound to threaten a collapse.

The electric - assist hardware is now mounted on the steering rack itself instead of the steering column, and the result is a clean, nicely weighted feel from the steering wheel in the corners, although it's slightly dead on - center.

The steering is clean and finely filtered, not alive exactly but far from a dead weight in your hands, and the ride is incredibly pliant so you feel isolated from the unwanted white noise of road imperfections but completely tuned - in to the interface between tyres and tarmac.

The handling is much friendlier than the 348's, with the weight feeling lower and more balance front to rear, but you're not really encouraged to explore it thanks to the slightly slow and over-assisted steering, which feels very light either side of the dead - ahead.

It actually feels slightly dead in your hands after the Murciélago's, but the response is incredible, the front wheels responding to the tiniest of inputs with no sneeze - factor and, thankfully, given Audi's ownership, no annoying options for tweaking its weight.

Steering is nicely weighted at speed, with a progressive, predictable turn - in rate and a decent amount of communication from the road, even if it feels a little dead on - center.

2008 Heralded as the new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, IT