Edward Steichen once said, «photography records the gamut of
feelings on the human face.»
Not exact matches
Consequently one
feels less inclined to reject as unscientific the idea that the critical point of planetary reflective consciousness which is the result of the forming of humanity into an organized society, far from being a mere spark in the darkness, corresponds
on the contrary to our passage (by a movement of reversal or dematerialization) to another
face of the universe: not an ending of the ultra-
human but its arrival at something trans -
human at the very heart of reality.
If refusal to
face squarely the fact of death is found so widely in these days, so also is loss of belief in a continuation of
human existence, beyond death, in what used to be called the «after - life» It is indeed true that among conventionally - minded church - people and many others there is a vague
feeling that when the body dies the «soul» goes
on.
I
feel that most people don't fully understand how fickle mother nature can be and how utterly dependent we are for our day - to - day supplies
on a network of
human cooperation that could easily break down in the
face of catastrophe.
In the pre-modern ages
human consciousness was dominated by a
feeling of helplessness in the
face of all natural and supernatural forces, causing people to acknowledge their absolute dependence
on divine help, whereas the modem age has been marked by a high degree of
human self - confidence and the belief that
humans can at last master the forces of nature, justifying an optimistic hope for the
human earthly future.
He sets out
on an epic journey that brings him
face to
face with an underworld army of robots and some of the strangest creatures ever to walk the Earth, and along the way learns to experience
human feelings and emotions.
«I
felt (that) having to do a meditation
on the
human face was by far the best way to bring out the emotion of the songs.»
You must be a woman who has not given birth to a «
human Child», THAT IS THE SWEETEST LOVE
on THE
FACE OF THE EARTH» I
feel sorry for the fact that you do not recieve that.
Sometimes,
on the way home, my
human Mom may even open the windows in the car so I can
feel the fresh wind
on my
face.
In the downstairs gallery, a spectacular array of novel ways of living encompasses nature, culture and the
human self in the form of a futuristic garden by the London collective Wayward Plants, a practising potter's studio conceived by the American artist Theaster Gates, and Pedro Reyes» Sanatorium, a functioning wellbeing centre where visitors can experience therapies that include hitting a dummy whose
face is a balloon
on which you have drawn the
face of the person you
feel most oppressed by.
In the early postwar period, artists in Europe, the US and Japan
faced a philosophical crisis: in the wake of destruction
on a scale previously unimaginable, confronting the political and social fallout of World War II, many of them
felt that artistic practice, as it had existed prior to the war, had lost its relevance to the
human condition.