However, it is gleefully nihilistic, and it takes a different approach to what has become a fairly familiar story form at this point, right at the moment when
it feels like superhero movies either have to evolve or die.
Because of this, Ragnarok often
feels like a superhero movie made by people who want to mock superhero movies.
The 11 - foot CGI Hulk may look a little cartoonish, the addition of rabid Hulk dogs is downright lame, and the use of comic book panel editing is an acquired taste, but it still looks and
feels like a superhero movie, even if it didn't turn out exactly the way we wanted it to.
What's strange is that this doesn't
feel like a superhero movie until the characters turn up in their suits and display their arsenal of thingamabobs, and that's a compliment.
Not exact matches
And your dislike of Wilshere is proportional to you love for Ramsey, in a way that both of your
feelings are on the level of
superhero movies you obviously
like.
(CNN) Black
superheroes have reached the screen before, but seeing the collective weight of Marvel / Disney thrown behind a blockbuster
like «Black Panther» still
feels like a cultural watershed, one that the
movie exuberantly embraces.
Nobody has ever seen anything
like «Black Panther» — not just an entire civilization built from the metal stuff inside Captain America's shield, and not even just a massive
superhero movie populated almost entirely by black people, but also a Marvel film that actually
feels like it takes place in the real world.
As a rule, these
movies basically work, most of them, even if they sometimes
feel more
like a product, launched, than a
superhero world, imagined.
Well I saw it, it was fun...
like someone else said I
felt like you just werent meant to take it as seriously as other
superhero movies like TDK.
The storytelling vocabulary of
superhero movies doesn't have to be constricted (FX's extravagantly inventive TV series «Legion» is proof) but it
feels quite constricted here; it always has been, notwithstanding occasional outliers
like «Thor: Ragnarok,» «Black Panther» and «Ant Man.»
It's taken a decade and 18 films, but the Marvel Cinematic Universe has finally produced a
superhero movie that
feels like it was ripped from the pages of a comic book.
What separates «Black Panther» from the Batmans, Spidermans and Iron Mans of the creaky, big studio
superhero genre is that it looks and, more important,
feels nothing
like the usual bloated franchise
movie that takes no chances and plays by genre rules.
That doesn't bug me with Iron Man becuase that is Tony Stark in a nutshell, but otherwise there's not a whole lot of other
superhero movies where it
feels like anyone actually gives much of a shit about each other.
Captain America: Winter Soldier artfully dodges nearly every typical
superhero movie problem (as well as general sequel problems) with a stunning grasp of mood, total commitment to a «square» character, a smart choice of villain, and thrilling action scenes that
feel authentically dangerous (a complete rarity in blockbusters) rather than
like stop - and - gawk «setpieces» with no actual stakes.
Does it seem both groundbreaking and classic because it doesn't
feel like a modern
superhero movie, especially those with the Marvel brand?
With Martin Campbell's Green Lantern we are given a film that
feels like a cheap carbon copy of
superhero films of the yesteryear; offering elements of comic books
movies we have all witnessed before while at the same time lacking in any form of originality.
There was a time when a big, shiny, new
superhero blockbuster
felt like a major
movie event.
Captain America met my expectations of what a
superhero movie should be, but it did nothing to hide the contentment of nearly everyone involved to do good enough, nothing more, nothing less; it also
felt no need to mask the fact that it is,
like Kenneth Branagh's Thor, merely a wind - up for Joss Whedon's upcoming The Avengers.
I can't see how anyone could be dissatisfied with this
movie I preferred it to the other two as I think it captured batman perfectly bane was perfect how anyone can disagree after batman and robin is beyond me??? Cat women was perfect there was no poor casting IMO character development was fine story was fine and beautifully shot soundtrack stunning all involved made an absolute masterpiece even tho I guessed most plotpoints in advance they still
felt like a surprise to me I don't see the point in any other
superhero franchise making any more
movies as bb tdk and tdkr will never be surpassed
This
feels like the ultimate ensemble
superhero movie and I'm worried that the more they try to pack into two - and - a-half hours, the less we'll get out of it.
Movie review: Deadpool 2 Ryan Reynolds still has the magical combination of charm and smarm that makes Deadpool unique in the
superhero universe, but this highly self - aware sophomore effort
feels like being at a party where everyone is taking selfies.
The $ 502 million domestic Beauty grossed was more than all but seven
movies: Star Wars: The Force Awakens, James Cameron's record - setters Avatar and Titanic, Jurassic World, landmark
superhero movies The Avengers and The Dark Knight, and Rogue One: A Star Wars Story (which kind of
feels like the outlier here).
The pilot tends to get bogged down in too much cool, flashy gadgetry, and cheesy effects, and has moments of chatty info - dump that can be overwhelming, but those are small quibbles for a show that
feels like a 44 - minute
superhero movie.
I
felt like they did on «Watchmen» where they were
like, «okay, it's so deconstructed,» but I kind of
feel like now I think about it, many people thought that «Watchmen» was a
superhero movie, just
like they thought «Sucker Punch» was an action
movie.
That's the way I
feel about Matthew Vaughn's «X-Men: First Class,» and I only grudgingly went with the slightly positive, because I walked out of the theater
feeling like I had just watched an okay
superhero movie.
In many ways it
felt like it was borrowing the best parts of other
superhero and action / adventure
movies (Thor, Captain America, even a dash of Indiana Jones) while still carving out its own unique identity.
And still, I
feel like typically when a
movie of this size comes out, sure the primary focus is on the
superhero, but there's also a lot of it on the supporting characters.
They're certainly moving the camera a lot — frankly it
feels like they're auditioning for a
superhero gig and not for nothing, they're up for the Flash
movie — and making some choices,
like using models for transition scenes instead of typical cutaways or beauty shots.
This makes the film
feel less
like a
superhero movie than
like the fantastical cinema of Guillermo Del Toro or Bong Joon - Ho, romantic horror extremists who fill their films with grotesque comedy beats and heartfelt sociopolitics.
Logan receiving screenplay attention is especially rewarding, considering how that
movie feels like the most mature
superhero film ever made.
I know The Avengers raised the bar to astronomical proportions for the next phase of Marvel universe
movies, but with its goofy humor, weak plot, and unnecessary romance, to me the film
felt like a
superhero chick flick.
The hard truth is
superhero movies aren't for everyone and it
feels like Hunnam's style may not fit the genre.
I'm drawn to the
superhero movies that
feel like they have plausible stakes at hand.
Andy Sandberg's dopey variation on Pearl Jam's «Alive,» focused on how all the younger stars in the room might go over to the dark side of
superhero movies,
felt like a crass and superficial interpretation of that career move (especially in the year of «Black Panther»).
If you
feel like there seems to be a lot going on for a
superhero movie, you are correct in your assessment.
As she first appeared, I thought that Gwen Stacy
felt like someone really wanted to get Emma Stone into a
superhero movie.
That's the
movie's biggest issue: bells and whistles aside, it
feels like just another
superhero story.
Black Panther may be Coogler's first
superhero movie, but in truth, the heroes at the center of his films, including Oscar Grant, have always
felt bigger than their real - life counterparts, if only because of Coogler's willingness to lean into treating them
like the heroes of a
movie.
One of the best things about Logan, the hard - R
superhero movie currently taking the box office by storm, is its finality: It really does
feel like the last word on our current big - screen incarnation of Wolverine.