Not exact matches
Of course, «The Peacemaker's» real selling point is action, and Leder proves herself a crackerjack action director, with some seriously intense set - pieces — a train
wreck that opens the film, a horrifying nuclear blast, a
car chase
in a crowded plaza, a
foot chase through the streets of New York and, best of all, a nail - biting standoff on a bridge between a truck armed with nuclear weapons and military helicopters.
But while Creevy struggles with the basics of suspense — often indulging
in the same hacky, buzz - killing slow motion shots as he did
in Welcome To The Punch — his direction of the film's modestly conceived action sequences is serviceable: a relentless
foot chase through the winding streets and picturesque houses of a medieval town; an escape from a Hagen - owned warehouse that's directed
in part as a Children Of Men - style long take; and the centerpiece, a head - spinning,
car -
wrecking pursuit down the Autobahn.
Many years on, after learning to drive
in that first 122S wagon, I
wrecked it with 165,000 miles on the clock when some dope fiend ran a stop sign
in Harlem at 2 a.m. and hit the left front fender of the overloaded
car — right
in front of my
feet — broadside.