Sentences with phrase «feet of every flat surface»

Not exact matches

However, if you put the baby in the standing position on a flat surface, they will begin to step one foot in front of the other.

When the soles of their feet touch a flat surface they will attempt to walk by placing one foot in front of the other.

Beneath the snow's deceptively flat surface, under 2,600 feet of ice, lay a mysterious lake that human eyes had never seen.

The research team found the evidence confirming the stability of the East Antarctic ice sheet at an altitude of 6,200 feet, about 400 miles from the South Pole at the edge of what's called the polar plateau, a flat, high surface of the ice sheet covering much of East Antarctica.

The researchers were able to see signs of watery adaptation not seen in other dinosaurs: a small nostril located far back on the head, apparently to limit water intake; relatively long forelimbs; big flat feet suitable for paddling as well as walking on muddy ground; and very dense limb bones, which would have allowed Spinosaurus to submerge itself rather than float at the surface.

You will need a chair or anything with a flat surface which you will use to push yourself up from, with your feet placed on a bench or on another chair in front of you at the same height.

Remove your shoes and sit on a flat surface, legs extended in front of the body, toes pointing up and feet slightly apart, with the soles of the feet against the base of the step (if there is no step, just any flat surface will do).

Find a kettlebell large enough to have a good amount of flat surface on the floor, put both hands on claws, extending your legs and spread your feet shoulder width apart.

You'll support yourself on one arm, the heel of the straight leg, and the surface of your flat foot, like a tripod.

With dumbbells of various weights, the dog is required to retrieve on a flat surface, over a one - meter hurdle, and over a six - foot slanted wall.

The color contrasts are startling, as in «Yellow Half» (1963), a canvas nearly six feet square with a solid V of vibrant red bordered by lemon yellow and then a more subtle red, the whole set on a stark black ground; that is, the ground forms two right triangles on either side of the V. Characteristically, Mr. Noland later went back to these V's, as in «Songs: Indian Love Call» (1984), but this time with very painterly effects, crumpling the flat surfaces with broken strokes of thick pigment.

Meanwhile, the flat surfaces of the work throw forward their competing narratives, offering textile stories from disparate times and places, with the fiery foot of a winged messenger descending from the sky.

The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.

Reinhardt describes these paintings as: «A square (neutral, shapeless) canvas, five feet wide, five feet high, as high as a man, as wide as a man's outstretched arms (not large, not small, sizeless), trisected (no composition), one horizontal form negating one vertical form (formless, no top, no bottom, directionless), three (more or less) dark (lightless) no - contrasting (colorless) colors, brushwork brushed out to remove brushwork, a matte, flat, free - hand, painted surface (glossless, textureless, non-linear, no hard - edge, no soft edge) which does not reflect its surroundings — a pure, abstract, non-objective, timeless, spaceless, changeless, relationless, disinterested painting — an object that is self - conscious (no unconsciousness) ideal, transcendent, aware of no thing but art (absolutely no anti-art).»

Cyclists should have brakes that are able to stop their bike within a range of 25 feet when they are traveling at a speed of 10 miles per hour on a flat surface.