Sentences with phrase «fellow gallery artists»

A few booths over, another New York gallery, Canada, decided to embrace the eclectic booth principle, allowing Marc Hundley to arrange small paintings, prints, sculptures, and books by his fellow gallery artists within a pseudo-domestic interior modeled after his own studio apartment, replete with a bed, couch, and shabby carpets.

he said, leaving the festivities to fellow gallery artists Gary Simmons and David Maljkovic, and dealers Janelle Reiring and Tom Heman.

The exhibition also featured works by fellow gallery artists Thomas Ruff and Christopher Williams.

To us, her superbly intellectual approach to a variety of media suggests a remarkable affinity with fellow gallery artists Roni Horn and Zoe Leonard, as well as Rashid Johnson, Mark Bradford, and others tackling complex issues of identity.

Previous winners include fellow gallery artists Sigmar Polke, Bridget Riley, and Richard Serra.

Previous winners include fellow gallery artists Isa Genzken (who was awarded the prize in 2017), Sigmar Polke, Bridget Riley, and Richard Serra.

Jump into the future follows Borgmann's donation to the Stedelijk of more than 600 works in 2016, which also included work by fellow gallery artists Isa Genzken and Wolfgang Tillmans.

The exhibition is organized by gallery artist Tom Burckhardt, who currently lives and works in the building along with wife and fellow gallery artist Kathy Butterly.

Not exact matches

«We're loose, we're laid - back, we're not pretentious,» Bryan Sperry is saying about Art Attack, the storefront gallery he and fellow artist Troy Abshire opened last April at 1937 W. North Ave. in the bustling neighborhood where Wicker Park and Bucktown meet.

The fellows were joined by artists featured in «The Art of Science Policy,» an exhibit in the AAAS Art Gallery celebrating the 40th anniversary of the AAAS Science and Technology Policy Fellowships.

Turner, who cares not a jot for his fellow artists, worrying about where they've been displayed in the National Gallery, is as blasé about his life as anyone: it's only fitting that Leigh take the same approach.

In the course of her investigations, Maisie meets the bohemian Bassington - Hope family, Nick's fellow artists from the colony at Dungeness, his promoter, gallery owner Stig Svenson, and the collector who is determined to own all of his work, wealthy American Randolph Bradley.

It was late December, and I was sitting with Gingeras and fellow Halt Action Group member Alissa Bennett in the offices at New York's Team Gallery, where Bennett works as an artist liaison.

Photos by ANTOINE TEMPÉ include images of fellow artists Kehinde Wiley, Malick Sidibe, and Alexis Peskine (bottom left) at (S) ITOR Gallery.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol

He joined fellow likeminded artists early on — like Tom Otterness and Jenny Holzer — and sought to «find alternatives to the gallery scene and make art more accessible to the public.»

For his latest series of portraits at Sean Kelly Gallery in New York, Kehinde Wiley's subjects are fellow artists, including Glenn Ligon, Rashid Johnson, Mickalene Thomas, Kerry James Marshall, and Yiadom - Boakye.

For the two - part work, the artist meticulously crafted and inserted into the Contemporary Wing's architecture aluminum and reflective glass that allows you to see unexpected views of fellow visitors, art works, and galleries above, below, and across from you.

Founds the New Provincetown Print Project in conjunction with the Fine Arts Work Center; during summer, collaborates with master printer Robert Townsend and guest artists Mary Frank, George McNeil, Fred Sandback, and Gregory Gillespie on monoprint and monotype projects; at Harvard's Carpenter Center for the Visual Arts, attends weekly drawing and printmaking sessions with fellow faculty and teaching assistants, resulting in the continuing Harvard Evenings print series; solo exhibition: Michael Mazur: Color Prints, Mary Ryan Gallery, New York (also has solo exhibitions there in 1994, 1995, 1996, 1997, 1998, and 1999).

[Full disclosure: I am represented by Winkleman Gallery; Sharon Butler, a fellow painter, is the author of one of my favorite art blogs, where she recently wrote a thoughtful review of my last show; Sharon Louden — well, Sharon is every artist's hero (she's been mine for quite some time); and Bill Carroll and Peter Drake aren't exactly chopped liver!

Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Saint Phalle wrote to her husband and fellow artist Jean Tinguely about Gaudí and Cheval: «They represented the beauty of mankind... without any intermediary, without museum, without galleries.»

Bob and Carol Thompson returned to New York in 1963, renting an apartment on the Lower East Side, not far from the studio of friend and fellow artist Lester Johnson, who helped Thompson get a one - man show at Martha Jackson's gallery that same year.

On the event of the exhibition David Milne: Modern Painting, running at London's Dulwich Picture Gallery from 14 February — 7 May 2018, fellow Canadian artist and Photo London Master of Photography 2018 Edward Burtynsky discussed with exhibition co-curator Sarah Milroy the extraordinary legacy of Milne's work and the relationship between the painter's pictures and Burtynsky's early photographs.

Past jurors have included Prospect.1 Founder and Curator Dan Cameron, Museum Director Billie Milam Weisman, Collector and Philanthropist Beth Rudin DeWoody, MacArthur Fellow John Scott, Whitney Trustee and Ballroom Marfa Co-founder Fairfax Dorn, NOMA Director Susan Taylor, artist Tony Fitzpatrick, Director of the Andy Warhol Museum Eric Shiner, Director of the National Art Gallery of the Bahamas and Founder and Artistic Director of the VOLTA Fair Amanda Coulson, Dishman Art Museum Director Megan Koza Young, ArtBridge Curator Jordana Zeldin, and Collector and MoMA Board Member Lawrence Benenson.

A selection of my original landscape paintings and wildlife paintings are on display and for sale at fellow Welsh artist Anna Waters» Studio Gallery in Milford Haven - Anna Waters Studio Gallery, 1 Victory House, Milford Marina, Pembrokeshire, SA73 3AA, Wales, UK.

Recent exhibitions include a solo show at the James Watrous Gallery in Madison, Wisconsin; the Nohl Fellows Exhibition at the Institute of Visual Arts (Inova) in Milwaukee, Wisconsin; Descendant, a solo exhibition at the Wright Museum of Art in Beloit, Wisconsin; and Current Tendencies: Ten Artists from Wisconsin at the Haggerty Museum of Art in Milwaukee.

For a recent exhibition at Sean Kelly Gallery in New York, Wiley presented portraits of his fellow contemporary artists, including Glenn Ligon.

The gallery devoted to the artist - as - celebrity, for instance, which typifies the work based on a conceptual twist, is off - putting in its self - regard and facile irony, though the puppets seated in a corner of the floor, which were conceived by Philippe Parreno and Rirkrit Tiravanija as stand - ins for fellow artists at a 2005 panel discussion, possess a certain flat - footed charm.

© 2015 The Pollock - Krasner Foundation, Artists Rights Society (ARS), New York / Tate, Purchases with assistance from The American Fellows of the Tate Gallery Foundation, 1988

He showed the «Wedge» paintings at the Sidney Janis Gallery, NYC, in 1980 is an exhibition entitled «Seven Young Americans» curated by Sam Hunter which included friend and fellow artist Sean Scully.

Last summer at the Mildred's Lane Artist Residency, us fellows were asked to collaborate on a project for Cabinet Magazine's gallery space.

The Hudson D. Walker Gallery at the Fine Arts Work Center features an extensive schedule throughout the year of acclaimed Cape artists as well as Work Center Fellows.

Naama Tsabar's sculptures reference minimal structures, most notably Robert Morris» felt works from the late 1960s and early 1970s; Tsabar's objects, however, double as instruments to be played by the artist and fellow musicians during live gallery events.

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

CLAIM TO FAME: Brahman co-runs CANADA Gallery with her husband Phil Grauer, Wallace Whitney, and fellow artist Suzanne Butler.

CLAIM TO FAME: Co-runs 247356 Gallery with fellow artist MacGregor Harp.

She interned at the Cinque Gallery, which was founded by artists Romare Bearden, Ernest Crichlow, and Norman Lewis in New York City and was also the Romare Bearden Fellow at the Saint Louis Art Museum.

Stop by Glyndor Gallery where Curator of Visual Arts Eileen Jeng Lynch, Curatorial Fellow Natika Soward, and artists, Marna Chester, Peter Morgan and Tanya Chaly, will be on hand to give a behind the scenes look at Avifauna: Interplay of Birds + Habitat.

And in a quick sashay from artist to curator, he brought together the work of fellow artists in a summer exhibition at Tanya Leighton Gallery, where he'll have a solo in February 2016.

The National Portrait Gallery presents her intimate and pensive portraits of fellow artists, including Merce Cunningham, Cy Twombly, Claes Oldenburg and David Hockney.

For The Last Time They Met, six artists represented by Stephen Friedman Gallery were asked to select one work by a fellow artist with whom they have a special connection.

«Para-Apparatus» Residency Projects: New Work by 2013 - 2014 Kala Fellows Kala Gallery 2990 San Pablo Avenue, Berkeley, CA 94702 May 29 — July 26, 2014 Artists» Reception: Thursday, May 29, 6 — 8 pm Tammy Rae Carland artist talk: July 24, 7 - 9 pm Full article here

Catherine Haggarty, Painter, Co-director, Ortega y Gasset Eric Sutphin, Critic and curator Ian Cofre, Independent curator and writer Chrissie Iles, Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art Alexis Wilkinson, Curatorial fellow at Abrons Art Center Daniel Wallace, Gallery Director, American Medium Helen Toomer, Co-Founder and Artistic Director of Stoneleaf Retreat and Stoneleaf Residency Elizabeth K. Garvey, Co-founder and Director of Garvey Simon Sara Blazej, Curator, 77 Mulberry Art Project Matthew Deleget Founder and Director, Minus Space Arden Sherman, Curator and Director, Hunter East Harlem Gallery Iliya Fridman, Founder and Director, Fridman Gallery Sara Softness, Assistant Curator, Brooklyn Museum Jocelyn Miller, Writer and Curator, MoMA PS1 Harry Burke, Assistant Curator and Web Editor, Artists Space Andre Escarameia, Principal and Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Counsel

Complementing its current show of Gutai artists Kazuo Shiraga and Satoru Hoshino, the Dominique Lévy gallery has stocked its booth with early - 1960s paintings by their fellow in the movement Tsuyoshi Maekawa (who had a solo at the gallery last spring.)

Gallery, Institute 193 and is a Vermont Studio Artist Fellow, Hambidge Fellow and the recipient of an Idea Capital grant.

For his 2016 exhibition at Upfor, Memory Theater, Chowdhury transformed the gallery with colored lighting, sound and a series of scrims, around which he nestled live plants and small works by over a dozen fellow artists.

A reception for the artist will be held this Thursday, November 16th from 6 - 8 p.m. Tim Eitel, along with several fellow graduates of the Leipzig Academy of Visual Arts, first gained recognition after creating the collective art gallery, Liga, in Berlin in 2001.

His classes with John Cage provided the foundation for his Fluxus event scores, including The Hamlet of Gertrude Stein (1962) and Alice Denham in 48 Seconds (1958), as well as later Happenings such as Yoko Ono Piano Drop (1970), which calls for a «prepared» Piano to be pushed off the roof of a gallery or museum, and Elegy for the Fluxus Dead (1987), in which the artist wrapped his entire head in masking tape after reciting the names of deceased fellow Fluxus artists.