Sentences with phrase «felt color relationships»

In 1964, he made a series of hard - edge border paintings using gray, orange, salmon and other soft and felt color relationships.

Not exact matches

Some carry ideas, some carry feelings, some carry the behind - the - scenes involvements which have brought the relationship to its present status and which color any subsequent communicational interchange.

In your growth journal draw a sketch of your present relationship, including its strengths and its problems, using colors that best depict your feelings.

Because white men, white women, and black men don't report feeling slighted when it comes to respect and instrumental support, they build much more robust relationships with their primary mentors than women of color do, giving them an advantage in career advancement, Ray said.

1 - lack of relaxation 2 - devitalized food 3 - unfulfilling employment (dead - end jobs) 4 - dead - end relationships (romantic or not) 5 - surgery 6 - junk food 7 - trans fats and rancid fats 8 - financial stress 9 - sedentary lifestyle 10 - excessive exercise 11 - death of a loved one 12 - alcoholism 13 - smoking 14 - illicit drug use 15 - prescription drug use 16 - toxins 17 - poor eating habits 18 - marital stress 19 - repeated traumas 20 - workaholism 21 - nutritional deficiencies 22 - hormonal imbalances 23 - oral contraceptives 24 - stimulants 25 - counterproductive attitudes and beliefs 26 - conventional hormone replacement therapy 27 - non-prescription drugs 28 - psychological stress 29 - persistent fears 30 - emotional stress 31 - lack of sleep 32 - being in denial about feelings 33 - acute or chronic infection 34 - repeated stresses 35 - persistent negative stressors 36 - fun or enjoyment deprivation 37 - allergies 38 - caffeine 39 - white sugar and white flour products 40 - antacids 41 - artificial sweeteners and colors 42 - major life events — even if perceived consciously as «good» (e.g.: graduating high school, moving, etc..)

If you would ask about my favorite colors, I would without any doubt tell you navy and dark green share the number one spot, followed by an on and off relationship with mustard yellow, a red - addiction on some occasions, and of course bubble gum pink, when I feel like it.

I have such a love / hate relationship with white as well mainly because I think it's not a flattering color on me especially the pants... I feel like I'm always stuffed into white skinnies hahahaha.

Now, feel free to make a relationship with your partner on the basis of their interests and choices rather than their color and many other things.

If you are facing difficulties in being accepted as a couple and feel uncomfortable with your partner as people challenge you over something ridiculous as the color of your partner's skin, you should follow few things that help you in maintaining relationships.

These factors help develop trusting teacher - student relationships.18 Minority teachers can also serve as cultural ambassadors who help students feel more welcome at school or as role models for the potential of students of color.19 These children now make up more than half of the U.S. student population in public elementary and secondary schools.20

While many educators relished their roles acting as formal and informal mentors for their black students, and even pointed to those relationships as being a key reason for staying in the classroom, they also reported feeling pressure from administrators, fellow teachers and even students, to build and maintain relationships with every student of color.

As role models, parental figures, and advocates, they tend to build relationships with students of color that help those students feel connected to their schools (King, 1993).

To ensure a luxurious feel, Genesis was intensely scrutinized for its use of materials, with extensive analysis of the relationship of different materials, their texture and color coordination.

To ensure the cabin feels luxurious, the original Genesis model was intensely scrutinized and improved upon for its use of materials, with extensive analysis undertaken into the relationship of different materials, their texture and color coordination.

Some of the qualities explored were a conscious shift to complexity, content, mystical, psychological and pictorial relationships, asymmetrical composition, expressive color, feeling and a depiction of the landscape of the mind.

But he is interested in the texture of the painting's surface, the relationships of colors, and expressing a feeling about what he sees.

Rather than thinking of them in terms of Minimalism, she remembers, he told her they were «about the discomfort he felt in figuring out how two colors can rest next to each other on a canvas, and solving it in the most explicit way possible»: using colored vinyl as a readymade material, stretching it into rectilinear shapes, and composing based on color and formal relationships.5

In interacting with the work over a significant period of time, we felt that that the most compelling way to structure the exhibition was to expose the common threads that run throughout this material: formal constructs such as grids / fields, verticality, pictorial imagery, and repetitive sequences; content such as color as subject, element as subject, interest in early American history (particularly that of Massachusetts), discourse about other artists and art; and relationships to the history of poetry.

This space is emphatically black and female — explicitly created for homosocial relationships between women of color in order for them to feel agency over their own likenesses.

This artist feels most comfortable working with blue, green and red in his pallet, as the relationship between these colors is what suits the most all the emotions of his artistic expression.

Bush, a Canadian artist, is associated with Color Field painting in America because he used color in direct relationship to form, and because he felt connected to formalist artists and critics who frequently discussed these ideas on a passionate level of discoColor Field painting in America because he used color in direct relationship to form, and because he felt connected to formalist artists and critics who frequently discussed these ideas on a passionate level of discocolor in direct relationship to form, and because he felt connected to formalist artists and critics who frequently discussed these ideas on a passionate level of discourse.

Texture, color and shapes define my response to what I see and feel in our painting relationship.

We can experience color in paintings in ways that mirror states of flow and tension in our bodies and certainly both flow and tension are connected to feelings, concepts, character, and social relationships.

Although colored by current feelings, these retrospective reports may nonetheless provide some insight about long - term relationship dynamics.

Even «soft,» occasional thoughts about divorce can color people's perceptions of a relationship, shaping their feelings in more negative ways that can make marriages less satisfying and more fragile.