Sentences with phrase «felt in any cultural context»

It's just great and restores my faith that the genuine article might make itself felt in any cultural context.

Not exact matches

J.R.B.: The phrase «celebrity pastor» is a contradiction of terms, but it feels somewhat normal to us in our cultural context because the mindset is so rampant.

The interpreter has to look for that meaning which a biblical writer intended and expressed in his particular circumstances, and in his historical and cultural context, by means of such literary genres as were in use at his time, To understand correctly what a biblical writer intended to assert, due attention is needed both to the customary and characteristic ways of feeling, speaking and storytelling which were current in his time, and to the social conventions of the period.

These mourners may have felt it important to remain «the me I normally recognize» even under the most solemn and formal conditions, but their casual approach to mourning marks a cultural shift that puts theological and philosophical claims in a rapidly altering context.

Third is the immediate cultural context, since the minister in preaching has always, willy - nilly, felt the necessity to adapt himself somehow to the general level of interest and understanding of the people who sat in the pews.

Though some felt that Stevens's tunes were a mismatch to the surrounding soundtrack's volley between Maurice Ravel and the Psychedelic Furs, the meek «Mystery of Love» is the best song in the lineup both in and out of context, charting the impatient but hesitant undercurrent of the film's romantic leads, at the same time as it approximates their shared, vaguely pretentious cultural interests.

When done right and in a proper historical context like these two titles, it feels like there's actual cultural value and relevance in revisiting these titles as is so often the case in other mediums.

Growing up in a Native American cultural context I felt like I was part of a fringe population.»

Such questions are particularly appropriate in a troubling cultural context in which teachers often feel that they have become functionaries under the surveillance of an administrative bureaucracy (no matter how well - intentioned).

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

Given this context, two of the leading events in the Colombian cultural calendar, ArtBO in Bogotá and the traveling triennial Salón Nacional de Artistas, this year located in Pereira, could have felt out of touch.