The group's president noted that Morrison's ceiling - shattering nomination isn't «a fad» and asked the other
female cinematographers in the room to stand.
And Rachel Morrison, one of the few
female cinematographers in Hollywood, has captured the beauty of the African land, as well as the stunning artwork of the aforementioned ladies, to perfection.
Not exact matches
Presidents Award recipient Stephen Lighthill, head of the American Film Institute Conservatory's cinematography program since 2004, said the school will graduate its 99th
female cinematographer under his tenure
in June.
Jordan Peele, the mastermind of «Get Out,» a social thriller about American racism, became the first African American to earn producer, director and writer nominations for a single film; the academy nominated a
female cinematographer, «Mudbound's» Rachel Morrison, for the first time
in its 90 - year history; and Greta Gerwig became just the fifth woman recognized as a director, feted for her wry, observational coming - of - age story «Lady Bird.»
Morrison who is the first
female cinematographer to be nominated
in the history of the Academy talked about capturing the palette for Dee Rees
in Mudbound.
Rachel Morrison began her journey as a
cinematographer when she enrolled
in a cinematography class at NYU, where she was one out of only two
females.
Rachel Morrison (Mudbound) broke through one of many glass ceilings
in Hollywood by becoming the first
female nominee from the American Society of
Cinematographers (ASC)
in the group's 32 - year history.
Hopkins gets one or two scenes where he's actually enjoying himself and not just mentally calculating whether this paycheck can get him a walk -
in humidor to go with the new wine cellar, and poor Haddock, as the
female lead, is stuck contending with being a multi-degreed academic who nonetheless has an affinity for oxygen - depleting skirts and push - up bras, all captured
in full effect by
cinematographer Jonathan Sela («John Wick»).
Although women continue to fare better
in documentary work, Martha Lauzen's 2015 study shows that only 37 % of documentary producers, 34 % of executive producers, 29 % of directors, 29 % of writers, 23 % of editors, and 13 % of
cinematographers are women.101 When it comes to the industry recognizing and awarding
female documentarians for their directorial works, women are at a complete disadvantage.
One of our few
female Cinematographers Reed Morano steps behind the camera
in a different way to make her directorial debut on «Meadowland,» written...
Deakins beat out Darkest Hour's Bruno Delbonnel, Dunkirk's Hoyte van Hoytema, The Shape of Water's Dan Laustsen, and Mudbound's Rachel Morrison — the last of whom was the first
female cinematographer to earn a nomination
in the category.
Beyond this I'm picking the rest of the nominees who got
in at the American Society of
Cinematographers, including Mudbound «s Rachel Morrison making history as the first
female DP to ever be nominated at the Oscars.
Highlights from CUFF 2016; The first 50 lashes; Believe
in romance; Pico Iyer on Terrence Malick;
Female cinematographers not content hiding behind the camera.
James Le Gros plays his egotistical, impulsively improvising star with blow - dried smarminess, Catherine Keener has a crisis
in confidence as his
female lead, and Dermot Mulroney swaggers
in an eye - patch and leather vest as the artiste of a
cinematographer.
In addition to having three
female leads, the team behind the screens consists largely of women, from
cinematographer Paula Huidobro, to the assistant director, gaffer, production designer, costume designer, and DP.