Not because of the lack of them existing, no, since the number of
female film school graduates in directing and editing across the United States is almost equal to that of men.
Unemployed art
school graduates Mingming and Yue take turns
filming each other with a small camera, exploring a range of issues rarely shown in any national cinema with such deadpan accuracy — from the complex waters of
female friendship to «pussy» as a commodity, from the desire to use filmmaking as a weapon to the decision to make a baby — an up - in - your face, playful, sassy deconstruction of what it means to be a young woman now.