Large Bather (1921) by Pablo Picasso Analysis of Neoclassical
Female Nude Painting based on Parthenon Sculpture MAIN A-Z INDEX
Estate sale found, I love the classic detail of
this female nude painting by artist Barbara R. Katz in its original 1.5» traditional giltwood frame, originally signed with her initials lower left.
Not exact matches
Another subversive slice of history is told via The Rokeby Venus, a 17th century
painting of a
female nude.
Using International Klein Blue
paint, Wagenknecht had Roombas trace her
nude body on canvases, creating images of the
female form that recall Klein's «
nude paintbrush» works.
A brief survey of representations of life - drawing sessions reveals: an all male clientele drawing from the
female nude in Rembrandt's studio; men working from male
nudes in 18th - century representations of academic instruction in The Hague and Vienna; men working from the seated male
nude in Bailly's charming
painting of the interior of Houdon's studio at the beginning of the 19th century; Mathieu Cochereau's scrupulously veristic Interior of David's Studio, exhibited in the Salon of 1814, reveals a group of young men diligently drawing or
painting from a male
nude model, whose discarded shoes may be seen before the models» stand.
A brief survey of representations of like - drawing sessions reveals an all male clientele drawing from the
female nude in Rembrandt's studio; men working from male
nudes in 18th - century representations of academic instruction in The Hague and Vienna; men working from the seated male
nude in Boily's charming
painting of the interior of Houdon's studio at the beginning of the 19th century; Mathieu Cochereau's scrupulously veristic Interior of David's Studio, exhibited in the Salon of 1814, reveals a group of young men diligently drawing or
painting from a male
nude model, whose discarded shoes may be seen before the models» stand.
While Edelson, Alexander, and Hershman Leeson focus largely on the
female body, Graham Anderson's figurative
paintings, which were on view at Klaus von Nichtssagend, dissolve the
nude male into a decorative abstraction.
Samet writes: «Matter's insistence on the
nude female body, and on still lifes of flowers, drapery, and skulls as the focus of observational
painting — for herself and her students — can also feel problematically outdated.
Edelheit was
painting groups of large, languorous male and
female nudes: «genitals, pubic hair, warts and all.»
Furthermore, she often tackled subjects that were perceived as «risky» during her lifetime: Neel is known for
painting gay people long before homosexuality was legalised, transvestites, members of the poor, immigrant communities in Spanish Harlem (where she lived), candid portraits of nursing and pregnant women as well as unflinching male and
female nudes.
In lush evocations of the
female form, such as
Nude — Elbow on Knee (above),
painted in 1961, he continued many of the pictorial innovations of his previous series, but set them within an intimate portrayal of the human figure.
First held at the Galerie Internationale d'Art Contemporain in Paris in 1960, Klein's performances (now considered by many to be outrageously sexist) featured
nude female models — who the artist referred to as «human paintbrushes» — rolling themselves in his patented International Klein Blue
paint.
White Cube, Bermondsey The body screams in Emin's latest show, which moves from crumbling, fleshy
paint to tortured bronzes, and shakes the tradition of the
female nude to the core.
Two of the most striking;
paintings on display in London now are by women firmly seizing the traditional male territory of the
female nude.
At this space, the figure of a
female nude tied to what looks like a torture device is the disturbing central image of a nine - panel 1975
painting called «Moving Through» by the American artist Juanita McNeely.
Kelsey Shwetz, who
paints nudes from the perspective of the
female gaze (BACG included one at Art Basel last year) is lined up for a show at the gallery.
He creates otherworldly and surreal encounters by a
female nude with Cattelan's art, has Gilbert & George awkwardly interacting in their would - be home with an androgynous male model, and places Harland Miller's large - scale
paintings of book covers into actual book covers held by 50's pin - ups.
From «Mother» (2017 — 2018), three new large - scale oil
paintings, which borrow their imagery from Disney films, are shown in conjunction with a
painted steel sculpture of a
female nude in a classical twisted pose.
Her reclaimed gaze of the
female nude heralded a feminist approach to
painting and representation in the 1970s.
Today, she is recognised as being among the first
female artists to
paint a
nude self - portrait and, later, a series of self - portraits while she was pregnant — subjects which are taken up in the Joffe
paintings on show.
Her experimental assemblage
paintings that incorporated objects began an inquiry into psychological content that she further extended in self - portraits and a long - running series of solitary
female nudes.
These large scale depictions of sexual activities reclaimed gaze of the
female nude, which heralded an unprecedented approach to
painting and representation in the 1970s.
Benefits Supervisor Resting is regarded as Freud's ultimate tour de force, a life - size masterwork in the grand historical tradition of the
female nude,
painted obsessively with intense scrutiny and abiding truth.
One of the artist's most famous
paintings, Large Reclining
Nude, displays the daring scale, simplified forms, and bold, flat planes of colour with which the artist treated the
female form in the 1930s.
Eventually he hit on an idea he called «Anthropometry», or using the bodies of
nude female models,
painted blue and laid on top of canvases.
These large - scale
paintings were made by
nude female models, directed by Klein, carefully applying
paint to the canvas with their bodies.
The subject of Christopher Brown's new multipanel
paintings is a wooded landscape, crossed by a river, and sometimes including a
nude female figure.
There are traditional sketches of the
female nude that may be self - portraits, and an embroidered work where she has used needle and thread like a
paint brush.
A small, flat silhouette in the shape of a vessel is
painted on one side with a
nude female Venus figure, and on the other side with abstract patterns in washy colors — a careful method with a quick look inherited from Modern
painting masters.
Judith Linhares» oil
paintings of dreamy
female nudes are also intensely colored, but they relate in an unexpected and intimate way to a pair of black and white photographs by Rory Mulligan showing a torso of a woman and the back of a man gazing at a night sky.
This circa 1800
painting will go down in history as «the first totally profane life - size
female nude in Western art — thought to be at least one of the first explicit depictions of
female pubic hair.
A native of Tbilisi, Georgia, who calls Vienna home, Sirbiladze relies on fast Expressionist gestures to create her sinuous, quasi-abstracted
paintings, which often evoke
female nudes in the midst of pleasuring themselves.
Another was Prudence Heward, whose
painting of a white
female nude, Girl Under a Tree (1931), which Lawren Harris argued was the best
nude ever
painted in Canada, was a stand - out for Clark.
In the 1970's she began to depict
paintings of her close family, and major series of
nude, which had the notion of eroticism, in regard to the
female point of view.
Whatever You Want features a black
female protagonist in a pose referencing the portrayal of white
female nudes in the Western
painting tradition.
The works engage the psychological realm of attachment to the
female body and how that's processed through both a traditional and a contemporary reading, as the many reclining, sitting or lounging
female figures relate distantly to any number of
female portraits (often reclining
female nudes)
painted throughout history.
Faerie on the Chair and The Plump
Nude show the rare
female figure in portrait
paintings.
Ms. Thomas's massive, French - Impressionist - inspired, rhinestone - embellished
paintings of black
female nudes are gaudy fun, yes, but they are also enormously ambitious.
«I went there with the intention of studying writing and poetry, but the art teachers were totally electrifying,» she says, sitting in her high - ceilinged Gowanus cubicle amid black - and - white murals and colorful
paintings of muscular
female nudes, diving or in states of languorous repose.
Through
painting a found object, Bessone regains control of the
female nude.
For MATRIX 270, Neri contributes a new series of ceramic sculptures that upend traditional representations of the
female nude, while McCarthy includes a new group of
paintings that explore her characteristic motifs such as grid weavings, double rainbows, and colored bars.
Heward
painted both white and black women, but she only produced one well - known white
female nude, the Art Gallery of Hamilton's Girl Under a Tree (1931).
As a coda to this narrative, the exhibition includes Pearlstein's most recent
paintings, a series of three canvases completed in early 2015:
nude female figures are animated with vibrant animal masks as they lounge and recline over Navaho rugs.
There are
paintings of patiently palette - knifed landscapes with fantastic, Solomonic temples in walled cities, a seascape or two, some imaginative
female nudes that are both lush and fluid (cousins to Niki de Saint Phalle's Nanas, Picasso's extrapolations of Marie - Thérèse, and Chagall's airborne brides), several cursive abstractions of curves and circles moving in a similar fluid velocity to the
nudes.
Often playing with images and materials associated with beauty and desire, Hamilton repeatedly uses sculptural cut - outs of film stills or women's legs made from transparent plastic and wooden shapes based on Modernist depictions of
female nudes such as the curvy abstracted figure found in her 2007 piece The Piano Lesson, based on Fernand Léger's 1921
painting Le Grand Déjeuner.
Perhaps her strongest works are among the
female nudes or the
nude self - portraits she
painted towards the very end of her life, in 1984.
She was particularly well known for her explicit
paintings of male
nudes, which challenged the tradition of male artists
painting female subjects as objects of desire.
Sprawling among these are
female nudes,
painted on a heroic scale.
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PAINTING THE
FEMALE NUDE, SANDRA «With masterful use of light and shadow, (chiaroscuro) he takes us from a blank, white canvas through the sketching and placement process to the completed work with all the nuances of mysterious shadow and areas of brilliant light.
The climax of «Rift Raft» was the massive diptych of the same name (above)-- more than 18 feet wide — on one side depicting the recent wave of immigrants struggling to come ashore in Europe, and on the other, a privileged bubble of
female nudes, abstract
paintings and art dealers looking at their phones.