The passion, chaos, rage, and femininity of a woman's personal riot in the current political landscape can be seen throughout the works, with the vibrant colors, physical gauging of the paint, tearing and pressing of materials into the canvas, and the placement and destruction of
female objects creates a fiery and feminine event.
Not exact matches
At the time, he was
creating prevalently images of popular superheroes and gradually started to include
female nudes emerging from bizarre
objects, such as cornstalks, bananas, candy wrappers, martini glasses or famous cigar and cigarette brands such as Havana.
His project for the Whitney Biennial involves
creating the fictional persona of an Ivy League - educated black
female artist, «Donelle Woolford,» and presenting performances and art
objects conceptualized by Scanlan as the creative products of this fictional artist who is played by a variety of actors.
Throughout the history of art, the
female nude been an
object of desire
created by and for men for the pleasure of selling, owning, and beholding.
«By
creating artwork that establishes me as an
object it could be argued that I produce photographs that reinforce stereotypical images of the
female body, but with apparent exhibitionism I
create a substitute that renders my real body invisible.»
Utilizing found
objects to
create an otherworldly yet traditionally based format, the image of a large
female figure and its smaller companions are done in the style of traditional Indian painting, while delicate fabrics interweave amongst images that swirl and stream within and outside the two wooden panels — thus making it engaging and contemplative to look at.
[1][3]
Created for a show organised by fellow artist Georg Herold at Portikus, Au Naturel (1994) is an assemblage of
objects — a mattress, a bucket, a pair of melons, oranges and a cucumber — that suggest male and
female body parts.
The erotic works
created from a male perspective on the
female figure either as an
object of beauty or with lust and desire are unusually set against Emin's figures from the
female perspective reflecting her internal thoughts and emotions.
Featuring new paintings, Iliatova's psychologically charged canvases combine oversize flowers and cryptic
objects with diminutive
female figures to
create disconnected perspectives.
Ashley Blalock fuses craft and fine art to
create objects and site - specific installations inspired by everyday artifacts from the
female domestic sphere.
In
creating sculptural works with acrylic nails, Goodman defies the presumed superficiality of
objects commonly associated with
female identity.
I'm interested in how these CGI
objects of women might be able to form different and speculative ideas towards our own bodies and
create new relationships to labour, particularly
female forms of labour and how we might perform as workers.