Sentences with phrase «female pairings work»

Male - female pairings work best, but the Aussie would rather be on your lap or at your side than hang with mere dogs.

If you do not want babies, then either male or female pairs work just as well.

Not exact matches

A zoologist and psychologist at the University of Texas named David Crews began his work with Cnemidophorus uniparens, a species of lizard in which every individual is female and reproduces asexually, around 1977, when he noticed a pair of them engaged in a courtship ritual.

In 2008, Pixar announced that they were beginning work on a film called «Newt,» about a male and female blue - footed newt that were the last of their kind, paired up by scientists to save the species.

In it, the filmmaker details his childhood fascination with the occult, and how he decided to pair that with a recurring image in his mind of a young, alone, female foreigner working in Paris.

Disney has paired female directors with a male director on their big animated features but Boden and Fleck have apparently been working together since film school.

With no luck finding suitable female partners willing to work with two banned and out - of - shape has - beens, they turn to each other, forming the highly unusual same - sex pairs skating team.

The central pair really works — Josette is the first female captain of an airship in her Steampunk world; Bernie is the lazy

Depending upon the dogs» personalities, male - male or female - female pairings can work, too.

Wang Yi, a strong female character, introduces a new weapon, the Trishula which works as a pair of bladed trident - like tonfas capable of quick combos, with Wang Yi able to pull off a quick string of hits as her EX special.

Other highlights: One of Brian «Hey I'm In Every Group Show This Summer» Belott's sock - and - glass works; a huge Chuck Webster painting; two of Gina Beavers's sculptural canvases, paired next to mid -»50s photographs of female dolls by Morton Barlett; and a beautiful little Forrest Bess mountain landscape from 1968.

This Spring Norte Maar's 4th Annual CounterPointe Series is all about collaboration with the work of seven female dance makers paired with seven visual artists on stage April 8 - 10 in downtown Brooklyn's Actors Fund Arts Center.

There are some very odd things here, including Italian painter and stage designer Domenico Gnoli's fetishistic images of women's collars and braided hair, Rosa Loy's strange psycho - sexual images featuring pairs of female protagonists, the perspectivally challenging works of 75 - year - old Florida painter Mernet Larsen, and the chilly — and chilling — paintings of Michael Simpson.

In this case Schwarz's work has been paired with another female artist, Alex Prager, whose photographs and videos are also on exhibition in adjacent galleries.

Still best known for early works that featured fried eggs and a kebab to represent the female body, or poked a pair of oranges and an upright cucumber into a stained saggy mattress, Lucas, at 52, is no longer the artworld enfant terrible who shot to fame in a generation that included Damien Hirst, Mat Collishaw and Rachel Whiteread.

With over 190 booths at the fair, whittling the «best» down to seven is an impossible task, so a hat - tip to the following notable mentions is more than warranted: Salon 94's expansive female - dominated booth, with Laurie Simmons's and Marilyn Minter's works in mischievous conversation, a large - scale painting by Lorna Simpson that comes from the same series that debuted in Okwui Enwezor's «All the World's Futures» last week, and the delicate - meets - hardcore jewelry of sculptor Kara Hamilton; Kate MacGarry's sparse but refreshingly textural booth, where works by Josh Blackwell, Marcus Coates, Florian Meisenberg, and Francis Upritchard play off one another; Standard (OSLO)'s solo booth featuring Ian Cheng's virtual world; Andrea Rosen Gallery's Michael St. John - curated booth, featuring the likes of William Eggleston and Dash Snow; Galerie Buchholz's brilliant pairing of cross-generational counterparts (and Venice favorites) Simon Denny and Isa Genzken; and The Box's presentation of Judith Bernstein's sexually charged two - dimensional works.

A pair of female African American actors hired by Scanlan — Jenn Kidwell and Abigail Ramsay — portray Woolford in performance works, sometimes simultaneously, sometimes independently.

In February, a series of exhibitions opens pairing works by female contemporary artists (priced between # 2,000 and # 35,000) and Modern British women (priced up to # 90,000) with the work of Gluck, a British painter born in 1895 who famously eschewed any gender - defining prefix.

Moreover, the glass works, which further appear in the exhibition as the words War, Love, and Jealous and as objects such as a pair of red lips or a kneeling female nude, also have a wholly practical function: Each can be used as a pipe for smoking hashish.

With encouragement from their teacher that summer, the powerhouse feminist painter Joan Semmel, the young pair hatched a plan to curate a show of works by like - minded women, with aims to quash the dominant male perspectives on the female body in art.

Some people made the decisions alone; others were assigned to work with another participant (there were male / female; female / female; and male / male pairings).