Sentences with phrase «female voice artists»

Not exact matches

They include an alternate opening of Carol doing an voice exercise with an annoyingly - voiced woman interviewing her in a bookstore, more of and on Dani and Moe's rocky marriage, a scene featuring an accomplished female voiceover artist (played by Melissa Disney), and a number of additional clips from the convincing fake reality dating TV show woven throughout the film,

As the film begins, Bell's Carol, a voice coach and sometime voiceover artist, has her enthusiasm crushed by her father who humourlessly tells her, «The industry does not crave a female sound».

One of the films that didn't blow us away at Sundance, but offered a solid film full of jokes made just for cinephiles, was In a World... The film directed by actress Lake Bell follows a young female voice coach (Bell) as she joins the all - male race to land the white - hot new trailer of a blockbuster trilogy, and with it lay claim to the legendary trailer catchphrase «In a world...» She faces stuffy, douchebag competition in Ken Marino and even her own father (Fred Melamed), a legendary voice - over artist who can't bring himself to recognize his daughter's talent.

As a female artist you are pigeon - holed and sometimes it's difficult to make your voice heard.

Curated Exhibitions 2017 Dreams, Community and Individual Voices - Spoken Through Symbolism, guest curator, Saint Louis Art Museum's Danforth Collection, St. Louis, MO 2016/2017 Sinew: Female Native Artists of the Twin Cities: Artistry, Bloomington, MN, Tweed Museum of Art, Duluth, MN 2016 American Art: It's Complicated (co-curated), Minnesota Museum of American Art, St. Paul, MN 2016 Synthesis: Paintings by Aza Erdrich, All My Relations Gallery, Minneapolis, MN 2014 Rosalie Favell: Relations, All My Relations Gallery, Minneapolis, MN 2014 On Fertile Ground, All My Relations Gallery, Minneapolis, MN 2014 Where I Fit, All My Relations Gallery, Minneapolis, MN 2013 Found, All My Relations Gallery, Minneapolis, MN 2013 Make it Pop, All My Relations Gallery, Minneapolis, MN 2012 Indian First, All My Relations Gallery, Minneapolis, MN 2012 Ded Unk» Unpi — We Are Here, All My Relations Gallery, Minneapolis, MN, Minnesota History Center, St. Paul, MN 2012 The Hopeman Family Collection, All My Relations Gallery, Minneapolis, MN 2011 Mni Sota: Reflections of Time and Place, All My Relations Gallery, Minneapolis, MN, Mayo Clinic, Rochester, MN, Mille Lacs Indian Museum, MN, Nash Gallery University of Minnesota, Tweed Museum of Art, Duluth, MN.

Speech is power: the artists in This Wicked Tongue celebrate unabashed expressions of the female voice like the witches, hysterics, and angry feminists who have come before them.

Rather, this exhibition seeks to find resonance among these artists, and to trace a trajectory of abstraction in the South through the rise of female voices in the visual arts.

Female but maybe not Feminist, Biscayne Times, Victor Barrenechea, October 2008 Susan Lee - Chun Artist Profile, Theme Magazine, May / June 2008 Miami Contemporary Artists, Clear Magazine, April / May 2008 Voices, NY Arts, February / March 2008 Asian Artists on Display in BMOCA Exhibits, Boulder Daily Camera, Jenny Bergen, February 22, 2008 Urban Art Access: Art Basel Miami Beach, December 2007 Art Basel Miami Beach Notebook: A Party for the Arty, Economist, Jessica Gallucci, December 2007 Miami Contemporary Artists Book, Julie Davidow & Paul Clemence, November 2007 Susan Lee - Chun, H Magazine (Spain), Pedro Paricio, November 2007 Hurricane Project I, El Nuevo Herald, Adriana Herrera, Sept. 30, 2007 Los grabados de Goya inician una interesante temporada, El Nuevo Herald, Adriana Herrera, Sept. 16, 2007 Eight make the cut, Miami Herald, Daniel Chang, September 15, 2007 To the Brink and Back, Miami New Times, Carlos Suarez de Jesus, September 13, 2007 Body Double: Through a lens starkly, LA Times, Holly Myers, September 12, 2007 Ever more galleries in Wynwood, Miami Herald, Brett Sokol, September 7, 2007 Optic Nerve IX: MOCA Review, Miami Art Guide, Michelle Weinberg, September / October issue No. 10 Visual Power, Miami Herald, Tom Austin, August 5, 2007 Snitzer show brings 59 Homegrown Artists together, Miami Herald, Elisa Turner, July 22, 2007 Wynwood Gallery Installations show the District «Artistic Heart, Miami Herald, Brett Sokol, July 13, 2007 Stop at X, Broward & Palm Beach New Times, Michael MIlls, April 26, 2007 Asian Style and Taste, LA Times, Scarlet Cheng, January 11, 2007 Banquet Art Exhibition at Pacific Asia Museum, The Epoch Times, Dan Sanchez, Dec. 10, 2006 Critic's Pick, Miami Herald, Elisa Turner, December 8, 2006 Almost Famous, Ocean Drive Magazine, October 2006 Young at Art, Miami Herald, Elisa Turner, September 10, 2006 Galleries & Museums, Chicago Reader, September 8, 2006 Home Groan, Miami New Times, Carlos Suarez De Jesus, August 16, 2006 Cuatro Artistas en Casa, El Nuevo Herald, Jose Antonio Evora, August 8, 2006 Urban Sprawl, Sun - Sentinel, Emma Trelles, July 30, 2006 Exploring Urban Life With Art «WLRN ArtStreet with Meredith Porte, July 2006 Around Town, Coral Gables Living Magazine, June / July 2006 Five Years and Going Strong, Design Miami Magazine (vol.1, No. 2), Tiffany Chestler, May 2006 Metro - Pictures, Miami Herald, Elisa Turner, May 14, 2006.

Featuring a range of events from poetry evenings with Gala Mukomolova and Liz Dosta, to a dance performance by Natalie Lamonte, The Whitney Houston Biennial brings together female voices to counter the art world's lack of representation, as well as written tributes to the women that have shaped and inspired each exhibiting artist.

By asking the spaces that write our history to include narratives that have traditionally been left out of actual and historical records, namely the voices and works of female artists and artists who are unseen or under - represented because of race and class; these pioneering activists in guerrilla suits may have been practicing an early form of atemporality.

We're proud to present «If Only Bella Abzug Were Here», a group exhibition curated by Tim Hawkinson and Ken Tan to commemorate the life and achievements of Bella Abzug with a selection of works by both established and emerging female artists, chosen for their highly original voices and unique visions.

My recent series entitled, Female Protagonist, is a creative collaboration with gifted actresses that empowers the female voice, body, character & existence — coupled with short videos of each artist, revealing an up close & personal glimpse of themselves they keep under lock anFemale Protagonist, is a creative collaboration with gifted actresses that empowers the female voice, body, character & existence — coupled with short videos of each artist, revealing an up close & personal glimpse of themselves they keep under lock anfemale voice, body, character & existence — coupled with short videos of each artist, revealing an up close & personal glimpse of themselves they keep under lock and key.

My selections include three dynamic female artists, all of whom explore the complex merging of abstraction and representation within painting, each in their own singular voice.

E. Jane's practice represents the voice of an individual who has a clear image of their person, artist, sound designer (sometimes called DJ), conceptual artist, female, black woman and queer, which is presents throughout her oeuvre.

The show, which aims to give voice to the Chicano and Latino female artists living in the US and in Latin America between 1960 and 1985, presents works both by emblematic figures, such as Lygia Pape and Ana Mendieta, and lesser - known artists, such as Feliza Burztyn and Sophie Rivera.

A female voice describes and comments upon the artist's process in a way that creates closeness and suggestively allows us to participate in Conroy's dilemma.

Despite their progressive goals, this movement lacked voices of color, featuring predominantly white female artists.

The earnest «reflexivity» of the narration, which constantly draws attention to its modes of discourse; the smug female voice - over artist, who bizarrely mispronounces the numerous French words; the use of another medium — in this case dance — to create a kind of abstract demonstration of the film's content — these things all hark weirdly back to the «materialist» theory that influenced art school teaching in the Nineties, and further back to the frequently soul - destroying «deconstructed narrative» cinema of the late Seventies and early Eighties.

The dialectic between a female artist's individual subjectivity and group action is constantly being mediated, diluting the potency of the struggle and the voice of discontent.

It has not always been easy for female artists of Strider's generation — the Silent Generation — to find their voice and speak with authority.

Wordplay serves to highlight the voice of all female identified artists who use text and image or text as image as a means of creative expression.

It's so important that we have more female artists around the world using their creative voices in public spaces, especially when they are sending messages that challenge existing norms and cultural boundaries like what Frances is doing.

Both installations mark the artists» entrance into Dia's collection and a widening of the #minimalism canon to include female voices.

MARC STRAUS is proud to present «If Only Bella Abzug Were Here», a group exhibition which commemorates the life and achievements of Bella Abzug with a selection of works by both established and emerging female artists, chosen for their highly original voices and unique visions.

«I never have understood why wars are arranged and declared from marvellous white palaces set in the middle of green lawns,» declares a female voice (quoting Ettore Sottsass) in the artist's CGI animation Dust and Piranhas (2011).