Sentences with phrase «female voice who»

I really liked the voice coach in the IconX — a pleasant female voice who told me my time, distance, pace, heart rate and heart rate zone.

I would love to feature younger thinkers, persons of color, and some female voices who often get overlooked in evangelical and denominational conversations.

Not exact matches

The last thing they want is an edgy, scintillating discussion, with the raucous laughter and powerful voice of a singularly funny, smart female host who, on a nightly basis, shapes one of the most significant conversations in contemporary culture.

«In the past, the lack of infrastructure designed to promote female voices would have held them back; but today, women who are gifted to teach, lead, or encourage have opportunity to actualize these gifts in a public way.»

It is so fitting that voters in the home of Susan B. Anthony are poised to elect their first female mayor who cares about the same issues as that great lady — equality for all, a voice for all.

Much of the film's emotional punch comes from the ever - optimistic Dug and his relationships with three key supporting characters: caveman tribe chief Chief (Timothy Spall), who admits he's old for... 32, Goona, a female football phenom who Dug digs (she's voiced by Maisie Williams of «Game of Thrones») and Hognob, Dug's pig pal, who's much more than a pet (he's got a little Gromit in him).

(How tricky it is to find readers for romance novels, who are usually women, who can credibly and comfortably voice female romance protagonists and male romantic heroes as both are usually written is a fascinating side road I won't wander down today.)

Happy, except for the group's only female, Smurfette (voice of singer Katy Perry), who's depressed because she thinks everyone forgot her birthday (get used to it, kid).

As the film begins, Bell's Carol, a voice coach and sometime voiceover artist, has her enthusiasm crushed by her father who humourlessly tells her, «The industry does not crave a female sound».

We are given two women left to portray the entire spectrum of female presence in society; Marianne, the ageing rock star with no voice or conceivable role in society other than to be adored, and Penelope, the youthful beauty who must use her body to get ahead, and has no concept of consequence.

Xavier Giannoli, who directs and co-wrote «Marguerite,» is well qualified having directed «The Singer,» known by the French title as Quand j' étais chanteur, which deals with one Alain Moreau, the idol of a female audience, who is aware that with his advancing years the audience and his voice are diminishing.

One of the films that didn't blow us away at Sundance, but offered a solid film full of jokes made just for cinephiles, was In a World... The film directed by actress Lake Bell follows a young female voice coach (Bell) as she joins the all - male race to land the white - hot new trailer of a blockbuster trilogy, and with it lay claim to the legendary trailer catchphrase «In a world...» She faces stuffy, douchebag competition in Ken Marino and even her own father (Fred Melamed), a legendary voice - over artist who can't bring himself to recognize his daughter's talent.

But the film's other main female character serves as its much - needed voice of reason: Shazi Raja as a musician friend of Troy's who's already studying at Harvard.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

(Male) Corrin (voiced by Nobunaga Shimazaki), who uses the Yato in battle, just like the female version.

The latest musical extravaganza from Walt Disney Animation Studios follows the adventures of a young woman who finds her own voice and forges her own identity as she becomes the first female leader of her people.

While these stalwarts regularly do often pass their Bechdel Test with honours, thankfully, there are, along with Maren Ade's inclusion, two other «femme cinéastes» in competition, who will bring bona fide female voices to the 2,500 - seat Theatre Lumiere; and both bring with them a reputation for bringing heft and uncompromomising originality to their art.

Kunis will voice a half - human female demon who's considered one of the toughest in Hell.

Joaquin Phoenix stars as the writer, and while it's unclear who plays the female voice of the operating system, the movie also stars Amy Adams, Rooney Mara, Samantha Morton and Olivia Wilde.

Clearly, there are some strained feelings between Carol and KW (voiced by Lauren Ambrose), a mellow redheaded female monster who comes and goes.

The British actress - who voices the leading female role in new animation movie «Gnomeo and Juliet», based on the Shakespeare play «Romeo...

Co-directors Mike Mitchell and Walt Dohrn have assembled quite the cast of talented voice actors, including Anna Kendrick as female lead Princess Poppy, joined by Justin Timberlake as Branch, the one Troll who eschews all the singing, dancing and hugging, thanks to his fear of being captured and eaten by the Bergens.

In Ice Age: Collision Course, Sid (voiced by John Leguizamo) meets an ethereal female sloth, Brooke (voiced by Jessie J) who somehow finds him irresistible.

ABOUT THE ALLIANCE OF WOMEN FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies.

The British actress - who voices the leading female role in new animation movie...

She and some of her female colleagues like Wiig, Rudolph, Amy Poehler, Tina Fey are leading the charge with successful comedies and showing how it's done, along with inspiring fresh female comic voices like Amy Schumer, McKinnon and even Mila Kunis, who lead the Bad Moms franchise with aplomb.

Lulled by the voice of Karen Carpenter singing «Yesterday Once More» on the station - wagon radio, she accidentally drives off and leaves her kids at a diner, and I'm reminded that it was the female characters in «Boardwalk Empire» (Kelly Macdonald as Margaret Schroeder Thompson; Gretchen Mol as Gillian Darmody), as well as the minority characters (Michael Kenneth Williams as Chalky White), who gave that show an accessibility and emotional depth it wouldn't have had if it were populated only with its endless parade white male mobsters.

British female voice actor who provides narrations for all genres of eLearning and corporate training and information services.

As a sophomore transitioning from female to male, he was met with comments in the classroom from whom one might least expect it: a teacher who voiced his disapproval of Kerr's gender change.

Kadish's novel weaves a web of connections between Ester Velasquez, a Portuguese Jewish female scribe and philosopher living in London in the 1660s, and Helen Watt, a present - day aging historian who's trying to preserve Ester's voice even as she revisits her own repressed romantic plot.

Teacake Travels began in 2015 and has grown into a strong, empowering voice for solo female travellers who are looking for a challenge through travel, rather than just a «holiday».

All these women give voice to the chorus of female travelers who tell me again and again: «Italy feels like home.»

Unfortunately for hero, he has no recollection of who or where he is but is guided by a mysterious female voice and a strange old man.

When it is largely — and has always been — nothing more than the voices of gamers who happen to also be female.

Gone is the mediocre voice acting singing about Zeds and medkits, gone is the female trader who subtly jeers at you over the radio, and seemingly, gone is lackadaisical fun.

If you haven't heard of the game yet, the action title is center around a female named Rubi, who is voiced by super hot actress Eliza Dushku.

I could give endless examples of how media production companies in North America, Europe, and Japan have responded to fan demands for more female representation in video games, but I'd like to emphasize that the active and creative fans who thrive in social mediascapes do have voices that are heard not just by their peers but also by the senior producers whose positions they will one day inherit.

In order to enter the giveaway you must answer the following question: «What is the name of the actress who lends her voice to the female version of Commander Shepard in the Mass Effect games?»

Alongside a series of abject ink - jet prints that looked as if they were plastered in bumper stickers purchased from an early 2000s Spencer Gifts and his 2012 video Raspberry Poser, in which animated renderings of a condom and the HIV virus dance through the streets of New York City while Beyoncé and Mazzy Star play at an intoxicating volume, he showed the animatronic sculpture (Female figure), a scuffed - up woman impaled on a stripper pole who speaks in Wolfson's voice and makes eye contact with viewers.

Speech is power: the artists in This Wicked Tongue celebrate unabashed expressions of the female voice like the witches, hysterics, and angry feminists who have come before them.

By asking the spaces that write our history to include narratives that have traditionally been left out of actual and historical records, namely the voices and works of female artists and artists who are unseen or under - represented because of race and class; these pioneering activists in guerrilla suits may have been practicing an early form of atemporality.

E. Jane's practice represents the voice of an individual who has a clear image of their person, artist, sound designer (sometimes called DJ), conceptual artist, female, black woman and queer, which is presents throughout her oeuvre.

The earnest «reflexivity» of the narration, which constantly draws attention to its modes of discourse; the smug female voice - over artist, who bizarrely mispronounces the numerous French words; the use of another medium — in this case dance — to create a kind of abstract demonstration of the film's content — these things all hark weirdly back to the «materialist» theory that influenced art school teaching in the Nineties, and further back to the frequently soul - destroying «deconstructed narrative» cinema of the late Seventies and early Eighties.

Wordplay serves to highlight the voice of all female identified artists who use text and image or text as image as a means of creative expression.

But there can only be truly effective solutions if everyone who has the best interest of children in mind has a voice — male and female, professional and parent, victims and skeptics.