Gilbert and Gubar's principle argument is that the image of the female monster describes powerful women who reject male authority and its prescriptions of
feminine docility, silence, and submission.
Terms such as «
feminine vocation» or «femininity,» which Christians use as alternatives to «feminism,» have a connotation of
docility and passiveness that fails to describe the women we most admire, whether in Wilder's time or in our own.
She writes, «The sublime amalgamates such conventionally masculine qualities as power, size, ambition, awe, and majesty; the beautiful collects the equally conventional
feminine traits of softness, smallness, weakness,
docility, delicacy, and timidity.»