Sentences with phrase «feminist artist who»

Miriam Schapiro, a pioneering feminist artist who, with Judy Chicago, created the landmark installation «Womanhouse» in Los Angeles in the early 1970s and later in that decade helped found the Pattern and Decoration movement, died on Saturday in Hampton Bays, N.Y..

A pioneering feminist artist who was championed early in her career, Snyder has infused her works with physical energy and vibrant color to express deeply personal experiences.

Judy Chicago was an active and influential feminist artist who sought to change cultural attitudes and transform stereotypes, to give women greater equality.

It serves to showcase the work of a wide community of local feminist artists who have donated their work to Ladyfest Boston.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

In OF THE PEOPLE, Shepard Fairey, the Guerrilla Girls (feminist artists who, since 1985, have commented on the role of women in politics and art), and the Bruce High Quality Foundation (whose well - honed commentary on politics and culture in America debuted at the Whitney Biennial) represent the American scene.

This invitational exhibition highlights recent work by feminist artists who were active in the Twin Cities in the 1970s and «80s as well as artists who self - identify as «third - wave» feminists.

For example, last year the program funded Johanna Fateman to write about a new generation of feminist artists who have come of age in the Internet age.

In «Plus,» Schomaker engages in a dialogue with other female / feminist artists who have become empowered by exposing their vulnerabilities in front of the camera — Laura Aguilar, Hanna Wilke, Eleanor Antin, Jenny Saville, Ana Mendieta.

Not exact matches

When details of her self - titled 2013 album were originally leaked earlier that year under the moniker Mrs. Carter, it was panned by some critics for its foreshadowed embrace of the artist's still - new identity as hip - hop mogul Sean «Jay - Z» Carter's wife rather than the trailblazing feminist icon who coined powerful female anthems like Irreplaceable, Single Ladies and Independent Women from her Destiny's Child days.

As a feminist, the whole concept of supporting other women is a wonderful cause, especially talented female artists who have helped pave the way for other women through their creative & innovative work.

YA author Georgia Clark's first adult novel, The Regulars, drops readers effortlessly into the lives of three 20 - something best friends trying to make it in New York City: Evie, an aspiring writer and diehard feminist who hates her job at a trashy magazine; Willow, an ethereal and troubled aspiring artist; and Krista, the confident trainwreck of a best friend so many of us have had.

Using what he calls a «queer feminist perspective,» Simmons picked artists working today who go beyond these subjects in their work.

The feminist's first reaction is to swallow the bait, hook, line and sinker, and to attempt to answer the question as it is put: i.e., to dig up examples of worthy or insufficiently appreciated women artists throughout history; to rehabilitate rather modest, if interesting and productive careers; to «re-discover» forgotten flower - painters or David - followers and make out a case for them; to demonstrate that Berthe Morisot was really less dependent on Manet than one had been led to think — in other words, to engage in the normal activity of the specialist scholar who makes a case for the importance of his very own neglected or minor master.

It brings to mind our feminist precedents, radical artists who died in poverty and hunger, such as Elsa von Freytag - Loringhoven.

Inside, there are several essays and an interview with feminist art historian Linda Nochlin, who published a 1971 essay titled «Why Have There Been No Great Women Artists?»

Martha Wilson (Fellow in Performance / Multidisciplinary «01) is a pioneering feminist artist and art space director, who over the past four decades created innovative photographic and video works that explore her female subjectivity.

The section at Frieze London will be dedicated to women artists working at the extreme edges of feminist practice since the 1960s, and the galleries who supported them, including: Galerie Andrea Caratsch presenting Betty Tompkins; Blum and Poe presenting Penny Slinger; Richard Saltoun presenting Renate Bertlmann; Salon 94 presenting Marilyn Minter; and Hubert Winter presenting Birgit Jürgenssen.

Martha Wilson is a pioneering feminist artist and art space director, who over the past four decades created innovative photographic and video works that explore her female subjectivity.

Admirers of feminist artist Miriam Schapiro's (1923 - 2015) work may be surprised to learn that this influential woman who founded the Feminist Art program at CalArts...

So were Jenny Snider and Amy Snider, her sister, who got me an internship at Heresies magazine, an experience that was incredibly important in terms of my own introduction to feminist artists from the older generation as well as my own.

Repeating a 1970s - era tradition of feminist exhibition - making — one that is as entangled in debate as the long modernist tradition and its claims, critiques, and counterclaims about the studio — «Revolution in the Making: Abstract Sculpture by Women, 1947 — 2016» assembles thirty - four artists who were in each case selected for their work, but were also selected for being artists who are women.

The second nests these ideas about abstraction and the sculptural in an emphatically feminist argument, one that asserts that the production, display, and reception of such art has been shaped by the personhood of the artists who tended to practice it, and by the sexist social and institutional conditions those individuals faced under modernism.

6 Johannes Vogt's themed booth invites viewers to examine aspects of feminist philosophy, with a particular stand out from artist Monika Bravo, who's wall piece Bild - Objekt layers materials to create solid forms.

One is Griselda [Pollock], who Richmond cites to make the case that, «a feminist perspective (or problematic) is determined not by the gender or political identity of the artist but rather the «effect» of the work: «the way it acts upon, makes demands of, and produces positions for its viewers.

Sex Work will also highlight the seminal role galleries have played in exhibiting the radical women artists who were not easily assimilated into mainstream narratives of feminist art.

This selection of absorbing interactive and video works spans four decades in the career of the American artist, a feminist trailblazer who exploits new technologies in provocative ways.

The feminist analysis of art has revealed that the excellence of this major art produced by male artists, who have been credited as geniuses, has been determined as opposed to the secondary value of minor art prepared by female artists.

It ranges from the NMWA's women only collection and exhibition - programme to an entire wing of the Brooklyn Museum being dedicated to feminist art; there's also The Metropolitan Museum of Art's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artist.

The ambitious show will build a comprehensive narrative around the art and influence of black women artists (Camille Billops, Beverly Buchanan, Lorraine O'Grady, Howardena Pindell, Betye Saar, and Carrie Mae Weems among them) who, during the beginnings of second - wave feminism, «worked beyond and at times in antagonism to Eurocentric narratives of feminism and feminist art,» she says.

Speech is power: the artists in This Wicked Tongue celebrate unabashed expressions of the female voice like the witches, hysterics, and angry feminists who have come before them.

Girl is a collaboration between a South Asian and an African American artist that explores the societal baggage borne by women of color who are frequently excluded from both feminist and racial - justice conversations.

This is distinctly different from the earlier generation of women artists such as Frankenthaler, Grace Hartigan, and Joan Mitchell, who bristled at the idea of being called a feminist.

In the late 1960s Benglis effectively joined a nexus of female artists who pressed fluid materials into the service of, what I call, a crypto - feminist strategy.»

It originally served as studio space for a group of feminist artists in the 1970s — 80s, including Susanna Bixby Dakin (who ran for President in 1984), Judy Chicago, Barbara T. Smith, Linda Frye Burnham, and others.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

The section was dedicated to women artists working at the extreme edges of feminist practice since the 1960s, and the galleries who supported them.

2 Leigh's conflation of divergent sensibilities, histories, and artistic impulses fits into a respected lineage of artists who are oriented toward feminist and civil rights activist discourses, such as Faith Ringgold, Barbara Chase - Riboud, Noah Purifoy, and Miriam Schapiro, among others.

Ringgold is one of the few artists included in the exhibition who aligned herself with the mainstream feminist movement, though she, like other black women, often found it lacking, and identified more pointedly as a black feminist.

Outside the actual fairground itself, Asia Art Archive's booth was overtaken by the work of the feminist group Guerrilla Girls, who invited visitors to take a poll on how many women artists they saw at specific booths in the fair.

Exploring new perspectives on feminism, the section is dedicated to female artists who have been working at the extreme edges of feminist practice since the 1960s, including artists such as Renate Bertlmann, Birgit Jürgenssen, Marilyn Minter, Penny Slinger, and Betty Tompkins.

From prescient feminist Lynn Hershman Leeson to Cuban artist - activist Tania Bruguera to the female - led collective Futurefarmers to social practitioners Suzanne Lacy and Andrea Bowers, YBCA champions women who are creating new civic imaginaries and redefining what it means to work in the public realm.

I'm looking forward to doing more exhibits on feminist themes at The Untitled Space, and also happy to say we have included quite a few male artists in the SHE INSPIRES exhibit who are supportive of feminism.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Alert arts community members may remember Thais Mather as one - third of the Victory Grrrls, who performed at form & concept earlier this year as part of the gallery's programming around an event featuring feminist pioneer artist Judy Chicago.

Since then, there have been many artists who've used photo collage, like Pictures Generation artists John Baldessari and Barbara Kruger, as a means for expressing the ubiquity of images and bold feminist statements, respectively.

Martha Wilson is a pioneering feminist artist and gallery director who, over the past four decades, created innovative photographic and video works that explore her female subjectivity.

Although radical feminist and women's art is facing criticism, artists who belong to this art movement are still deconstructing patriarchal structures of power and oppression, through their brave and unique artistic practices.

I'm a feminist, and I am thankful for artists who have moved the conversation forward.

AB: The exhibition The Future is Female focuses on contemporary female artists who have drawn on the feminist art movement of the 1960s and 70s, which included, among others, Judy Chicago, Martha Rosler and Lynda Benglis.