Sentences with phrase «feminist artists from»

The Huffington Post shares a list of eight radical feminist artists from the 1970s who shattered the male gaze.

I don't separate great feminist artists from great non-feminist artists like Lynda Benglis or Y Pants.

Often underrepresented in the art world, a need for rebalancing has been recognised by Frieze itself this year and a specially curated section showcases work by feminist artists from the 1970s and 1980s.

Jenny Holzer continues tradition of feminist artists from 1970s, dealing with the complex visual narratives and inscription of the women into language.

Nancy Spero is one of the most influential American feminist artists from the 20th century; however, her large - scale 2007 installation Maypole: Take No Prisoners has so far never been exhibited at her home country.

So were Jenny Snider and Amy Snider, her sister, who got me an internship at Heresies magazine, an experience that was incredibly important in terms of my own introduction to feminist artists from the older generation as well as my own.

Gingeras is an independent curator as well as holding an adjunct curatorship at Dallas Contemporary, where she most recently curated Black Sheep Feminism: The Art of Sexual Politics, which examined the work of four radical feminist artists from the 1970s: Joan Semmel, Anita Steckel, Betty Tompkins, and Cosey Fanni Tutti.

The artwork was placed in the room which presented feminists artists from such distanced parts of the world as Cuba (Ana Mendieta) and former Yugoslavia (Sanja Ivekovič).

Not exact matches

When details of her self - titled 2013 album were originally leaked earlier that year under the moniker Mrs. Carter, it was panned by some critics for its foreshadowed embrace of the artist's still - new identity as hip - hop mogul Sean «Jay - Z» Carter's wife rather than the trailblazing feminist icon who coined powerful female anthems like Irreplaceable, Single Ladies and Independent Women from her Destiny's Child days.

No such luck for the other Lebowski, his bimbo wife, or his affected daughter (Julianne Moore, in a nasty parody of a feminist artist), all loosely derived from The Big Sleep; a sleek pornographer (Ben Gazzara) even more loosely derived from Chinese Bookie; or the seven assorted thugs injected periodically into the action, each one a separate gag or cliche.

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It's definitely a mix, but of course most of the lectures on campuses are attended by students and faculty from the queer / feminist studies and art departments, with a smattering of local cartoonists and artists.

Grants to poets, fiction and nonfiction writers, visual artists, and for a mixed - genre category (illustration and text) to feminist women in the arts; amount ranges from $ 500 to $ 1,500.

Artists from all over the country flocked to New York in the»70s to live in its cheap lofts and to show in its new breed of art spaces — from the Kitchen to the Clocktower Gallery to Artists Space to A.I.R., the first feminist art gallery.

Bluestone Babe, the renowned artist and feminist, will be flying over from Brooklyn to tattoo a series of her designs for the weekend event.

Such attempts, whether undertaken from a feminist point of view, like the ambitious article on women artists which appeared in the 1858 Westminster Review, 2 or more recent scholarly studies on such artists as Angelica Kauffmann and Artemisia Gentileschi, 3 are certainly worth the effort, both in adding to our knowledge of women's achievement and of art history generally.

This, on the surface of it, seems reasonable enough: in general, women's experience and situation in society, and hence as artists, is different from men's, and certainly the art produced by a group of consciously united and purposefully articulate women intent on bodying forth a group consciousness of feminine experience might indeed be stylistically identifiable as feminist, if not feminine, art.

From a feminist perspective, Collins's «70s work, which consists almost exclusively of films and photographs of the artist staring at attractive young women, can look like one long, unapologetic, unredeemable celebration of the male gaze.

Feminist scholar Lisa Tickner argues that feminist art freed artists from the Oedipal narrative of art history, which she interprets as generations of (male) artists reacting to and rejecting the work of their «art fathers.»

As the title suggests, the exhibition casts a wide net, capturing everything from cultural artifacts (feminist literature, earthenware) to graphic design (exhibition posters, bakery business cards), to unique artists» works influenced by graphic novels, Girl Scout badges, stock photography, and other bric - a-brac.

6 Johannes Vogt's themed booth invites viewers to examine aspects of feminist philosophy, with a particular stand out from artist Monika Bravo, who's wall piece Bild - Objekt layers materials to create solid forms.

From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.

The anthology includes 68 titles by more than 60 artists, and is curated into eight programs ranging from conceptual, performance - based, feminist, and image - processed works, to documentary and grassroots activism.

Recent publications explore the work of artists previously marginalised from art discourse and institutions including Otherwise: Imagining queer feminist art histories (Manchester, 2016); Seeing Differently: A History and Theory of Identification and the Visual Arts (Routledge, 2012); The Feminism and Visual Culture Reader (Routledge, new edition 2010); and Irrational Modernism: A Neurasthenic History of New York Dada (MIT, 2004); and numerous articles.

She is an artist whose self - image paintings from the 1970s have become iconic feminist works of art.

It ranges from the NMWA's women only collection and exhibition - programme to an entire wing of the Brooklyn Museum being dedicated to feminist art; there's also The Metropolitan Museum of Art's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artist.

Los Angeles - based artist and writer Maya Gurantz talks about: Getting out of the staid confines of where she grew up, and what it was (and is) like being an angry feminist from an early age; her «accountability group,» a group of women artists...

Nearly 50 artists are featured, from feminist icons like Betty Tompkins and Joan Semmel to emerging names fighting the same fight those women did against censorship and taboos decades ago.

Stout rattled off a long list of artists already lined up for solo shows whose output explore subjects ranging from feminist to queer identities, while others have anti-capitalist motifs.

How she's teaching younger artists from a younger generation and building these communities that are cross generational, building these communities that are about marginalized communities, these feminist collectives.

In North America, artists from the older feminist guard also took to the web.

Girl is a collaboration between a South Asian and an African American artist that explores the societal baggage borne by women of color who are frequently excluded from both feminist and racial - justice conversations.

But I would say I was a black artist more readily than a feminist artist because the political angle in my work has been stronger from that point of view.

Inspired by DIY political posters, the new drawings are from the artist's ongoing series of feminist graphics on cardboard supports.

This is distinctly different from the earlier generation of women artists such as Frankenthaler, Grace Hartigan, and Joan Mitchell, who bristled at the idea of being called a feminist.

From protest at the lack of inclusion of women artists in galleries and museums, to resuscitation of the degraded languages of decorative and craft - based arts, the first phase of feminist art making was activist, passionate, and especially concerned with altering art history.

The artist explores African and African American ritual from a feminist perspective.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

She is a key voice from the first generation of American artists to base their practice in feminist issues, and she has shown her paintings, collages, installations, and photographs worldwide.

Highlights this year include curated gallery sections dedicated to discovery and radical feminist practice, Frieze Projects» non-profit programme featuring commissions from 11 international artists and for the first time this year, Frieze Sculpture, London's largest free showcase of major outdoor works.

The artist best known for pulling a feminist tract from her vagina in 1975 always has more tricks up her....

Several of the trailblazing female artists represented by P.P.O.W. (E03) embraced the grid as a conceptual and feminist tool, subverting the art - historical status quo — from Dotty Attie's gridded canvases exploring the gendered gaze and Martha Wilson's photo - and - text - based representations of embodied personas to Carolee Schneemann's 1980s photo grids comprising images of isolated lips, nostrils and nipples, or her interactions with her beloved cat.

As an artist, feminist and lifelong activist, Nancy Spero researched the obscured histories of women to create a figurative cast of characters, a kind of repertory company, culled from many eras and cultures.

Before Kali has a wide range of references, from Indus Valley figurines, to ancient Indian Rasa theory that deals with art and aesthetics, to premodern sculptures, current political events, references to Western art history and contemporary feminist artists such as Louise Bourgeois and Maria Lassnig.»

From prescient feminist Lynn Hershman Leeson to Cuban artist - activist Tania Bruguera to the female - led collective Futurefarmers to social practitioners Suzanne Lacy and Andrea Bowers, YBCA champions women who are creating new civic imaginaries and redefining what it means to work in the public realm.

This month the legendary feminist artist will turn 75, and the Tri-state area is about to explode into a trio of celebrations of the Los Angeles artist, including a survey called «The Very Best of Judy Chicago» at Jersey City's Mana Contemporary and another one displaying her early paintings, videos, and sculptures from the 1960s and»70s at the Brooklyn Museum.

The feminist art movement emerged in the 1960s with women artists taking an interest in how they differed from their male counterparts.

Supported by an Art Fund Jonathan Ruffer curatorial grant, it brings together work by artists including Louise Bourgeois, Claude Cahun and Woolf's sister Vanessa Bell, and invites us to view them from feminist perspectives.

Jill turned Rochdale art gallery from a staid northern backwater into a force to be reckoned with, known for exhibitions celebrating the oppositional stance of some of the most significant feminist, black and working - class artists of the 80s.

Women, from contemporary artist Lisa Yuskavage to modernist painter Frances Strain, are on show at Jeffrey Deitch's recreation of the late feminist artist Florine Stettheimer's studio.