The conception was supposed to be liberal, but it was rejected by black and
feminist critics further to the left.
Not exact matches
Monitor film
critic Peter Rainer praised Streep's performance as Post publisher Katharine Graham, writing, «In inexorable increments, she transforms what might have been just another
feminist standard - bearer into something
far more complex.
Encouraged by her friend, the
feminist art
critic Lucy R. Lippard, Chicago produced the most emotionally and aesthetically raw of her vulvar images thus
far, pairing anatomically explicit drawings with handwritten, diaristic accounts of rejection and self - acceptance.