Not exact matches
Eighty - one - year - old Jacob, who has attended every festival
since 1964 and became its chief selector in 1978, added: «The job of
feminists and of people like me who like the work of female
film - makers is to say to him: «Are you sure there isn't somewhere a
film by a woman that deserves to be competing?»
The Post is also, surprisingly, the most
feminist film Spielberg has made
since 1985's The Color Purple.
Since then, Cornell has co-curated a solo show of Puerto Rican artist Beatriz Santiago Muñoz's
films at the New Museum and a stunning group show, «Invisible Adversaries,» which used the work of radical
feminist artist VALIE EXPORT as a jumping off point, at Bard College's Hessel Museum of Art.
These works represent and illustrate the key stages of the
feminist discourse and
feminist film theory
since the 1970s.