Her interest lies in
feminist histories and female experiences and sees her use of fabric and surface manipulation as an explicitly feminist action.
This commitment to recording the histories and bodies that become consigned to the periphery, particularly queer and
feminist histories, has been ongoing throughout Carland's artistic practice.
O'Grady subsequently found her way through photography, performance, writing, photomontage and film to critically engage the complicated power structures, institutions, and social constructs that guide
feminist histories, interracial relationships, biculturalism, and Western subjectivity.
Her work engages
feminist histories of the body in the visual and material culture of the medieval west.
Using the format of a reading group the collaboration explores the intersections of identity politics with shared queer and
feminist histories across time.
This group included Judith Bernstein, Louise Bourgeois, Martha Edelheit, Joan Semmel and Eunice Golden, among others, and has become a central focus of revisionist
feminist histories.
There's actually a deeply
feminist history to the mind - body connection and how it relates to the female experience.
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Inspired by a true story, the crackerjack crowd - pleaser «Made in Dagenham» dramatizes the factory walkout she led, turning this forgotten page in
feminist history into an inspirational joy.
Judy Chicago added an earnest
feminist history that feminists of the «Pictures» generation might have parodied.
She is known for her work to dismantle the sexist, racist and homophobic structure of the art world, and seeks to elaborate a queer, anti-racist,
feminist history and theory of modern and contemporary Euro - American visual arts.
To see Orly's arrestingly frank, personal images sewn upon kitschy vintage table runners is to understand immediately the many changes in the tenor of cultural expression between then and now, and in conflating today's brand of cultural confessionalism with yesteryear's kitschy conservatism her work encapsulates a sweeping arc of
feminist history.
Even though her work is part of
the feminist history, she actively work, teaches and exhibits regularly — independently and within the art groups.
Besides her artwork, Piper made a significant scientific contribution to contemporary philosophy, and frequently is listed as «singular case» in
feminist history after she became the first woman as African - American philosophy professor to receive academic tenure in the United States in 1991.
Like the anthology, the conversation highlights Kelly's sustained engagement with feminism and
feminist history and her engagement with themes including labor, war, trauma, and the politics of care.
But there were a number of exhibitions that took on pieces of
feminist history.
Using everything from smoke and steel wool, to glass and chemicals, Quinlan manipulates her negatives, and subject matter, exploring
feminist history, visual illusion and the photograph as object.
Medium: Painting, sculpture, installation Style: Psychedelic,
feminist history lesson Birthday: 1939 Superpower: Chicago, who coined the term «feminist art» and started the first feminist art program in the United States, has worked in media ranging from the stereotypically feminine (needlework and textiles) to the stereotypically masculine (welding and pyrotechnics), erasing distinctions along the way.
It consists of a series of live performances by artists from Greece and abroad, as well as a special tribute to the artist Ana Mendieta (Cuba, 1948 — New York, 1985) who holds an emblematic position in
the feminist history of art, which will run for the whole duration of the Biennale (SMCA, Moni Lazariston, 30 September 2017 — 14 January 2018).
Essays and interviews that span Mary Kelly's career highlight the artist's sustained engagement with feminism and
feminist history.
The conversation will highlight Kelly's sustained engagement with feminism and
feminist history and her engagement with themes including labor, war, trauma, and the politics of care.
Eileen Quinlan's (American, b. 1972) forays into abstract photography are grounded in
feminist history and material culture.
Not exact matches
In the past men and women have repelled feminism for different reasons, says U.S. historian Estelle Freedman, who specializes in women's
history and
feminist studies.
Revolutionary
feminists employ a variation of the Marxist use of
history as an agent of change in the revolution; they assert that
history is a means for transformation of the feminine self - image, so that women may increase their self - esteem and actualize themselves fully rather than be suppressed as during patriarchal
history.
When I claim that label, I'm connecting not only with a number of active
feminists who are working today to help women, but with an ongoing
history of
feminists who got women the vote, who made birth control happen, who got women into positions of power in the government, who worked to rectify racial inequality and fight against things like mandatory sterilization of welfare recipients.
Peter Hodgson's God in
History, Mark Kline Taylor's Remembering Esperanza, and a number of
feminist projects have recently made similar claims.
Some turn to the East, particularly to Taoism; some to Native American perspectives and other primal traditions; some to emerging
feminist visions; still others to neglected themes or traditions within the Western heritage, ranging from materials in Pythagorean philosophy to neglected themes in Plato to Leibniz or Spinoza; and still others to twentieth - century philosophers such as Heidegger or to philosophical movements such as the Deep Ecology movement.9 As one would expect in an age characterized by a split between religion and philosophy, few environmental philosophers turn to sources in the Bible or Christian theology for help, though some — Robin Attfield, for example — argue that Christian
history has been wrongly maligned by environmental philosophers, and that it can serve as a better resource than some might expect (WTEE 201 - 230).
Although
feminists are extremely critical of the way men have written
history and have understood the historical process, and although they sometimes call for the kind of sheer presence in the moment that is characteristic of Buddhists, nevertheless, they are inevitably immersed in social and historical analysis.
Thus, in reclaiming the creative, everyday nature of the garden,
feminist theologians must acknowledge its muddied
history.
Again, the
history that gave rise to this book is a distinct one, involving the whole
feminist movement, but also the hopes raised and dashed among Catholic women by the Second Vatican Council and its aftermath.
Later,
feminists pointed out the patriarchal bias that had shaped the whole
history of scholarship.
But one of the things I've always loved about blogging is that I get to my whole self here: I get to love theology and Church talk, I get to write about mothering and family and marriage, I get to crack jokes at my own expense, I get to love Doctor Who and Call the Midwife, I get to love thrifting and knitting and pretty things as well as being a Jesus
feminist, I get to be a homemaker who talks recipes and cleaning and laundry as well as a lover of literature and poetry and
history and Girl Power, I love the local church and yet I don't wear rose - coloured glasses about this stuff.
In American
history the parallel referent, and that which
feminist theology continues, is the understanding of education as the training of citizens.
One can point to the emergence of a variety of critical approaches to religion in general, and to Christianity in particular, which have contributed to the breakdown of certainties: These include historical - critical and other new methods for the study of biblical texts,
feminist criticism of Christian
history and theology, Marxist analysis of the function of religious communities, black studies pointing to long - obscured realities, sociological and anthropological research in regard to cross-cultural religious life, and examinations of traditional teachings by non-Western scholars.
Deep ecologists, like
feminists, have been led to explorations of
history, of individual psychology, and of how we raise and educate our children.
You may not be a
feminist, but you certainly take a
feminist reading of
history — that men have always had huge advantages over women.
The Court moved a long way toward making homosexual conduct a constitutional right, adopted the radical
feminist view that men and women are essentially identical, continued to view the First Amendment as a protection of self - gratification rather than of the free articulation of ideas, and overturned two hundred years of
history to hold that political patronage is unconstitutional.
This gives womanist scholars the freedom to explore the particularities of black women's
history and culture without being guided by what white
feminists have already identified as women's issues.
Feminists have taught us to read our
history in a way that shows how even the more favored women have been treated as male property, excluded from the possibility of developing and expressing their independent capacities, identified chiefly by their relations to men, and expected to shape their lives for the sake of husbands and children.
One of the foremost
feminist theologians of the time, she was trained in church
history arid historical theology and has published widely on feminism, the Christian roots of anti-Semitism, and the situation of the Palestinians.
If Regina was so well researched and
feminist, she would have read Inga Muscio's manifesto entitled Cunt, which gives the
history of and evolution of the word cunt.
At a juncture in
history during which women are seeking equality with men, science arrives with a belated gift to the
feminist movement.
Although not known for enjoying interviews, Clifford was keenly interested in film
history and made appearances in two documentaries on the subject: the 1984 Ulster Television program A Seat in the Stars: The Cinema and Ireland and historian Anthony Slide's ground - breaking The Silent
Feminists: America's First Women Directors.
Readers of literature will find it too shallow, scholars of
history will find it skewed,
feminists will think it too masculine, filmmakers will be distracted by the inept camera work, and generally anyone will respond as Goldilocks.
Bill Clinton: A Reckoning — Caitlin Flanagan asks if it's time to make things right after
feminists saved the 42nd president in the 1990s, putting them on the wrong side of
history.
Basic Instinct was championed by
feminist critic Camille Paglia, who argued that it features «one of the great performances by a woman in screen
history.»
It was hard to watch young
feminists turn their backs on Hillary Clinton and dismiss her
history - making run.
Subtly
feminist, she paints a portrait of women making their way in a male landscape, steeped in pioneer
history and overshadowed by economic disappointment.
Mary Anning, her subject in Remarkable Creatures, is a rock star to the natural
history museum set, a
feminist hero dangled before little girls to get them excited about science and to prove that paleontology is not just for boys... Chevalier takes a sensational figure (and Mary Anning was a real celebrity in her own day) and focuses on the quiet, unsensational part of the story.
Mary Anning, her subject in Remarkable Creatures, is a rock star to the natural
history museum set, a
feminist hero dangled before little girls to get them excited about science and to prove that paleontology is not just for boys.