«What,» she asks in an interview, «does
a feminist photographic practice look like if there are no bodies?»
Not exact matches
Seducing the Machine, an exhibition of digital video and
photographic work, marks the culmination of Katherine Nolan's doctoral research into narcissism, performance and contemporary
feminist practice.
Despite the cultural and geographic discrepancies, this selection will exhibit common threads and shared politics in
feminist art
practices across Western Europe, as well as exploring the different usages of the
photographic medium.