Watts and Knightley found plenty of cheerleaders following
the festival debut of their films, but the Best Actress game - changer was still yet to come.
Though it would make for the director's second
festival debut of the year — his «A Most Wanted Man» debuted at Sundance in January, and is hitting theaters this month.
Not exact matches
Bridgeview, Illinois and Toyota Park will host the 3 - day
debut of the Chicago Open Air music
festival, which will feature performances by more than 60 rock music artists, an outdoor Gourmet Man Food and craft beer village and other entertainment from July 15 through July 17, 2016.
Written, directed, and produced in Wake County, the documentary, «Certain Proof: A Question
of Worth,»
debuted in April at Colorado's Vail Film Festival and is slated for screening at four other film
festivals.
First thing next month (Friday January 2) will be the primetime
debut of a film that has been making the «under the radar» rounds
of women and film
festivals since May.
musical show and the grand
debut of Princess Elena
of Avalor, and parents will enjoy sampling the food and beverages from 14
festival marketplaces.
After an incredible
debut outing last July, which saw us welcome nearly 15,000
festival - goers, we've been absolutely thrilled with the enormous public response to this annual
festival of discovery.
Saturday, Oliver made his
festival debut at West Fest and loved every minute
of it.
If you have never participated in an arts
festival and want to, I encourage you to go and check out some
of your local
festivals and start planning your
festival debut!
It simply can't be a coincidence that the first weekend
of Coachella, aka the
debut of festival season, and the unbelievable SHOPBOP spring sale is happening at the same time.
Sensory Speed Dating
debuted in 2013, and has since been held at a raft
of music
festivals in the UK and the US, as well as venues in London and New York including the Queen
of Hoxton, Book Club, the House.
The question
of whose disobedience, and what kind
of disobedience it is, are at the heart
of this absorbing and moving love story from Chilean director Sebastián Lelio, his English language
debut, following very quickly on the heels
of his film A Fantastic Woman which has been a
festival - circuit hit this year.
(Note that any Tribeca premieres that have already
debuted to the public prior to today — including the film Duck Butter, the Netflix miniseries Bobby Kennedy for President, and the new season
of Westworld — are omitted, since they have subsequently been reviewed outside
of the
festival.)
Below, find out what critics are saying about all
of this year's notable
festival debuts, including films that screened out
of competition or as part
of the parallel Directors» Fortnight and International Critics» Week programs.
Below, we recap the reactions from critics to the major films screening at this year's Telluride, Venice, and Toronto International Film
Festivals, considered the most prestigious events
of the season and the locales where many future Oscar nominees first
debut.
Following his other 2017 effort, the sex comedy bomb
of The Layover, William H. Macy is better than Krystal, as proven by his own distinguished acting resume and 2014 directorial
debut and
festival favorite Rudderless.
Taylor - Joy became a bit
of a Sundance sensation when The Witch
debuted at the
festival in 2015.
Céline Sciamma's 2014
festival favorite — it
debuted at Cannes» lauded Directors» Fortnight, later making stops at Toronto, London, Hamburg, and more — is a highly relatable coming -
of - age tale set against an indelible backdrop.
In fact, nearly every Best Picture winner in recent memory made its
debut at one
of the major fall film
festivals.
In the nearly 10 years since he premiered his
debut Timecrimes at Fantastic Fest, Spanish director Nacho Vigalondo has become the
festival's semi-official mascot, dancing furiously to karaoke renditions
of The Killers in a Fay Wray costume at the closing night party and accepting hugs and high - fives from
festival...
The feature
debuted in Cannes and played a slew
of festivals including Toronto and New York.
In the past few years, the best picture - nominated likes
of «Precious,» «An Education,» «The Kids Are All Right,» «Winter's Bone» and «Beasts
of the Southern Wild» all
debuted at the
festival.
A24 picked up the domestic rights for Noé's latest after it
debuted during the first half
of the
festival.
Ana Lily Amirpour follows up her alt - cult sensation A GIRL WALKS HOME ALONE AT NIGHT with her sand - blasted, dystopian love story THE BAD BATCH; Maren Ade delivers what will be the most uncomfortable film
of the
festival, the desert - dry black comedy TONI ERDMANN; and Julia Ducournau's directorial
debut, RAW, takes us on a cannibalistic coming -
of - age shock ride that resonates long after its stunning finale.
The most impressive directorial
debut of the
festival was Women Without Men (Neshat, 2009), directed by accomplished Iranian visual artist Shirin Neshat.
Comodin won admirers with his 2011 feature
debut Summer
of Giacomo, and this follow - up, though perhaps too obviously beholden to the likes
of Lisandro Alonso and Apichatpong Weerasethakul, contained some
of the most haunting passages
of the
festival.
Guillermo del Toro's fairy tale noir «The Shape
of Water» tied with Greta Gerwig's coming -
of - age directorial
debut «Lady Bird» for best film
of the
festival.
After playing most
of the fall
festivals, including
debuting at our beloved Telluride Film
Festival, Anomalisa has only had a still or two floating around to tease the masses unable to seek out a
festival screening.
The studio turned heads when it picked up the actor's directorial
debut for a record - breaking $ 18.5 million deal, but their clear - cut plan to turn «The Birth
of a Nation» into their next Oscar powerhouse was derailed after Parker's college rape allegations and subsequent trial resurfaced just ahead
of the film's fall
festival launch.
After a sizable
festival run including a
debut at Sundance, The Orchard opened docLife, Animated in three theaters with a so - so start as
of Sunday.
Freestyle Digital Media has
debuted an official trailer for an indie comedy titled Bernard and Huey, from director Dan Mirvish (co-founder
of the Slamdance Film Festival), which premiered at a few small film
festivals last year.
One
of my favourite films on the
festival circuit last year, from Sundance to Toronto After Dark, was the
debut feature from Polish director Agnieszka Smoczynska.
Tipping makes his feature directorial
debut and is regarded as one
of the independent and
festival space's hot emerging talents after his Student Academy 2012 bronze medal - winning short Nani and Swimming In Air earned plaudits.
2015 TRIBECA FILM
FESTIVAL: Scottish director John Maclean mimics the heart and charisma
of the old western with his feature film
debut «Slow West» starring Kodi Smit - McPhee and Academy Award nominee Michael Fassbender.
The film has won the Prize
of the Ecumenical Jury at the 2011 Cannes Film
Festival and was also nominated for the
festival's Palm d'Or Cannes and now it's making its DVD and Blu - ray
debut March 12.
This week Gerwig brought her solo directorial
debut Lady Bird to the
festival which has had a remarkable number
of films by and about about women this year.
Whatever the massive circle
of relatives key's, it were given audiences on the Sundance and SXSW Film
Festivals to heap reward upon Ari Aster's feature - length
debut.
The slate includes a number
of familiar names, most notably «Simon Killer» filmmaker Antonio Campos, who will return to the
festival with «Christine» (a narrative feature about TV reporter Christine Chubbuck, who killed herself live on - air in 1974; interestingly enough, the Sundance slate also includes a Chubbuck - centric documentary, «Kate Plays Christine,» a new feature from director Robert Greene that looks to blend fact and fiction in ways similar to his previous documentary, «Actress») and «This is Martin Bonner» director Chad Hartigan, who will
debut his «Morris from America» at the
festival.
I heard a lot
of buzz from the
festival circuit about how Evan Katz «s
debut feature was a top - notch horror film, so imagine my surprise when it turned out to be something entirely different.
The reception inside the Sala Grande was rapturous and one
of the most emotional
festival debuts in recent memory.
The
festival closed with a screening
of another Sundance
debut, «Don't Worry, He Won't Get Far On Foot,» Gus Van Sant's new film about cartoonist John Callahan.
Opening the
festival is Alias Loner, the
debut feature
of Latvian writer / director Normunds Pucis.
We'll be seeing Saoirse again in January when director Josie Rourke's
debut film for Working Title, Mary, Queen
Of Scots, opens (though it will most likely play the autumn film
festivals first).
The film
debuted at the fall film
festivals and was released in the United States at the tail end
of last year.
Of the features sampled before the festival, many provided MIFF with its best and brightest offerings, including the Michael Haneke's beautiful, brave and brutal Palme d'Or winner Amour and debut director Behn Zeitlin's spellbinding and striking Sundance hit Beasts of the Southern Wil
Of the features sampled before the
festival, many provided MIFF with its best and brightest offerings, including the Michael Haneke's beautiful, brave and brutal Palme d'Or winner Amour and
debut director Behn Zeitlin's spellbinding and striking Sundance hit Beasts
of the Southern Wil
of the Southern Wild.
Meanwhile, the unexpected gem
of the
festival was «Locke,» a showcase for the fine performance
of Tom Hardy, and some assured direction by Steven Knight, who bounced back from middlingly received
debut «Hummingbird» with a bold and compelling drama.
Also at the
festival are under - the - radar pictures like the Clive Owen / Juliette Binoche film «Words And Pictures,» Andre 3000 - starring Jimi Hendrix biopic «All Is By My Side,» comedy - drama «You Are Here,» the feature
debut of «Mad Men» creator Matthew Wiener, Biafra war film «Half Of A Yellow Sun» with Chiwetel Ejiofor, the James Corden - starring «One Chance» (which has the Weinstein Company «s backing, but seems more «Unfinished Song» than «Silver Linings Playbook «-RRB- and, perhaps most importantly, Stephen Frears ««Philomena,» which could see Judi Dench being in contentio
of «Mad Men» creator Matthew Wiener, Biafra war film «Half
Of A Yellow Sun» with Chiwetel Ejiofor, the James Corden - starring «One Chance» (which has the Weinstein Company «s backing, but seems more «Unfinished Song» than «Silver Linings Playbook «-RRB- and, perhaps most importantly, Stephen Frears ««Philomena,» which could see Judi Dench being in contentio
Of A Yellow Sun» with Chiwetel Ejiofor, the James Corden - starring «One Chance» (which has the Weinstein Company «s backing, but seems more «Unfinished Song» than «Silver Linings Playbook «-RRB- and, perhaps most importantly, Stephen Frears ««Philomena,» which could see Judi Dench being in contention.
One
of the breakout films from the
festival circuit this year was the unexpected narrative
debut from Maggie Betts (who received high praise for her documentary feature
Ranging from
debut to valedictory work, most
of these fiction and documentary features have American distribution and will be presented at other
festivals.
Debuting at the Tribeca Film Festival last spring, playing a couple
of smaller
festivals afterward, and then quietly disappearing from the radar, don't worry if you haven't heard about «The Driftless Area.»