Not exact matches
A
few weeks ago I was a lone
author / baker and now I have two photographers, a hired proof - reader,
copy editor, and an indexer.
I can point to moments of good fortune in the life of the book, but then, so can other
authors whose books sold either far more or far
fewer copies than mine did.
Author affiliations are particularly important in the academic world — if a professor at University X writes a book, chances are high for course adoption or at least that the library will purchase a
few copies.
If I remember correctly, the last time I ordered
author copies for a book with approximately the same page count as the special edition of Vengeance, it cost $ 4.99 (give or take a
few cents).
Many
authors sell maybe only a
few hundred
copies of their books.
Sales for the average
author mill title are around the same as for the average self - published title:
fewer than 200
copies.
According to Writer Beware statistics, most POD runs sell
fewer than 200
copies to «pocket» markets — friends and family of the
author.
Indeed, our not - so - independent - as - all - that bookstores here in the Portland area apparently don't even bother to read the cover blurbs (since these stores feature and proclaim the very
authors cited, yet will neither schedule a reading from this novel, nor accept except — after much pleading — a very
few copies on consignment.
He engages his readers on so many social media platforms that it is hard to imagine he has any time to write his bestselling novels, and yet he has sold nearly 1 million
copies of his books and recently achieved a feat
few traditional
authors have...
After working with fellow indie
authors in NIWA for a
few years now, I've decided that it's stupid that I don't have print
copies of my books available on Amazon (and by extension, a couple other places that carry books published via CreateSpace / KDP).
Author copies don't cost much, but you still have to convince folks to buy a
few.
Self - publishing - paying a printer to run off a
few hundred
copies - has long been available as a last resort to frustrated amateur
authors.
But, ever thinking of the company's welfare, the rep quickly offered to print a
few hundred
copies of the book for the
author.
The group's application of new technologies and publishing on demand reduced the cost of publishing a book to a fraction of what it had been for previous generations;
authors now have the ability to publish a book in as little as six weeks and print as
few as a single
copy.
How many front list
authors go on tour and report back about hosting events where a handful of people showed up and only a
few copies of their books were sold?
If the Vault becomes a backwater for
authors with typical self - pub sales (a
few hundred
copies), professionals will probably stay away.
«If the Vault becomes a backwater for
authors with typical self - pub sales (a
few hundred
copies)» That's the problem, isn't it?
Well, that money will have to come from something other than marginal cost of production... probably either
author advance, or by publishing
fewer books by more marginal
authors (those who sell less than 20,000
copies).
If you are unfamiliar with the royalty structure on most major retailers, then you may be asking yourself: How is it that
authors earn more money at $ 2.99 - $ 4.99 than they do at $ 0.99 - $ 1.99, when they sell
fewer copies of their book?
Many books people «think» are successful earn the
author only a
few thousand and might sell just 1,200
copies.
And of course they can rely more on the efforts of
authors to sell their books, because they can make a profit by selling
fewer copies.
Hypothetically, what if an
author had published 1,000 books, each of which sold only a
few copies,» Coker said.
While Big Five print titles, for example, may sell more than the average indie
author's work, a self - published
author has to sell far
fewer copies than a traditionally published
author to earn the same amount of income.
And quite a
few authors have sold 10,000 plus
copies in their first year after getting selected by this program.
Posted by Victoria Strauss for Writer BewareA
few years ago, I wrote a post on the difference between copyright (literally, the right to
copy or reproduce, ownership of which guarantees
authors control over their intellectual property) and rights (the... -LSB-...]
The
authors give a
copy of their book, hand over a
few bucks, and fill out a form.
This would eliminate all those Fake
Authors who are getting pittances for advances from Big Publishers and who sell only a
few hundred
copies, or those Wannabe
Authors who aren't getting any advances at all from their small - press publishers.
Most
authors copy down a
few paragraphs from their book's introduction and leave it at that, missing out on a huge opportunity.
TPL now receives about 300 requests per year from
authors to consider self - published books, although it ultimately adds far
fewer than half of those to its collection as either hard
copies or ebooks in OverDrive.
Other
authors write even
fewer words and just
copy and paste the description on the back of their book jacket.
The
authors see that 1,000
copies of their books sold in the first
few days and tell all of their other
author friends.
But having a
few copies of the
authors» books handy for these instances means giving away their work — which still isn't a bad thing — but there's only so long an
author can afford to give away her print material.
With more and more self - published
authors getting «discovered» by the traditional publishing industry and in many cases having their originally self - published books redistributed by a major publishing house, what becomes of those
few original
copies that readers came to love from the very beginning?
The role of design is to help translate the heart, tone, and essence of the writing into a visual metaphor that hooks a potential reader and gets them to come closer, to read the cover
copy, to learn more about the
author, to take the book seriously, to get excited about what's inside, to preview the first
few pages, and then let the words of the book take them away.
We've been approached by many
authors who tell us they're self - publishing their book when what they've actually done is had a
few copies printed, or posted an electronic version of it on Amazon.
Mmm, 9.99 is the most I'd pay for an ebook myself; and I'll sulk if for the
few handful
authors I'd pay more for didn't have a physical
copy of the book for me to order.
What I mean is: if you're a self - published
author with a book (or maybe a
few books) and you'd like to see sell more
copies, you absolutely have to be making use of Social Media.
Author Susan Bischoff who has a subscription to BookBuzzr
Author Pro and is giving away over 30 free
copies of her e-book on Freado.com has seen her book's Amazon rank increase substantially over the last
few months.
If it has zero reviews and the
authors aren't giving away review
copies or soliciting reviewers; if the book cover sucks; if the description is poor; if the first
few pages have weak beginnings or spelling or grammatical errors — and I'd guess that fully 75 % of self - published ebooks have these problems — then of course the books will sink and visibility will be an issue.
Some books published by vanity publishers for first time
authors have gone on to become highly successful while some sell only a
few copies.
Currently, when I get a strong recommendation from a friend it's a
few days before I get around to a bookstore and take a look at it (of course, with the exception of getting lent a
copy which actually is zero profit to
author or publisher).
I have ordered several proofs and
author's
copies from CS over the last
few months.
T.K. Kenyan,
author of Rabid, also uses BookScan numbers to report that of 195,000 new titles published in the US each year, 70 % sell
fewer than 500
copies a year.
Indie
authors publish their books for free, most of the best sellers are only priced at 99 cents, and the rest sell on average a
few hundred
copies.
Indie
authors publish their books for free, most of the best sellers are only priced at 99 cents, and the rest sell on average a
few hundred
copies, if that.
Of course, below that broad shoulder is the famous «long tail» of
authors who move a
few hundred
copies per year.
As traditional publishers look to prune their booklists and rely increasingly on blockbuster best sellers, self - publishing companies are ramping up their title counts and making money on books that sell as
few as five
copies, in part because the
author, rather than the publisher, pays for things like cover design and printing costs.
Now if Amazon, the
authors, and publishers really wanted to make more money off me, they'd just need to create the «Kindle Unlimited discount purchase plan»: after reading a KU book, give me the opportunity to get a permanent
copy for just a
few bucks more.
Of course there were a
few success stories to fuel the flames, but in many cases naïve
authors found themselves with a large invoice and 2,999
copies of their book in the bedroom cupboard.
Yes, these books tend to sell
fewer copies than some of their 99 - cent cousins, but in this case the
author is not going all out to make an immediate splash.