Sentences with phrase «few authors working with»

There are a few authors working with traditional publishers who actually think in these terms.

Not exact matches

King lists a few authors with more than 500 books to their name (or their pen name) who have produced mostly forgettable work.
The authors believe that these efforts, together with the efforts of Catholics who work in solidarity with the marginalized population, will play a determining role in the struggle for justice and democracy in the next few years.
Blake Bailey, the author of Cheever: A Life (Knopf, 770 pages, $ 35), has more than a few fertile facts to work with.
The author thanks Liz Riggs and Jeff Rojas for helping him come up with these ideas — and giving him a few to work on himself.
I do believe it will give is a little sanity but as the author has mention before; there is a lack of passion and motivation and the moment Wenger holds them accountable for this then there will be know change in the players questionable attitude.i think you leaving out ozil and Sanchez will provide more fuel for the fire and it will need to address differently, the three at the back that put Chelsea to the sword a few seasons ago was new but worked but now we are faced with a conundrum.
Comparing their results with information from the «broader NIH postdoctoral community,» the authors find that far fewer alumni of North Carolina - based NIEHS — the only one of the National Institutes of Health located outside metropolitan Washington, D.C. — go into science policy work than do their counterparts at the institutes close to the national capital's many governmental and policy organizations.
Papers with female first authors receive 10 % fewer citations than comparable work published by men, according to a new study
A Conversation with Elmore Leonard lasts five minutes, 24 seconds and offers the author's thoughts on his original story He tells us a few nice notes about his work.
It's familiar stuff to those teachers — still far too few — who follow Willingham's work (along with lead author Paul Bruno, he helped produce the report and spoke at the event) but it's a refreshing statement aimed at preparation programs that too often fetishize theory, teachers» dispositions toward learners, or soft pedagogical skills at the expense of subject matter depth.
When It Comes to Volatile Kids, Pick Your Battles Dr. Ross W. Greene, a psychologist who works with easily frustrated children and their parents and the author of The Explosive Child, advises parents and teachers that identifying the causes of a child's frustration and working with the youngster to develop coping skills can lead to fewer explosions and more compliance.
In this respect, Dan Pink, author of A Whole New Mind, said: «The last few decades have belonged to programmers who can break a code, lawyers who know how to draw up a contract or economists who know how to work with numbers.
Dan and I first met a few years back after I interviewed him for a company I was working with, and over time it has become abundantly clear we share common ideas on how authors can market their work without being that sleazy salesman.
Last week a few of the authors we work with received their first cover concepts from their designers and we had a great time pouring over each design.
We are one of the few businesses that works hand in hand with a Literary Agent to provide information to authors... [Read more...]
Draft2digital disclosed to Good e-Reader that they have a late August release date, but they have working with a few authors in a closed beta for the past few months.
In the video, I tell you about this month's author interviews — and a few of our editors work out their issues with young literary phenom Téa Obreht.
If it succeeds, there no doubt will be quite a few more instances of it with the authors and publishers eagerly submitting their works for the subscription model.
After working with fellow indie authors in NIWA for a few years now, I've decided that it's stupid that I don't have print copies of my books available on Amazon (and by extension, a couple other places that carry books published via CreateSpace / KDP).
To ensure we are featuring authors with quality work, we do have a few steps we go through before we approve an author for the interview feature:
Should authors working with the format feel compelled to engage in a digital back - and - forth with their readers, or will this role be taken up by a select few?
A self - hosted WordPress site with a StudioPress theme has been my recommendation for the majority of authors I've worked with (and the few that weren't, I recommended Rainmaker Platform too).
Rather than describing a situation in which publishers withheld great books from consumers (which is what it sounds like on the surface of his argument), Byng feels that publishers should cut their titles — and therefore the number of authors they work with — and instead focus all of their efforts and attention on a few titles that they deem worthy.
As of this writing, Tu Books has notched a few seasons under its belt working with established and first - time authors.
Bestselling author of medical thrillers, Tess Gerritsen (Playing with Fire, and the Rizzoli & Isles series) wrote a whole blog about it a few years ago after a friend, Sandra Scoppetone, also a best selling author (Too Darn Hot) wrote this about the novel she was working on at the time: «I hate it.
I've worked with a few authors over the past year or so on their book marketing strategies.
I've had the pleasure of working with Dave for the past few months as his assistant and proofreader, and now I've asked him for an interview to share his experiences with German translations with other authors who may be interested in translating their work.
An author we work with emailed us last week, hoping we could give her a few tips for her blog.
I've worked with many wonderful authors and talked to many successful authors over the years and there are a few things that I have learned — about what makes an author successful and a stand out.
These titles are just a few successful books with effective cover designs surely the result of the team work between authors and designers who merge their talents to create strong covers to stand out in a sea of competition.
As you go through the process of selecting someone to help you, make sure you see their track record — who have they worked for, and, if possible, talk to a few authors who have worked with them.
I know that online forums are packed with authors for whom freebies work, but think for a few moments about how free samples work in everyday life.
Very few authors consider this author brand aspect as part of their author platform, yet it's exciting seeing this stuff work first hand with successful authors and our customers.
As we've seen with high profile Kickstarter campaigns over the last few months, studios and publisher's are often conservative in their appraisal of a work's appeal, and it's probably just a matter of time before an author sees similar success (David Mamet is giving it an early shot according to The New York Times).
As indie authors continue to find success writing and publishing (and selling) their works, mainstream publishers are playing catch - up with the boundaries of what readers want... and apparently, what they want is a few more sh ** s to give.
Strout's genius is to pack so much rich emotion into such a short work, and to do so with simple, uncomplicated language — something that, in my opinion, few authors are able to achieve.
Very few aspiring authors who query agents end up with publishing deals and their works displayed in bookstores.
I've worked with a few authors and find that I still enjoy helping them bring their work to life.
«The downside of all the availability of e-publishing means that anybody with a few words on a page in a document file can become a «published» author, so those of us who have really made this our life's work are fighting the label of «self - published author
I've had discussions with a few people about websites recently, and I'm working on a project for indie authors that could benefit from information on websites.
When I begin working with a new client on her or his stories, I recommend that the author sends a few along.
> It's funny how when many of the people who disagree with her make a few typing or spelling mistakes (for instance «shepard», she says nothing, but when someone who disagrees with her makes a slip up, then she gets sarcastic, < Anon / anon / anon / anon, sadly the above makes no sense, though I am sure you mean to say «many of the people who «agree» with her...» «She» as well as some others, may be expecting more from people who have taken this course to work with Authors, then from other posters who may be illustrator or not even in this industry.
In case you've spent the last few years imprisoned in the Big Brother House and aren't familiar with her work, I can tell you one thing that will tell you that she's a great author.
I've heard from a few Australian writers recently who wanted to know a bit more about how I work with the authors I represent.
It turned out that Duns — author of the Paul Dark series of spy novels for Simon and Schuster — had done some investigative work on a few Amazon reviews (godspeed, sir, in that abode of the damned) and come up with conclusive proof that bestselling thriller writer R. J. Ellory had engaged in sock puppeting: using aliases to write positive reviews on the site for his own books, whilst slamming those of his rivals.
If I love an author and go back to check out his early works, I'll certainly cut him some slack if a few of the big picture elements lacking — but there's really no excuse for having a book littered with typos and slopping formatting.
Might not the Booksellers Association be concerned that the very essence of its good work — the book — is challenged when the right - headed authors who create that thing are mowed down along with the very few who run porn?
There's been a lot of talk about hybrid authors in the last few years, and I've noticed that a number of authors who've had real success with their traditionally published works have also chosen that option, as well as writers who are just starting out.
I have a few friends that are Indie authors and so I was going by what they have told me (in regards to how things work with Amazon) as well as what I have read.
MAYBE once or twice a year I'll pan a book that should NEVER have seen the light of day, but the other 18 or more reviews I'll submit will embody reading recommendations (along with a few encouraging — I hope — words to authors, from time to time, about problems they could correct in future work).
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