Sentences with phrase «few feature films»

The car would later go on to appear in TV commercials and even a few feature films.
Unlike Sean Baker, who found great success in his 2015 street drama Tangerine, interestingly among the first few feature films to dabble in Apple, Soderbergh's implementation tends to draw attention to style and like the worst of found - footage (which this film mercifully isn't), ends up more as a gimmick than the product of creative budgeting.
It's crazy, but Ono has acted in very few feature films that have no connections to music.
Though best remembered for his work on television and in commercials, Rollings also appeared in a few feature films and on - stage.
It's curious that out of the few feature films I have seen Bell appear in, almost every character she plays is drug addicted.
American actor Warren Kenner primarily worked in theater but also occasionally worked on television and in a few feature films including Obsession (1976) and Sounder, Part 2 (1976).
That's why back in 2005, when Jannard was looking into it, few feature films were made with digital cameras.
Few feature film directorial debuts are as electric as Anna Rose Holmer «s The Fits.
Outside of the industry, the answer is likely very low, but Pixar, a studio that's made fewer feature films in its history than most movie studios release in a 12 - month period, either has to be the best or they automatically become the worst.

Not exact matches

While Black Panther rode a huge wave of critical acclaim and fan excitement to the biggest opening weekend ever for the month of February (and the fifth - largest of all - time), raking in more than $ 426 million worldwide, a small number of Internet trolls still did what they could to dampen the good vibes surrounding the trailblazing film, which features Marvel's first African - American director (Ryan Coogler) and a cast led by black actors such as Chadwick Boseman and Lupita Nyong» o. Starting last week, in the first few days of Black Panther «s highly - anticipated theatrical release, some Twitter accounts started trying to spread false accounts of attacks at screenings of the movie.
Here are just a few: Jordan Peele became the first African American to win the Best Original Screenplay Oscar for Get Out, and Guillermo del Toro's The Shape of Water won for Best Picture — a film featuring a female actor in the lead role hasn't won the category since Million Dollar Baby in 2004.
After winning a Best Supporting Actress Oscar for her wild - eyed turn as a mental patient in Girl, Interrupted, she attempted a few other serious acting roles but only seemed to find blockbuster success when she took on the lead role in the feature - film adaptation of the video game Lara Croft: Tomb Raider.
It's a simple structural feature that would have been scrapped with the rest of the wreckage had it not been filmed by a few Christian reporters, after being pointed out by some Christian first - responders.
And, of course, a few of us read The Shack, the best - selling 2007 novel by William P. Young, now a Hollywood - blowout feature film.
When the first video feature in what would become known as Nollywood, a film called «Living in Bondage» was released in the mid-90s, few could have imagined the huge industry it would spawn, but here we are today.
I might not work in a corporate office anymore, but after receiving quite a few requests for some corporate work wear outfits, I decided to film an autumn look book featuring ten different outfits that would work in a corporate setting (with or without tights).
`'» Realizing that, outside of Freddy Krueger, they are the most popular and they haven't been featured in any sort of battle together, other than a few small fan films, so I thought, let's do it.
Few Iranian films have tried to realistically depict both the urban middle and lower classes, and fewer still with the complexity of story telling and depth of characterization in Asghar Farhadi's impressive third feature, Fireworks Wednesday.
You'd expect no less from director Ryan Coogler, who opens the film in 1992 in Oakland, a few stops down the BART line from the site of the tragic climax of his debut feature, Fruitvale Station.
Some are recurrently woven into the film's crazy quilt, others feature as stand - alone major panels; a few more are mere fragments, adding to the sense of a chaotic exquisite - corpse story war held together by the thinnest, most tongue - in - cheek pretexts.
The Z Channel wasn't America's first premium cable outlet specializing in feature films, and it wasn't the most commercially successful, but few, if any, had as strong an impact on the film industry or a more influential list of customers.
One of the central characters is introduced from the waist down and to say that the film climaxes in violent, sexual oddity would be like saying «The Avengers» features a few superheroes.
A decent very low budget UK film, featuring a few well known faces to UK TV audiences.
There's a unique novelty in general to this film's featuring its protagonist as a biopic in the starring role, and as a war film, it has a few other twists, but when it falls to formula, it falls pretty hard, with very mid-20th century Hollywood tropes to its plotting, characterization and, for that matter, fluff which tends to get a little too fluffy for its own good.
The film was an unequivocal flop, although Schreiber's role as a rather muscular transvestite proved to be one of the picture's few memorable features.
One of the few features in which he had more than five lines was RKO's 1945 mystery - comedy Having Wonderful Crime; perhaps significantly, his sister Blanche Ring topped the film's supporting cast.
This soundtrack features the film's original music composed by Brian McOmber, and will be released digitally on June 9th, and physically a few weeks after.
Finales of this magnitude usually come about once every few years for television shows, but very rarely for feature films.
Very few if any feature film editors have won three top awards for best editing all in one month: BAFTA Awards, Feb 8, INDIE SPIRIT Awards Feb 21, and The OSCAR Award, Feb 22.
In celebration of Wes Anderson's latest film — the crime caper THE GRAND BUDAPEST HOTEL — we're thrilled to feature a few of everyone's favorite crime flicks of all time!
To spotlight a few of those 7 percenters, BFF included in its five - day run an all - female From the Director's Chair panel featuring Oscar - nominated director Jennifer Yuh Nelson («Kung Fu Panda»), actor - filmmaker Maggie Kiley («Caught,» «We Own the Night»), documentary director Elisa Paloschi («Driving Selvi»), and Meera Menon, director of the fest's opening film «Equity,» the first female - centered Wall Street story (Anna Gunn stars opposite Alysia Reiner, Sarah Megan Thomas, and James Purefoy.)
(Oddly, one joke that is given time to breathe — and one of the film's few visual gags — is the bit featured in the trailer where Barinholz gets Poehler's music box stuck up his butt; it works better in the movie than in the trailer, but it's still a juvenile choice for a centerpiece.)
Silver Linings Playbook was also up for quite a few gold men at last year's Oscars, including Best Picture, but winning Best Feature at the Independent Spirit Awards is a more fitting accolade for this black sheep film about, well, black sheep.
Something Old, Something New is a weekly feature that creates a double feature with a film released in the last few years and an older movie.
If Raymond Chandler and Chuck Jones had ever sat down together over a few beers, this is what they might have come up with: a fantastic amalgam of classic private eye mystery and brilliant razzle - dazzle Looney Tunes cartoonery — undoubtedly the greatest animated film noir feature ever made.
He's done a few shorts, and two documentaries, but his three feature films so far — the comedy «The Ape,» the Sal Mineo biopic «Sal,» and Hart Crane tale «The Broken Tower» — haven't exactly become big hits or critical favorites.
Not a problem in of itself (and, in fact, many filmmakers would do well to follow his lead, as few commentaries hold any kind of interest aside from the stray tidbit now and again), when the commentary track is enabled through remote or Special Features menu, as the film plays on into un-commented scenes the regular soundtrack doesn't return.
Gehenna is directed by Japanese filmmaker Hiroshi Katagiri, an FX legend working for years at Spectral Motion and Stan Winston Studios, now making his feature directorial debut after a few short films previously.
Instead of documentaries and interviews and the like, the second disc offers an alternate cut of the film, which only runs a few minutes longer but features a different ending that changes the entire point of the film... for the better, in my opinion.
DC Films Presents: Dawn of the Justice League also aired a few good explainer features on the other Justice League film members.
Featuring relative unknowns as its starring cast and a directing team of Justin Benson and Aaron Moorhead who despite a few small, mostly unheard of films are still making a name for themselves.
After a few more action stints in such films as Rising Sun (1993), which featured him opposite Sean Connery, Snipes went in a different direction with an uncredited role in Waiting to Exhale (1995).
His latest feature, «Django Unchained,» marks a few firsts for the director — including the first film not produced by Lawrence Bender (if you don't count «Grindhouse») and the first film not edited by longtime collaborator Sally Menke (who unfortunately passed away in 2010)-- and though it's hard to say how much of an effect that had on the finished product, it's easily one of his weaker movies.
For a Criterion title, this release has relatively few special features but the new digital transfer looks terrific and the 1973 short film included here is an interesting look at Holstrom's earliest work.
It does feature a very impressive cast of actors, who all do very good work in their respective roles, which makes this film feel a few notches above made - for - TV fare.
A few weeks back we reported on a number of tantalizing casting rumours for Ethan Maniquis and Robert Rodriguez's upcoming Machete feature film (based on the Grindhouse trailer starring Danny Trejo).
Polaroid is directed by Norwegian filmmaker Lars Klevberg, making his feature directorial debut after a few shorts previously, including the Polaroid short this film is based on.
factor that few films, animated or otherwise, can offer with its teasers, trailers, and marketing thus far and anticipation is extremely high that this film will be a player in the Animated Feature race come Oscar season.
In this clip from the special features of the film's home release, seen first on SPINOFF, the curtain's peeled back a bit on a few scenes to give viewers an idea of how things look before and after the movie magic happens.
Hounds of Love is written and directed by Australian filmmaker Ben Young, making his feature directorial debut after a few short films previously as well as episodes of «Prank Patrol» and «Castaway».
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