Sentences with phrase «few films in particular»

Not exact matches

Furthermore, while I still protest Bay's too - hasty cutting (many shots are good enough to warrant a few extra seconds), his set pieces, and his sets, are magnificently entertaining, in particular the collapsing - office - tower sequence that appears in either the film's fifth or sixth hour, I don't remember.

As you might expect, our focus was on horror films in particular, but a few non-genre films managed to sneak their way in there.

Like with all indies, I expect this to connect with a few people in particular, but I'm more than happy to introduce this film to as many people as I can.

It's only been in the works for a few months, but it seems that — unlike Robopocalypse, or any number of other projects to which Spielberg's name gets attached — this particular film is actually happening.

Within a very few years, artists like John Carpenter, John Landis, Steven Spielberg, Joe Dante, Rob Bottin, Rick Baker, Sam Raimi, Brian DePalma, Bob Clark, Dan O'Bannon, Sean S. Cunningham, Wes Craven, Tobe Hooper, Stan Winston, Larry Cohen, and on and on and so on, were working in and reinvigorating the horror genre — many under the tutelage of Roger Corman, still others the initial products of formal film school training, almost all the consequence of a particular movie geekism that would lead inevitably to the first rumblings of jokiness and self - referentiality - as - homage that reached its simultaneous pinnacle and nadir with Craven's Scream.

The farm scenes in particular (the poor city is reduced to only a few locations (that look like sets actually) and seems much smaller than the town in Sunrise are really stunning: much of the film feels like Days Of Heaven was the film Murnau actually wanted to make (same location: wheat field in the upper midwest, attacked by a natural disaster, though Murnau doesn't appear to have the budget for his hailstorm whereas Malick could afford locusts).

One film, though, in particular, got a few nods, including one really obscure one.

Amy Seimetz («Upstream Color») Over the last few years, Amy Seimetz hasn't come anywhere near threatening to crack the mainstream, but has served as a sort of «Zelig «- figure for a particular kind of American independent film, crossing paths with many of the most notable players in the scene in some way or another.

Never Say Never Again is a score which polarises opinion like few others; whatever its merits in the film, the theme is a sexy and impressive one, with the fluttering flute solo (so typical of the composer) a particular highlight.

The film rates this high for me not just because of its technical skill (the ensemble acting is terrific, with Kelly Macdonald in particular doing great work in just a few scenes, and Roger Deakins's cinematography is as good as anything he's done with the Coens, and that's saying a lot) but because of its ambiguity: because the questions it raises about narrative and about society are as interesting as those raised by any other film (but one) of 2007.

Farrell in particular hasn't been this good in a few films, perhaps because this time he's allowed to relax and be Irish.

Though she only appears briefly, Negasonic Teenage Warhead returns for a few key scenes in the film and during one in particular, she comes out as queer by introducing Deadpool to her girlfriend, Yukio.

There are a few stand - out moments in the film that show the potential the script had, one particular gross - out scene involves Kaylie eating a light bulb.

Many great American films could be classified as Southern Gothic, but whatever the reason the last few years in particular have seen an explosion of films from the US focusing on the rural Southern states and their inhabitants.

Allen never did collaborate with Bergman's muse Liv Ullmann, but a few of his actresses recreate her particular ethereal spell, including Rowlands and also Farrow, who suffers a nervous breakdown (a la pretty much any early Ullmann performance in a Bergman film) in 1987 chamber drama «September.»

The story of androids becoming self - aware and rebelling against their human oppressors has played out numerous times over the past few decades, but Detroit's story has particular reverberations in the context of advances of AI, not to mention TV shows and films like HBO's Westworld and Blade Runner 2049.

Intimate collections and ephemeral communities are frequently generated through his works; assemblies of owners of a particular jacket and a reunion of the children «murdered» in a Pasolini film; a god look - alike contest; lighting technicians asked to advise on the light in heaven; and a London gallery's archive given to a group of Kurdish asylum seekers to edit and hide outside the capital, to list a few.

I have done some professional projects and made a few films over the years but it's mainly a passion for me and shooting nature, in particular, is something I pour my heart into.