Sentences with phrase «few modern children»

And, in the end, having purpose, being a contributor to the family, raised their sense of worth and self - esteem to heights that few modern children possess.

Not exact matches

And, like I was saying about my Great Grandma on another post a few days ago, I think the notion that children must have X amount of their care givers undivided attention is a pretty modern concept.

Not only do they soothe your baby and make her feel happy and relaxed but, because modern baby swings are automated, they also free up your hands for a few minutes to make a bottle, with a watchful eye still trained on your child.

According to Old Sturbridge Village historians, most rural New England children had far fewer toys than a modern child.

It is hard to argue that a simpler life with more exercise, fewer processed foods, and closer contact with our children may well be good for us, but rather than renouncing modern living for the sake of our Stone Age genes, we need to understand how evolution has — and hasn't — suited us for the world we inhabit now.

In both the modern and preindustrial populations, children born to older fathers had fewer kids of their own that survived past age 5.

For each decade that a father aged, his children had somewhere between 5 % (in modern Sweden) and 13 % (in the early German population) fewer children of their own, the team reports this month in a preprint available on bioRxiv.org.

However, the modern day tendency for children to eat just a few types of foods all the time like pizza, chicken nuggets, mac and cheese, boxed cereal and peanut butter sandwiches is a big reason for the skyrocketing allergy trend.

Modern Tribe: Another fun duo, Megan and Jenna started Modern Tribe, an online boutique featuring children's apparel and accessories from around the globe — including Australia, Iceland, Canada and the U.S. Modern Tribe is your go - to for monochromatic, gender - neutral gear, with a few pops of color and gender - specific items here and there.

The unabashed nastiness of this parent - child relationship — marked by emotional coldness and a few perverse expressions of love (kisses held long past properness)-- is one of this modern noir's many ballsy traits.

Studies of modern, scaled - up programs that intend to impact long - term child development find, unlike the studies of small hothouse programs from the last century, that improvements in children's measurable skills and dispositions found at the end of participation in such programs usually fade away entirely by the time children are in the first few grades of elementary school.

«This design is in recognition of the book's extraordinary cultural impact and is one of the few children's books to be featured in the Penguin Modern Classics list.

Visual Art is not the type of thing that you really expect to find at a Hollywood event, a few statues maybe — but not the kind that you may find in The Museum of Modern Art — but this year, the Art of Elysium, a charity organisation that brings art to children battling medical -LSB-...]

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

One of the few modern art movements to come out of Northern Europe, its painting is best known for its child - like imagery, strong primary colours and expressive brushstrokes.

Alexander Calder Few modern artists have added as much joy to life as Calder, genius of the mobile, whose colourful imagination left a legacy for children as well as adults.

One of the few modern art movements to come out of Northern Europe, COBRA paintings are best known for their expressive brushstrokes, child - like imagery and strong primary colours.

I'm saddened to hear that one of the few truly heroic policies of modern times, the Chinese one - child policy, is being reconsidered.

Russ, Post no. 15, above, writes: «I'm saddened to hear that one of the few truly heroic policies of modern times, the Chinese one - child policy, is being reconsidered.»

Modern parents who are typically juggling at least two jobs and care of the home and children have few occasions when they are alone together and reasonably well rested.