Not exact matches
It is quite possible to question it, all the
more so as the change of view has taken place
more rapidly in the oral teaching of lectures (which are much
more numerous and livelier than
printed textbooks), than in
printed books, which are
few and always voice the views of only a small number of theologians.
But when Barnes and Noble's Nook Press division announced last year that it was expanding what it can do for its authors by offering new services such as editing, artwork, and
print - on - demand,
more than a
few industry watchers had immediate concerns: Barnes and Noble is the largest bookselling chain left in the US, so where did they find the talent pool to shift into
book creation?
The normal customer is not going to rip off your ebook any
more than lending a
print book to a
few friends.
FISHERAnd, Brad Graham, will we find
fewer print books on your shelves in a
few years and
more of an appeal to e-book readers?
Taking a risk on a previously unknown author may mean gambling a
few dollars on an ebook, but there is significantly
more money invested in purchasing a
print edition, so readers want to know that the
book has been carefully screened for quality.
Maybe it will take
few more years for the e-
book sales to be in level with the
print book sales.
The price gap between the
print and e-versions of some top selling
books has now narrowed to within a
few dollars - and in some cases, e-
books are
more expensive than their
printed equivalents.
Amazon has always kept a
few copies of popular
print - on - demand
books literally in stock in their warehouses, so it may actually be worse for
books that are slightly
more popular.
If your kid throws it in the toilet, it costs a
few dollars to replace a
print book and about a hundred dollars to replace an e-reader (or
more, depending on the e-reader).
The loss of Borders in the past year means
fewer retail outlets for
print editions to be sold, as well as
more people turning to online retailers and e-reading in the absence of a local
book store.
Both Barnes and Noble and FastPencil have their companies» names at stake and will select
books of the highest caliber for physical placement; where taking a risk on a previously unknown author may mean gambling a
few dollars on an ebook, there is significantly
more money invested in purchasing a
print edition, so readers want to know that the
book has been carefully screened for quality.
I agree they should cost less than
printed books, but to say there is no design involved with ebooks is completely wrong, and I don't see Germaine Greer offering e-versions of her own
books for pennies, so it looks like she is just talking crap in an attempt to get a
few more seconds worth of fame (again).
One very interesting aspect of this
book in particular is that Amanda wrote it not much
more than a month ago, final edits were done in late September, and it is now up for sale at Amazon with
print to follow in a
few short weeks.
News & Notes is a weekly Saturday post featuring
book - and publishing - related news, links to interesting articles and opinion pieces, and other cool stuff Book News Slightly fewer Americans are reading print books, a new Pew survey finds (Pew Research Center) Check the article out; there are more detailed graphs... Read more&ra
book - and publishing - related news, links to interesting articles and opinion pieces, and other cool stuff
Book News Slightly fewer Americans are reading print books, a new Pew survey finds (Pew Research Center) Check the article out; there are more detailed graphs... Read more&ra
Book News Slightly
fewer Americans are reading
print books, a new Pew survey finds (Pew Research Center) Check the article out; there are
more detailed graphs... Read
more»
They do it to make a subsistence wage from their work, retain copyrights, circumvent censorship laws, get
books into
print within months instead of waiting years, keep their
books in
print forever instead of a
few months, make revisions rapidly, fight political oppression, maintain creative control, get paid in a
more timely manner, be able to distribute their works globally, publish highly specialized works that may not prove profitable, and take a chance on making something daringly different.
Predictably, these businesses have responded by trying to fight e-
book adoption, trying to protect their
print book business for as long as they can, and squeeze out a
few more profitable quarters.
That's not to say that awful
print books don't exist, but it costs
more money for a publisher to produce a
print book, so far
fewer ever see the light of day.
Whereas there are
few joys to compare with holding the first copy of your freshly
printed book, or seeing the figures stack up as your new ebook whizzes around the world, the process of getting to «Go» can be much
more problematic.
This can be dangerous — it's easy to get tricked by the savings and order
more books than you could possibly sell — but if you have serious plans to hit the con circuit or otherwise know you can regularly move a small number of
books, increasing your
print run by 100 or 150 copies can be worth it if it lets you bring the cover price down, even if selling through them takes a
few years.
Christmas 2014 saw high - street booksellers sell
more print books than the year before, but those that stocked e-readers sold far
fewer of them than in 2013.
Unless you want to
print no
more than 500 or
fewer books, don't want interior color, and are willing to accept inferior quality AND a much higher per - unit cost, you really don't want
print on demand.
Originally published in 1967 by Kulchur Press in an edition of 1,000, and out of
print for
more than 40 years, Bean Spasms is a
book many have heard about but relatively
few have seen, and which — until now — has been consequently shrouded in legend.
Over recent years the role of
print books has diminished as online services become
more comprehensive and
fewer resources are required to maintain a viable legal practice.