Sentences with phrase «few museum exhibitions»

1998-02-10 04:00:00 PDT Los Angeles — «Out of Actions» at the Museum of Contemporary Art does what few museum exhibitions even attempt these days: It both broadens and refashions our view of canonical material.

The art world woke up, and I went from having a few museum exhibitions I needed to catch to feeling overwhelmed by the all of the shows.

«Revolution of the Eye» is one of the few museum exhibitions to highlight television's artistic ambitions and the quality and depth of some of its early programmes.

Only a few museum exhibition models regularly supported local Los Angeles artists.

Not exact matches

But the Peggy Notebaert Nature Museum (the public exhibition arm of the Chicago Academy of Sciences, founded in 1857), celebrates a few days early with its fourth annual Summer Solstice Celebration on Thursday.

The United Kingdom hasn't had an investment in science communication on that scale since proceeds from the Great Exhibition in 1851 were used to set up several major British institutions, including the precursors to London's Science and Natural History Museums, says John Beetlestone, founder of Techniquest, one of the few U.K. science centers started before the lottery bonanza.

The Brisbane Convention and Exhibition Centre is adjacent to the hotel, and the Queensland Museum and Gallery of Modern Art is just a few blocks away.

«America Is Hard to See,» the Whitney Museum's inaugural exhibition in its new building, showcased art by Castle, Bill Traylor (who was born into slavery in Alabama and began making art at age 85), and Horace Pippin (one of the first self - taught African American painters to attract the attention of major museums like the Museum of Modern Art and the Whitney), but was also, in Edlin's view, «something of a missed opportunity,» considering the overall ratio of those few works to the entire installation.

The Museum's exhibition programme and collection focuses on contemporary Polish and International artists and its resources include the Filmoteka Muzeum — a collection of artists» films comprising of a few hundred titles, available online.

Both shows open this week, but what one curator a few months ago called an art - world «battle royale» — the two megadealers competing over the work of a super-profitable artist — has settled into something else, and just maybe what Koons wanted all along: the beginning of a Year of Koons, culminating in summer 2014's full - career retrospective at the Whitney Museum — its last exhibition in its Madison Avenue headquarters before moving to the bottom of the High Line.

The San Francisco — born Mary Heilmann, perhaps the most unashamedly painterly of the lineup and the most established, at least in terms of her market, surveyed her current exhibition at the Neues Museum in Nuremberg, providing a few insights into her particular brand of transcendental color - based abstraction along the way.

Mr. Elderfield, according to Ms. Vogel, will be curating «museum - style exhibitions along the lines of the Picasso shows that John Richardson, Picasso's biographer, has put together [at Gagosian] over the last few years.»

After debuting in a few group shows, including Drawings at the Museum of Modern Art, she had her first solo exhibition at Terry Dintenfass Gallery in 1964.

The community - centered show is the oldest non-juried museum exhibition on Long Island and one of the few non-juried exhibitions still running.

His work has been included in major museum exhibitions and is in the permanent collections of the Art Institute of Chicago, the Brooklyn Museum, LA County Museum, Metropolitan Museum, Museum of Modern Art, the Whitney Museum of American Art, to name just museum exhibitions and is in the permanent collections of the Art Institute of Chicago, the Brooklyn Museum, LA County Museum, Metropolitan Museum, Museum of Modern Art, the Whitney Museum of American Art, to name just Museum, LA County Museum, Metropolitan Museum, Museum of Modern Art, the Whitney Museum of American Art, to name just Museum, Metropolitan Museum, Museum of Modern Art, the Whitney Museum of American Art, to name just Museum, Museum of Modern Art, the Whitney Museum of American Art, to name just Museum of Modern Art, the Whitney Museum of American Art, to name just Museum of American Art, to name just a few.

Jennine Culligan, Director of the Eleanor D. Wilson Museum, writes in the exhibition catalog, «Since 1987, the first floor of her home, her large studio a few steps away, and the daily comings and goings of her family have been her main source for compositions based on observation and imagination.

While still too few in number, these exhibitions seem a clear indication that a deliberate shift in the museum's traditionally phallocentric programming is under way.

I'm sure this is in no small part down to so many incredible exhibitions of painters at museums and galleries at the moment: Tschabalala Self at Parasol Unit, Djordje Ozbolt at Hauser & Wirth Somerset, Robert Rauschenberg at Tate Modern, the David Hockney exhibition at Tate Britain, and the group exhibition of painters «House Work» at Victoria Miro to name a few.

Related reviews look at that last exhibition in full and other 2012 summer sculpture in the parks, as well as Tom Sachs a few years later at the Noguchi Museum.

As well as having been included in a number of museum group exhibitions in the past few years, he has also recently had a one - person exhibition at the Stedelijk Van Abbemuseum in Eindhoven and was one of four nominees for the 2000 Turner Prize.

Employment opportunities offered to our recent BFA grads include working as an artist's assistant, starting their own design / build firm, art handling and preparing, development assistant at the Rothko Chapel, web design, display design and installation, curating exhibitions, assisting with commercial photo and film shoots, interning at the Contemporary Arts Museum, Houston, and teaching, just to name a few.

Enrique Juncosa, former curator of the Irish Museum of Modern Art and Miquel Barceló's solo exhibition at the Venice Biennale, describes Barceló as «one of the few contemporary artists who feels comfortable working in a rural idiom.

A few other titles explore artists featured in her collection, among them, «Kerry James Marshall: Mastry,» Gordon Parks's «Segregation Story,» and «Alma Thomas,» the exhibition catalog documenting the artist's recent survey at the Tang Teaching Museum and the Studio Museum in Harlem.

When planning a trip to an art mecca like New York City, one tries to fit as many gallery and museum exhibition visits into a few short days.

«Until the Whitney Museum was picketed and threatened with human rights legislation in 1970, very few, if any, women artists were included in major public exhibitions of contemporary art.

Major exhibitions of his work have been mounted at the Kunstmuseum Bonn, Germany; The Museum of Contemporary Art in Los Angeles; The Fondation Beyeler Riehen, Basel, Switzerland; The National Museum of Modern Art, Tokyo, Japan; Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain and Musee de Grenoble, Grenoble, France, to name a few.

Beyond being an individual achievement, the exhibitions were a boon for African American women artists as a whole, whose opportunities over the years at the city's big three museums have been few and far between.

A few observers noted how the exhibitions she organized — among them, Eccentric Abstraction at the Fischbach Gallery in 1966 and 557,087 at the Seattle Art Museum three years later — bolstered Lippard's own «creative originality» at the expense of the «explanatory historicism» exemplified by the artists she championed.

A few years ago, I was skimming through the our department's well - worn photocopy of the catalogue for California Design 6, the 1960 installment in the Pasadena Art Museum's influential exhibition series.

Some of his solo exhibitions was held at Galleria Civica d'Arte Moderna e Contemporanea, Turin, Italy; Centre Pompidou, Paris, France; Tate Modern London, England; Whitney Museum of American Art; The Albertina, Vienna, Austria; The Morgan Library and Museum, New York City; Mitchell - Innes & Nash Gallery, Chelsea, New York City; Museo Triennale, Milan, Italy; Santa Fe Museum of Fine Arts Santa Fe, New Mexico; MAM (Museu de Arte Moderna), Rio de Janeiro, Brazil; Museum of Contemporary Art, Palma de Mallorca, Spain; and Louisiana Museum of Modern Art, Humlebaek, Denmark, to name a few.

Few have the opportunity to travel around the country to view all of the important and compelling museum exhibitions featuring work by African American artists.

As with that exhibition, many of the works now on view at the Aquavella Galleries» posh, mirrored townhouse on Manhattan's 79th Street (the artist's first show there), a few blocks north of the Whitney Museum of American Art, came from the Thiebaud Family Collection, the artist's studio, museums and private collections.

On the occasion of Stettheimer Summer Mondays, our new weekly series of studio art workshops at the Jewish Museum inspired by the brilliant paintings and theater designs of Florine Stettheimer, here are a few easy tips for parents when exploring the exhibition with your family:

It is unexpected, then, that there are no fewer than four separate museum and gallery exhibitions devoted to Dove currently on view in Manhattan.

Curiously some of the commercial galleries that represent the apotheosis of the contemporary art industry and market, such as, here in NY, Gagosian and Zwirner, have been able to mount museum quality shows the past few years, including for example excellent Picasso and Frankenthaler exhibitions at Gagosian and the recent exhibition of Ad Reinhardt's work at Zwirner, in spaces that either are as beautiful as any museum or that are just functional in a good way, with few frills, just good walls and space.

While several museums have tried to tell the story of drone development, their various spy capabilities or have used drones as part of art - making processes, few have attempted to present a full exhibition of works examining the implications drones have for the broader society.

As one comes off the first escalator, that floor alone holds eleven exhibitions and installations, spanning the last few decades and forcing a look at both the museum's past and its future.

A summer 2008 exhibition of «Sprawl» at the Jersey City Museum tried to explain it, as indeed did a show called «Sprawl» in Tribeca a few years before, and Robert Smithson reveled in it.

Over the past few years, Gensler's New York office has worked closely with the New Museum to install aspects of major exhibitions that reached well beyond standard installation practices.

Mitchell has been included in group exhibitions at the Studio Museum in Harlem; Painted Bride Art Center in Philadelphia, and The Fukui Fine Art Museum in Japan to name but a few.

Access to world renowned artists, groundbreaking exhibitions, exclusive events, free admission and discounts, and the satisfaction of supporting one of Savannah's most important cultural assets: these are just a few of the benefits of SCAD Museum of Art membership.

He has exhibited in many international exhibitions including «Japanese Avant - Garde 1910 - 1970» (Centre Pompidou, Paris, 1986), «Japanese Art After 1945: Scream Against the Sky» (Yokohama Museum of Art, Japan, before travelling to the Guggenheim Museum, New York), and «Requiem for the Sun: The Art of Mono - ha» (Blum & Poe, Los Angeles, 2012), to name only a few.

Drawing on the extensive collection of the Norton Simon Museum with a few select loans, the exhibition includes works by the local founders of this movement such as John Altoon, Garo Antreasian, Sam Francis, Ed Moses, Ken Price, Ed Ruscha and June Wayne, as well as those who traveled to Los Angeles specifically to print, such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg and Robert Rauschenberg.

During her tenure, she oversaw the implementation of numerous exhibitions of fine and decorative arts, such as Oskar Kokoschka (co-organised with the Hamburger Kunsthalle) Van Gogh and Expressionism (co-organised with the Van Gogh Museum), Klee and America (co-organised with the Menil Collection), Ferdinand Hodler (co-organised with Foundation Beyeler), Franz Xaver Messerschmidt (co-organised with the Louvre), to name but a few.

The seven drawings created for his exhibition at the Hammer Museum clearly demonstrate the artist's fluency in various dialects of the common abstract language, resonating with Constructivist and Minimalist tones and with a few refrains in less analytical abstract traditions.

I went to the Oakland Museum of California to be present for the last few hours of the recent exhibition All Power to the People: Black Panthers at 50.

She has been included in four exhibitions at the Studio Museum in Harlem, exhibitions at Skidmore College (2015), Inside - Out Art Museum in Beijing (2014), Postmasters Gallery (2010), Contemporary Arts Museum Houston (2009), Zacheta National Gallery of Art in Warsaw (2007), Sikkema Jenkins & Co. (2006), just to name a few.

In the past few years, the artist has participated in numerous group exhibitions including Landscapes, Revisited at the Olympic Sculpture Park at the Alvord Art Lab in Seattle, Blind Field at the Krannert Art Museum in Champaign, Illinois and the Broad Art Museum in Michigan, curated by Tumelo Mosaka and Irene Small as well as Ground, Materiality # 2 (Earth) at the Sorø Kunstmuseum in Denmark.

His work has been the subject of many international exhibitions, at the most prestigious museums and galleries, including Tate Liverpool in 2000, The Louvre in Paris in 2011, just to name few.

Step into Asia Society Museum's latest exhibition — Sarah Sze: Infinite Line — and you might find more than a few items you have lying around your house: toothpicks, pills, bottle caps, fans, glasses, key chains.