Sentences with phrase «few of the fight scenes»

A few of the fight scenes feel a little «same - same» as you notice fight choreography repeating, but Evans manages to provide enough variety in the execution to ensure each sequence heightens the escalation of the narrative.

Dolby Digital 5.1 audio mixes in Cantonese and dubbed English are nearly identical save for the latter being slightly goofier than the former — the rear channels don't get much of a workout except during a few of the fight scenes (which aren't showcase material, after all, but not bad).

Not exact matches

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

Bottom line apart from extra fight bits and various other odd small scenes the main crux of the director's cut are a few flashback sequences where Riddick sees a spirit - like entity of one of his people.

Marvel's struggle to make fight scenes more than the cinematic equivalent of a child bashing their action figures together does tend to prevail, though a few sequences are well - choreographed enough to ensure boredom isn't ever a real threat.

If Warner Bros. had chopped off the last 20 minutes of Wonder Woman, and worked in a few more Amazon fight scenes, I would've raised the movie's rating by at least a star.

The new material includes never - before - seen subplots, extended fight sequences and even the deletion of a few scenes from the theatrical release.

While the movie suffers from a few tired narrative turns (much of Ali's life may be storybook - perfect, but we expect more grit), the fight scenes are terrific: brutal, kinetic and purely expressive.

For some reason, though, all of its cut - scenes are completely unskippable, creating a barrier of annoyance for anyone interested in replaying a few of the fights.

There are quite a few moments where Coogler and crew help the audience forget this is a Marvel film, then of course we jump right back into another fight scene.

There are a few action sequences of shocking coherence in «Transformers: The Last Knight,» the fifth of Michael Bay's clang - clang - clang - went - the - robot adventures, but fear not, fans of the franchise: if you're here for the director's trademark chaos editing (where fights go from points A to D to Q), toxic masculinity (and female objectification), comedy scenes rendered tragic (and vice versa), and general full - volume confusion, you'll get all those things in abundance.

Marginalized in the initial sequences was Reeves, the lone actor well - known in the U.S. Universal opted to reshoot a major fight scene near the end of the film, as well as a few other scenes to sharpen the focus on Reeves» character Kai.

While The Bourne Identity has fewer fights than you remember, the main punch - up it does have is one of the best fight scenes to come out of that decade.

Each level was a Lego representation of a scene or two from the movie and it packed in quite a few entertaining boss fights to boot.

Soderbergh shot the major dance sequences in long takes, using only a few camera setups, just as he did the fight scenes of his recent action movie Haywire.

Other notables making an appearance are Tom Tyler (once known as the strongest man in America) whose initial shaky transition from silent film to talkies is readily apparent in his few scenes; Woody Strode (one of the saloon patrons) who is known best for his fight scene in Spartacus; and Tim Holt who brings the charging Calvary to the rescue, and is best known as one of the prospectors in The Treasure of the Sierra Madre (1948).

In order to combat that feeling of repetitiveness, what they do here is add a few more fight scenes and a very interesting shoot out that's not exactly what we've come to expect from any action movie.

Initially, Laura and Toni are merely helpful indicators of Thom's alternative lifestyle, but after a few awkward dinner scenes and some excellent nonverbal emotional cat - fighting between all the women (everybody wants a piece of that Thom; it must be the suit) both women become fully - formed characters made all the more tragic for following Thom to their doom in Point Dune.

It's a brief segment of the 2 hr 40 min film, but a legitimate and grounding few scenes that asks better questions than just «who will win in a fight».

After one small brief scene, for instance, Jackson focuses in on one of Gandalf's enemies as he falls off a cliff, only to return seconds later, instead of the fight occurring only a few feet away.

The Arcade Edition has had its own patches here and there the last few years, but Capcom has now decided that it's time for a brand new version, and hence Ultra Street Fighter IV has been announced during the finals of the EVO 2013 Tournament that took place last night in Las Vegas (in case you didn't know, EVO is the biggest fighting game tournament in the world, so it would make sense to announce a new game in the greatest scene the genre has to offer).

The controls and the graphics improved, there were quite a few really awesome boss fights, but I missed a lot of the weapons, and the ending scene in particular was a real killjoy.

Having to re-watch portions of cut - scenes and fight a few minutes before the previous fight occurred is creatively commendable on paper, but feels like a step back while actually doing the dirty work.

Nevertheless, some exciting battles were fought and a few new market records were set, most notably for Diego Rivera, whose brightly colored scene The Rivals (1931) sold for $ 9.76 million to a telephone bidder working with Conor Jordan, deputy chairman of Impressionist and modern art at Christie's, after just a few minutes of bidding.