Sentences with phrase «few older artists»

Not exact matches

A note for those with kids, a lot of the restaurants only have a few older highchairs that don't have straps — so if you have an escape artist then bring a belt!
Seriously amazing - so many very old favorites of mine, and so many new favorites too (thanks to Ezra who set me up with a playlist of all the Newport artists a few weeks ago and pointed me a to a few he thought I'd like.
Sadly online there are a few scam artists that try and prey on older citizens.
The first part concerns abysses and shelters of a few kinds, an old Maine storyteller, a man locked in a room with secrets, a gambling martial artist, an adaptive actresses, inside a famous comedy show, and cards dealt out to one's memories.
Nearby, in the midst of the protest grounds and the White House itself, the new Trump International Hotel in the Old Post Office building played home to a momentous installation work refurbished by the First Family's resident art expert — even if few artists in town knew about it.
A few weeks ago I was speaking at an Artist Trust event, and an older artist said this to me, in -LSArtist Trust event, and an older artist said this to me, in -LSartist said this to me, in -LSB-...]
This is an opportunity to see older work by gallery artists, a few pieces by nationally known artists, and work not exhibited in Seattle for many years.
He is also one of the very few «School of the South» artists, old or new, who have been considered in some depth.
Hume is a twenty - nine year old British painter and one of a small number of provocative young artists who began to exhibit their work in London in the past few years.
A few older works are also on display as points of reference, including a tar painting on glass from 1948, and a few of his «outrenoir» («blackbeyond») works — entirely black paintings with reflective surfaces from the 1980s, for which the artist is best known.
From introductions to little - known or forgotten artists, to reappraisals of modern giants and old masters, it has been a rich and rewarding year in art: in no particular order, here are just a few of the exhibitions that our critics have enjoyed in 2016.
Only a few years out of RISD, the 31 - year - old painter Ted Gahl performs a captivating tightrope - walk between abstraction and figuration, creating canvases that seem to harness stylistic elements of artists as diverse as de Kooning, Diebenkorn, El Greco, and Matisse.
«I think if I could get a great house, I could definitely see myself moving here for a few years to work,» Mexican artist José Dávila tells me the following night over glasses of 20 - year - old Santiago rum at a party inside a coquina stone fort off the Malecón presided over by local superstar DJ Wichy de Vedado.
The list of Painters to Watch in 2014 is made up of some new discoveries, a few artists who, in my mind, presented breakout work this year, and a few old favorites who deserve wider attention.
Opening: «Hedda Sterne: Machines 1947 - 1951» at Van Doren Waxter One of the few women in the New York School of artists and poets, a group of post-war American artists that included the Abstract Expressionist painters Mark Rothko and Jackson Pollock, Hedda Sterne was a Romanian - born painter and sculptor who made work that ranged from surrealism to expressionism between the 1940s and her death at 100 years old in 2011.
As per tradition, The Armory Show will present different sectors of its rich exhibition programs, which includes Armory Presents, dedicated to single and dual artist presentations by galleries fewer than ten years old and exhibiting in Pier 94, a section devoted to contemporary galleries.
Pursued by no fewer than six bidders, the starkly intimate depicts the artist's 17 - year - old lover, Bernadine Coverley, asleep and pregnant with their child Bella.
By some fortuitous coincidence just a few steps separate «Joan Mitchell: The Last Paintings» at Cheim & Read from «Matta: A Centennial Celebration» at Pace Gallery and each show explosively refutes any notion of youthfulness being the province of the young while giving new life to the phenomenon known as «old age style» — used to distinguish formal characteristic of late works by Titian, Rembrandt, or Cézanne, where the artist just wants to get to the heart of the matter and sloughs off all the fine finish he had needed to impress his audience in earlier years.
A few weeks ago at the National Portrait Gallery, a two - year - old girl stood captivated in front of Michelle Obama's new portrait by Amy Sherald, the artist who also won the gallery's 2016 Outwin Boochever Portrait Competition.
But while the show made a triumphal final stop at the Tate Modern (it was the British institution's first solo show dedicated to an African artist), and a handful of international galleries have shown the artist, who is now 85 years old, over the past few years (London's Vigo Gallery has given him two solo shows since 2014), El - Salahi has remained largely under - recognized in the U.S., perhaps until now.
The thirty - four - year - old artist is having a breakout year, which comes as no surprise to his collectors, who in the past few years have seen his work in Miami at Frederic Snitzer and the Rubell Collection, in London at Victoria Miro, and at the Nordic Pavilion of the 2009 Venice Biennale.
After a quick visit to Sterling Ruby's studio in Hazard Park, where we saw the monumental sculpture that will anchor the artist's Metro Pictures debut opening in a few weeks, the city's casual bonhomie was emphasized once again as I toured Chinatown galleries and bumped into old friends — and made new ones.
Simultaneously epic and intimate, and operating somewhere between sculpture, drawing, scientific models and fantasy machines, Sze's orchestrations of newspapers, toothpicks, cotton buds, office furniture and table lamps — to name just a few of her myriad materials — have won the 45 - year - old New York artist international acclaim, a slew of global shows, a 2003 McArthur Fellowship (AKA «Genius Grant») and the American pavilion at the last Venice Biennale.
I also included pieces by a few much older artists who made specifically feminist work in the 1970s: Alice Neel's portraits of Linda Nochlin and other figures from the movement, and a number of Louise Bourgeois» installation and performance works.
The members, with few exceptions, were mostly war veterans, 40 years old, men, and professional artists.
The exhibition starts with the oldest works, including Dosso Dossi's Psiche abbandonata da Amore (1525) and Antonio Carneo's Aracne tesse la tela (better known as L'Indovina, c. 1660), presented in dialogue with an assortment of books on «magic» from the same period, and ends with works by the most recent generations of contemporary artists — from Christian Marclay to Grazia Toderi, from Markus Schinwald to Clare Strand, Elina Brotherus, Jeppe Hein, Beate Gütschow and Hans Op de Beeck — passing through masters like Gustav Klimt, Giorgio de Chirico, Fernand Léger, Edward Weston, Kurt Schwitters, Yves Klein, Arnulf Reiner, Georg Baselitz, Gerhard Richter, Peter Blake, Christo, Günter Brus, Mimmo Jodice, Gilberto Zorio, Giulio Paolini, Richard Long, Candida Höfer, Giuseppe Penone, Fischli and Weiss and Shirin Neshat, to mention just a few.
When invited to exhibit at the Armory Show this past spring, the gallery featured a major sculpture by 30 - year - old Paul Gabrieli that was snapped up in the first few minutes by filmmaker - turned - artist - and - tastemaker John Waters.
It's nearly midnight in an upstairs room at the Custom House restaurant in Derry, and the 35 - year - old French video and multimedia artist hasn't yet got used to what happened a few hours earlier: when she won the # 25,000 Turner prize.
said Jonas Mekas, the 93 - year - old artist and filmmaker, a few hours after flying into Basel, Switzerland, from his home in New York.
The members, with few exceptions, were mostly war veteran, forty year old, professional artists.
Most were born in the 1970s and «80s, but many older artists and a few younger ones are also included.
Both sections of the exhibition are stunners, presenting not only a handful of those portraits (most new, plus a few strong older ones), but also the artist's lesser - known photographs, which were sadly missing from the Studio Museum show, and landscape paintings.
Compared to past years, works by some of the Museum's most well - known artists, such as Christian Boltanski and Alfred Stieglitz appeared again on our top 10 list — along with a few surprises, including a pair of early 18th century Torah finials from Italy and a nearly two - thousand year - old coin from Rome.
I have a hunch that every work the Columbian - born, 25 - year - old artist Oscar Murillo has ever made — and he's made quite a few — has changed hands at least once.
Maybe this is due to the relatively few artists under 40 exhibited at the fair, which has tended to focus on the hard - earned excellence of name older artists or the estates of late artist?
And while it could be argued that the dazzling boom and bust of a few 26 - year - old white male skateboarders - cum - abstract - painters isn't representative of thousands of other emerging artists, the spectacular market failure of that one, tiny group had a much broader cooling effect on the market: With collectors suddenly questioning the value of their not - insignificant investments (no matter how rich you are, watching your $ 100,000 painting go to $ 20,000 in a few months has to be unpleasant), a crisis of confidence resulted in some very good galleries going under.
A coterie of artists usually sequestered to a few blocks of Soho managed to make the trek to the opening of their old pal Nate Lowman's show at Dallas Contemporary, «America Sneezes,» which opened last night alongside shows by David Salle and Anila Quayyum Agha.
The 28 - year - old artist - cum - curator's bent was artists born in the 1970s and»80s (with a few exceptions), including several of his Cooper Union peers (Aaron King, Ernesto Caivano, Max Galyon, Nancy Lupo), former Zach Feuer artists like Justin Lieberman, and artists he may have searched out at Columbia or Yale MFA degree shows.
I've been having a lot of conversations, these last few weeks, about how to negotiate a world that seems dominated by event - driven enthusiasm for art fairs, versus the old fashioned gallerist's «craft» of nurturing a stable of artists and presenting considered, coherent gallery exhibitions that introduce bodies of new work.
Stella's career, by contrast with the older artists, precociously began in the late 1950s with an iconic signature style, which remained basically consistent through a few subtle, but exciting, variations.
She works principally in oils, and draws inspiration from a relatively wide selection of artists, including Old Masters like Caravaggio (1571 - 1610), Rubens (1577 - 1640) and Rembrandt (1606 - 69), and as well as modern expressionist figurative painters like the Viennese - born Lucien Freud (b. 1922), the mercurial Francis Bacon (1909 - 92), and the Portugese - born fantasy - artist Paula Rego (b. 1935), to name but a few.
2:00 pm Performance «Not just a few of us» by P. 3 Artist Andrea Fraser at the New Orleans Museum of Art, City Park, 1 Collins Diboll Circle (Free with admission to NOMA or P. 3 VIP Pass) New Orleans Museum of Art (NOMA), New Orleans» oldest fine arts institution, opened on December 16, 1911 with only 9 works of art.
The 85 - year - old Kelly is one of the few artists surviving from the great age of American abstract art that gave the world abstract expressionism, colour field, minimalism and hard - edge painting.
With a few exceptions, the selected artists were mostly born in the late 1960s and»70s; while there are a number of older and dead artists — Guy de Cointet, Jack Goldstein, Jean - Luc Mylayne, Franz West and James Turrell, for example — this is a remarkably young show.
(10) It would be better for Britain to support living artists than raise millions to save Old Master paintings from going abroad; (11) In general, buy art for pleasure, not as an investment; (12) Few video artists have improved on works by the great pioneers of video art, namely: Bruce Nauman, Andy Warhol, Vito Acconci, Joan Jonas etc; (13) Blue Electric Chair is Any Warhol's best painting; (14) His favourite non-blockbuster art show was Clyfford Still's retrospective at the Metropolitan Museum of Modern Art, NY, (Nov 1979 - Feb 1980); (15) The fact that only 5 of the last 40 Turner Prize nominees have been painters, says more about curators than about the state of painting today.
Sound Workshop for 13 to 18 year olds 1.30 pm to 3.30 pm, Studio and The Project Spaces Especially designed for teens meet sound artist Karl Burke to create your own sound compositions and meet DJ Simon Conway to learn the fundamentals of Djing and to learn a few DJ tricks!
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