Sentences with phrase «few people in the film»

when in real life she is Christine Taylor and one of the few people in the film who was actually a model.

Not exact matches

That's a problem in space because there are so few people to help film activities, yet it's vital to record experiments and educational events.

The former «Alias» star who plays a U.S. government agent in the upcoming movie «The Kingdom,» told People magazine that filming the fight scenes «was so down and dirty that [I] had scratch marks that we had to cover up on my face for the next few days.»

One of the few last successful horror franchises in modern history would have to be the Paranormal Activity flicks where it goes to show, that a film that makes noises in another room can scare the living hell out of millions of people.

Reservoir Dogs: Bloody Days by Big Star Games is a third - person top - down shooter with few connections to Quentin Tarantino's film other than it being about gangsters with color - coded names; and yet Bloody Days partially succeeds in its aspiration to revive a classic for crime and gangster films, while offering a time - rewind mechanics that helps the game distinct itself from the pool of titles in the top - down shooter category.

If you placed a few hundred random people into a movie theatre and asked them to invest their time in this film, I can guarantee that at least 50 percent would either walk out or despise their experience, but that's okay because not everyone likes every single piece of art.

Though this shift prevents the film from becoming truly touching in the character department, few people are likely to care as the laughs and shocking moments keep coming.

This isn't to say that he was the only talented person who participated in the making of the film; Don Cheadle, Thandie Newton, Terrence Howard, Jennifer Esposito, Sandra Bullock, Brendan Fraser, Michael Pena, Matt Dillon, and Ryan Phillippe are just a few of the members of the cast, which is as artistically diverse as it is racially diverse.

Better known in the last few years for directing episodes of such shows as The Wire, Treme, and the American version of The Killing, Agnieszka Holland returns to her native Poland for another film of hers concerning the plight of people during the Second World War.

A few unexpected minor pleasures: the time - travel flick Predestination, an adaptation of a Robert A. Heinlein short story that's one of those rare sci - fi movies that feels like it was made by people who read sci - fi; the horror Western Bone Tomahawk, which feels, in the best way, like someone filmed a first draft script and didn't cut anything, all its little quirks of character kept intact, narrative expediency be damned; and In The Heart Of The Sea, the cornball sea adventure of which I enjoyed every minutin the best way, like someone filmed a first draft script and didn't cut anything, all its little quirks of character kept intact, narrative expediency be damned; and In The Heart Of The Sea, the cornball sea adventure of which I enjoyed every minutIn The Heart Of The Sea, the cornball sea adventure of which I enjoyed every minute.

Technically, Kenneth Lonergan's remarkable Margaret may not have qualified as a 2012 film (a few people saw it in 2011), but the years he spent in the editing room paid off in this story of a high - strung teenager (Anna Paquin) who causes a horrendous traffic accident.

PH: A few years ago, I was an actor in a film called «Rudyard Kipling's Mark of the Beast,» and while on the set a number of people were talking endlessly and enthusiastically about the Tommy Wiseau film «The Room.»

We can also include this short film, titled Dawn of the Deaf, about a few deaf people who must band together to survive in a zombie apocalypse - though it's much more about the relationship the main girl has with everyone in her life.

The zombie tale, a hybrid of Scooby - Doo, Night Of The Living Dead, and an always intriguing youth - confronting - scary - monsters premise, seems in line with people's interests and in an animated setting, perhaps a zombie film can survive the over-saturation of zombie - pop that has been prevalent these last few years.

The small country of five million people has punched above its weight, producing a string of top - drawer films in the last few years.

Strong acting and detailed but unfussy direction by Joseph Kosinski (Oblivion, TRON: Legacy) carry the film through the few saccharine sticky spots, and overall the film is grounded in examining the kind of person who's drawn to this work, and what it costs them to do it.

Like with all indies, I expect this to connect with a few people in particular, but I'm more than happy to introduce this film to as many people as I can.

, he also preceded Ready Player One in dreaming up the idea of people interacting with beloved pop culture icons (to a level of studio cooperation few believed would ever happen again... before Spielberg signed on for this film).

Packed with pretty people, clinging to the trending hobby of the time (in this case, acappella singing — a few years ago, it was street dance), and thrown into a school / college setting just to round up the cliches, it feels like a rehashed film we have seen before.

Lastly, in the field of «I'm quite excited about this» films, we have «Hot Rod» bringing up the rear; that it stars Andy Sandberg, a.k.a. one of the few truly funny people left on «Saturday Night Live,» is what's got my attention, but I'm entering with trepidation about the fact that Sandberg didn't actually have a hand in writing it.

«Captain Fantastic» is an important step forward for Ross, in terms of broadening both his audience and the scope of his filmmaking, but it's worth mentioning that Ross» first feature film, «28 Hotel Rooms,» which few people saw, was also intelligent and thoughtful.

There are a few other people in the film, but taking the time to talk about them would be pointless.

In the ten or fifteen minutes of this film when people have time to chat, you can also expect a few profanities and sexual innuendos.

Rockwell had made a habit of being remarkable in a number of roles, with barely any recognition at all — in films such as «The Way Way Back» and «Conviction» that few people saw.

The next few bonuses seem tailored to people who worked on the film: «Visual Effects Step by Step,» a.k.a. «Visual Effects Progressions,» is a 5 - minute demo reel juxtaposing CGI composite shots in various stages of completion; «Gag Reel» (8 mins.)

This is a film that I think people will talking about in a few years when they recap the best performances and dramas of the decade.

With the highly anticipated new Halloween movie, executive produced by John Carpenter and arriving in theaters in October 2018, about to begin filming, co-writer Danny McBride has just revealed a few new details about the project, mostly confirming what Carpenter already said, that the new film will in fact present an «alternate» version of events following the original 1978 Halloween, ignoring all existing sequels, and he's really hoping it doesn't «piss people off».

Being a low - budget film from Canada without an easily marketable premise, «Still Mine» is only gradually opening up in these parts in a few cities and its chances of expanding any wider are almost totally dependent on generating a positive word of mouth reaction amongst audiences that will hopefully lead to more people deciding to give it a chance instead of blowing their money on the likes of «Grown Ups 2.»

«People knew me from «Animal Kingdom,» and quite a few had been to Washington, D.C., to see me in «Uncle Vanya» with Cate Blanchett,» said Weaver, who'd been doing Anton Chekhov when «Playbook» director David O. Russell was casting the film in Philadelphia.

Native people always seemed to be invisible and few in the film industry.

Christian Bale, Michael Caine, Gary Oldman, and Morgan Freeman all return in their roles, but then you have Tom Hardy joining as Bane, Anne Hathaway as Selina Kyle aka Catwoman, Joseph Gordon - Levitt in an unknown role, Juno Temple as a street-wise girl, and don't be surprised if a few more notable names sign on considering how many people seem to like Nolan and his films.

The few minutes in the ring represent the bulk of what you can expect in this film... countless confrontations between very strong people who have a range of special powers to try and outdo their opponents.

Jonathan Demme's buoyant mid-Eighties yuppie road movie is, in retrospect, maybe the key American film of its era along with Blue Velvet (also 1986, but Blue Velvet was more popular), but despite excellent reviews very few people went to see it.

It was unheralded, and few people in the Austin film crowd even knew who Kwedar was.

And still it comes, the annual Woody Allen film, and the debate starts again (at least among the few people who still watch them) as to whether the latest is worse than the previous, or slightly better, or merely the same depressing evidence of a director who seems to have forgotten why he made films in the first place.

It's hard to put a finger on what hurts this film the most: the fact that, at an unrelenting 158 minutes, your eyes actually get tired of seeing things blow up and irritating people perish, or that the film only serves up the same special effects and migraine - inducing sound design you've seen and heard before in far better movies, just cranked a few notches higher.

In classic Jones fashion, the Ghostbusters star also couldn't help but provide live commentary during a few stressful moments in the film, cracking up the people around heIn classic Jones fashion, the Ghostbusters star also couldn't help but provide live commentary during a few stressful moments in the film, cracking up the people around hein the film, cracking up the people around her.

Additionally, there are a few great performances here that go a long way in making a very likable film, despite how terrible some of these people are.

Well, few people love William Friedkin, John Boorman, and Paul Schrader as much as I do, but in my book, of the six or so films that have tried to turn that tortured title into a continuing franchise Blatty's The Exorcist III is the best, hands down.»

In a droll exchange with his former bandmate Ivan Schrank, played by Rhys Ifans, Schrank recalls the old adage «Youth is wasted on the young», to which Greenberg replies, «I'd go further, I'd go life is wasted on... people» — one of the few really funny lines in the film, basically summing up the message of the moviIn a droll exchange with his former bandmate Ivan Schrank, played by Rhys Ifans, Schrank recalls the old adage «Youth is wasted on the young», to which Greenberg replies, «I'd go further, I'd go life is wasted on... people» — one of the few really funny lines in the film, basically summing up the message of the moviin the film, basically summing up the message of the movie.

Although the Irish actor's upcoming film schedule is still packed full of kicked doors, dead scumbags, and people getting took, Neeson has made a few feints in the direction of comedy of late, appearing as the antagonist in Seth MacFarlane's A Million Ways To Die In The West and throwing his gravitas behind the cameo - smorgasbord battle scene in the second Anchorman filin the direction of comedy of late, appearing as the antagonist in Seth MacFarlane's A Million Ways To Die In The West and throwing his gravitas behind the cameo - smorgasbord battle scene in the second Anchorman filin Seth MacFarlane's A Million Ways To Die In The West and throwing his gravitas behind the cameo - smorgasbord battle scene in the second Anchorman filIn The West and throwing his gravitas behind the cameo - smorgasbord battle scene in the second Anchorman filin the second Anchorman film.

White hasn't called the shots on a feature - length film since his comic book adaptation The Losers in 2010, having since then directed for TV shows like Person of Interest, Hawaii Five - O, Lethal Weapon, and The Americans, to name but a few.

A few people in the theater with me last night for the preview screening also walked out — however, I thought Refn's film was pretty brilliant both visually and in its hilarious skewering of a problematic industry I've never been able to understand or embrace.

Lachmann's taken my number one position over John Seale's Mad Max by the slimmest of margins, and I seem to be one of the few people who laud Tarantino and cinematographer Robert Richardson for resurrecting Ultra Panavision cameras and lenses long lost to history in order to shoot a film that takes place almost entirely indoors.

Anecdotally, there are fewer films and more people in 2016.

Those with an interest in Titanic will undoubtedly be intrigued by this film, and judging by the unparalleled gross of Cameron's 1997 film, that should be more than a few people.

The film's title was not announced in advance, but that probably wouldn't have mattered, because no one outside of a few dozen people had ever seen it before yesterday.

With the combination of audience antipathy towards «Alien 3,» the disappointing box - office grosses (though it still made plenty of money throughout the world) and the fact that the main character had just committed a spectacular and seemingly irreversible suicide in the previous film, most people assumed that the «Alien» saga was as dead as Ripley and were therefore surprised a few years later to learn that not only was a fourth film, «Alien Resurrection,» going into production, it would even star Weaver.

Media Mikes has had a chance to interview a few people from this film and will be adding many more in the coming weeks.

My sincere hope is that this film becomes an after - the - fact sleeper hit in the vein of Blade Runner or Office Space; but if it makes just a few people interested enough to check out the Scott Pilgrim series?