Not exact matches
Seyfried's verge - of - tears acting has never gotten so
powerful a context, and Ettinger's chilling intensity makes an impact over just a
few scenes.
A
few miscalculated
scenes aside, this low - budget drama is stunningly smart and
powerful, with real - as - life lead performances and a style as gripping as it is unpretentious.
A
few of the beats don't work — some inspirational
scenes would have been more
powerful if they had been just a bit shorter — and there are some «Boston atmosphere» moments I just didn't quite believe (like the cop who asks for a photo after pulling them over).
And Mary Elizabeth Winstead, who was the heart and soul of Smashed, is very
powerful in her
few scenes as Sutter's sister.
She has
few scenes, but each is quite
powerful.
The
scenes in which Robbie and Janney go at each other, or even glare at one another from across the ice, are the most
powerful in I, Tonya, and there are far too
few of them.
Davis is quite
powerful in those
few scenes where Rose is allowed to break free from the character's wary vigilance — where she pours out her hurt — but the
scenes often play out as arias in an opera that never quite rises to full cry.
In just a
few short
scenes, Powerhoof communicate a strong framework and a
powerful sense of paranoia and despair that are true to both the mechanical genre of classic point - and - click adventure games, and the narrative genre of sci - fi survival horror.
The most
powerful scene in The Untouchables, a movie with more than a
few of them, came courtesy of Sean Connery.