«Mockingjay — Part 1» is rated PG - 13 for
a few scenes of action / violence and mild disturbing images.
There are only
a few scenes of action but that only adds to the tension that slowly builds up as the girls remain missing for days on end.
Not exact matches
But this week I caught a
few glimpses
of reconciliation - in -
action that inspired me to envision more climactic
scenes in my life.
This exciting epidemic thriller has quite a lot to offer: an outstanding cast
of great names, great cinematography by Ballhaus and direction by Petersen and a thrilling plot that doesn't leave you much space to catch your breath, even has quite a
few decent
action scenes to offer.
Marvel's struggle to make fight
scenes more than the cinematic equivalent
of a child bashing their
action figures together does tend to prevail, though a
few sequences are well - choreographed enough to ensure boredom isn't ever a real threat.
Because the nerves have grown numb now, there are
scenes of cruel torture in the picture — the kind that a troubled child would enact on his
action figures after a
few days
of standard play: Dr. Strange at the mercy
of glass needles, Nebula (Karen Gillan) bloodlessly segmented like a plasticine exhibit in a sadist's medical museum... The atrocity escalates because there's nothing at stake here.
Film editors Michael McCusker and Dirk Westervelt not only knit together the
action scenes effectively, they also maintain a good sense
of momentum during the dramatic sequences, and enable the
few comic moments room to breathe.
Sometimes the perceived need for conflict in a
scene acts against it and a
few of the
scenes and
actions of the characters come off as contrived or overreaching.
Yet the good cheer
of the performers is infectious, the script contains a
few satisfying surprises, and the
action scenes are crisply staged and cleanly shot.
There are a
few cool
action beats, and one particularly amazing death
scene, but at times, it doesn't even feel like a Riddick movie, with the title character gone missing for most
of the second act.
A five - minute featurette called «Greetings From Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that features a
few additional male buttock shots; «King
of the Mountain» is a two - minute music video that splices
action sequences from the film together with bloopers and sets it to music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted
scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even worse.
Ultimately, Power says that Black Panther «spirals into a stodgy tale
of internecine feuding,» and that T'Challa doesn't really get to be a superhero besides the
few action scenes.
In Terminator 2: Judgment Day, some
of the best
action scenes — the rescue in the mental hospital, the truck - bike chase
scene — were smaller affairs with
fewer characters at risk but they were packed with suspense.
There are a
few action sequences
of shocking coherence in «Transformers: The Last Knight,» the fifth
of Michael Bay's clang - clang - clang - went - the - robot adventures, but fear not, fans
of the franchise: if you're here for the director's trademark chaos editing (where fights go from points A to D to Q), toxic masculinity (and female objectification), comedy
scenes rendered tragic (and vice versa), and general full - volume confusion, you'll get all those things in abundance.
Unfortunately this film is not one
of my favorites, it plays more like a slapstick comedy, which is not funny, with a
few decent
action scenes chucked in.
Schaffner came from TV, and while he has
few of the obnoxious visual affectations
of the TV - trained director, he tends to restrict the most significant
actions and relationships in his films to spatial arenas that could be served very adequately by the tube rather than the Panavision screen: the real convention hustle in The Best Man takes place in hotel rooms, hallways, and basements; the tensest moments in his strange and (to me) very sympathetic medieval mini-epic The War Lord are confined to a small soundstage clearing or that besieged tower; the battle
scenes in Patton are hardly clumsy, but the real show is George C. Scott; and Nicholas and Alexandra comes alive only after the royal family has been penned up under the watchful eyes
of Ian Holm and then Alan Webb, far from the splendor
of St. Petersburg or the shambles
of the Great War.
HollywoodNews.com: Rachel McAdams may have suffered a
few bumps and bruises on the set
of «Morning Glory,» but it had nothing to do with
action scenes.
Schwarzenegger, in his prime as an
action star, is mostly subdued, giving a
few of his traditional one - liners («Stick around» punctuates a
scene in which he impales someone standing, and his unintentionally funny line, «Get to da choppa!»
There are only a
few action scenes in this drama but the first two films were often too graphic in their depiction
of children being killed (something that often grew tiresome) so this film feels like a nice departure.
Soderbergh shot the major dance sequences in long takes, using only a
few camera setups, just as he did the fight
scenes of his recent
action movie Haywire.
In particular, Cheri Oteri - cast as one
of Megan's gruff fellow soldiers - effortlessly steals her every
scene and provides the movie with its
few genuine laughs (and,
of course, it's always a pleasure to see Steve Guttenberg back in
action).
, Leitch does what so
few directors
of action movies do these days — he ends
scenes when they should end, if not before.
The situations are realistic for the most part, and one gets the sense that even director Michael Caton - Jones (Memphis Belle, Basic Instinct 2) thought the film drags too much, as there are a
few attempts at
action that break the rhythm
of the film, providing the worst
scenes.
Sadly, what attempts there are at actual humor without vulgarity lay mostly dormant, and a
few prolonged
action scenes are so disgustingly full
of blood and gore that they shift the tone further into the tasteless realm than even the barrage
of sex and poop jokes can do.
Some CGI and a couple
of action scenes aren't the best, and it does contradict itself a
few times which bugged me a bit.
Whatever sense
of time catching up with these retirees, which gave a
few scenes in the first movie some unexpected heart, have been sidelined in favor
of character spouting plot information and
action sequences that feel more compulsory than exciting.
Our Kind
of Traitor has a
few simple
action scenes in the final act, but John le Carré's novel comes to life thanks to suitable performances from everyone involved, especially Skarsgård (Thor: The Dark World, The Girl with the Dragon Tattoo).
As one would expect from the filmmakers behind «The Matrix» and «Speed Racer,» the film is colorful and filled with top - notch special effects and
action scenes; a chase through the skies
of Chicago moves so fast that it's a wonder
of construction, and it doesn't wear out its welcome like a
few other set pieces, including a climactic showdown on Jupiter (the planet).
The best
scenes are between various character pairings, especially one in particular between Willoughby and Hayes, where a small
action makes her turn from angry to compassionate in the space
of a
few seconds.
In order to combat that feeling
of repetitiveness, what they do here is add a
few more fight
scenes and a very interesting shoot out that's not exactly what we've come to expect from any
action movie.
Succeeds in the top priority
of creating a worthy opponent for its superheroes and giving the latter a
few new things to do, but this time the
action scenes don't always measure up.
The film features a traditional heroes» journey but it offers a
few really fun
action sequences that are reminiscent
of scenes from National Treasure or Indiana Jones films.
A
few good laughs, a yippee ki yay and some really great
action scenes bring back enough nostalgia by the films end to make this mess
of a movie still enjoyable.
Gigazine posted a
few acceleration - testing videos
of the EV in
action to YouTube earlier this year that look like
scenes straight out
of «Buckaroo Banzai.»
I tend to write a woven story so when a lot
of plot elements are happening and coming to one finish, I find it's good to insert a
few little «wins» for the reader along the way, not leave all the good fun
scenes and
action right to the last chapter.
The Blanco has a wider beach area and is also a
few steps closer to the
action of Mango Deck and the «busier» beach
scene (rentals
of wave runners at Tio Sports, etc.).
There's good reason for the lack
of any significant SoulCalibur play on the competitive
scene; while the series might have provided its fair share
of hugely entertaining showdowns, a
few game - breaking flaws and an emphasis on style over substance has seen it left in a horrible middle ground between hardcore fighters and anything - can go, mash - friendly
action gaming with a competitive twist.
The hallways here, the parking garage mentioned earlier, and a
few action sequences later on will definitely leave you yearning for more
of the creativity on display during the nightmare
scenes.
The story is very minimalistic as you play through a
few story
scenes which lasts a
few minutes in - between the
action parts
of the game.
These decisions also affect the lives
of certain characters and the course
of the game's story, the only drawback here is that while these decisions are also supposed to change the way the live
action series play out, it only ends up changing
few scenes and does not makes a solid impact.