Sentences with phrase «few women artists in»

For example, in the newly installed Museum of Modern Art, there are very few women artists in the early galleries.

Pearl Fine, Unequivocably Blue, 1967 April 7 — June 26, 2009 Perle Fine (1905 - 1988) was one of the few women artists in the inner circle of the Abstract Expressionism movement.

Not exact matches

Women and minority actors and stage managers are getting fewer jobs and often wind up in lower - paying shows than white male theater artists, according to a new study by Actors» Equity.

Just as a photo alone is not enough to cultivate strong attraction in women, a profile that just has a few lines, or is full of generic pickup artist scripts, does not give women something real to be attracted to.

As well, all the women in his life are remarkably portrayed, with a depth greater than the artist and acheived with fewer lines.

There were so many good ones in 2017, in fact, that we surely left out some of your favorites, including (spoilers for the few who have opted to read this preamble before scrolling through the selections below) The Shape Of Water, Blade Runner 2049, The Post, Faces Places, Wonder Woman, The Disaster Artist, Coco, and Mudbound.

While we can not go into such an investigation in depth in this article, we can point to a few striking characteristics of women artists generally: they all, almost without exception, were either the daughters of artist fathers, or, generally later, in the 19th and 20th centuries, had a close personal connection with a stronger or more dominant male artistic personality.

Let us, for example, examine the implications of that perennial question (one can, of course, substitute almost any field of human endeavor, with appropriate changes in phrasing): «Well, if women really are equal to men, why have there never been any great women artists (or composers, or mathematicians, or philosophers, or so few of the same)?»

2015 Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich (November 14, 2015 — April 30, 2016) Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum of Fine Arts, St. Petersburg, Florida (October 17, 2015 — January 24, 2016) A Few Days, Lennon, Weinberg, Inc., New York (October 7 — December 19) The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery, Yale University Art Gallery, New Haven, Connecticut (September 4, 2015 — January 3, 2016) America is Hard to See, Whitney Museum of American Art, New York (May 1 — September 27) What is a Line?

Lygia Clark and Hannah Wilke at Alison Jacques Gallery, The Armory Show Before another landmark Brazilian artist, Lygia Pape, gets her due at the Met Breuer in a few weeks, the work of Lygia Clark, known for her interactive, neo-concrete works like folding metal bichos, will be showcased in Alison Jacques Gallery's booth of women artists, including the late American sculptor and photographer Hannah Wilke.

In the postwar era, societal shifts made it possible for larger numbers of women to work professionally as artists, yet their work was often dismissed in the male dominated art world, and few support networks existed for theIn the postwar era, societal shifts made it possible for larger numbers of women to work professionally as artists, yet their work was often dismissed in the male dominated art world, and few support networks existed for thein the male dominated art world, and few support networks existed for them.

The first sentence — «An artist isn't typically rediscovered at 77» — fit into a category of historicization of women artists that I have commented on frequently, as recently as in a blog post here a few days ago.

She was the first of few women accepted into the Artists» Club and participated as an artist in the Works Progress Administration during the depression.

As I wrote to him this morning, so much to say and so little time to say it if I want to get a few paintings done before I have to go back to my day job as an underpaid adjunct (Davis mentions the role of practical bread and butter issues and economic inequities for women as in some sense replacing Linda Nochlin's historical focus on women artists» earlier lack of access to academic training.)

Weems is among the few women artists who have had a solo show at the Guggenheim in New York.

Treanor adds that there may have been fewer female artists working in abstraction because, in the early modern period, women were steered toward still - life painting or portraiture.

«Until the Whitney Museum was picketed and threatened with human rights legislation in 1970, very few, if any, women artists were included in major public exhibitions of contemporary art.

Women were largely excluded from art history textbooks such as the widely - used H. W. Janson's «History of Art,» first published in 1962, until the 1980s when a few women artists were finally inclWomen were largely excluded from art history textbooks such as the widely - used H. W. Janson's «History of Art,» first published in 1962, until the 1980s when a few women artists were finally inclwomen artists were finally included.

So, in this case, a gallery show with three women artists becomes a sort of front for a much larger and more eclectic group show including works by: Joel Shapiro, Mary Heilmann, Chuck Close, Claes Oldenberg, Elizabeth Murray, Carrol Dunham, Jim Dine, Frank Moore, Kiki Smith, Robert Ryman, Robert Gober, Terry Winters, James Siena, Ida Applebroog, Cindy Sherman, Victoria Haven, Joanne Greenbaum, and Mark Tansey, to name more than a few, though not all.

Opening: «Hedda Sterne: Machines 1947 - 1951» at Van Doren Waxter One of the few women in the New York School of artists and poets, a group of post-war American artists that included the Abstract Expressionist painters Mark Rothko and Jackson Pollock, Hedda Sterne was a Romanian - born painter and sculptor who made work that ranged from surrealism to expressionism between the 1940s and her death at 100 years old in 2011.

Widewalls: In the last few years, we are witnessing a resurgence of all - women shows, as well as the rise of major solo shows of women artists.

Ringgold is one of the few artists included in the exhibition who aligned herself with the mainstream feminist movement, though she, like other black women, often found it lacking, and identified more pointedly as a black feminist.

While Abstract Expressionism brings to mind artists such as Jackson Pollock, Willem de Kooning, and Robert De Niro, Sr., only a few women painting at the same time garnered any name recognition, and even so, for many, this recognition came far later in their careers.

Working in a variety of media throughout her career this versatility helped to establish Cassatt as an influential personality in a time when very few women were regarded as serious artists.

Maybe the Museum of Modern Art should include a few more women artists, too — preferably in the original medium.

As a movement, however, Minimalism was undeniably dominated by men, with even fewer women in its orbit than Abstract Expressionism — the style whose highly personal, dramatic, and angst - ridden ethos was everything that Minimalist artists like Donald Judd and Robert Morris sought to upend.

As happy as Murray was to be among the few female artists whose work was regularly shown at the museum — and as proud as she was in 2005 to be one of the handful honored with a retrospective there — her Artist's Choice pointedly proclaimed her refusal to be a stand - in for all the women present in the institution's database yet unaccounted for on its walls.

It's one of a few concerted attempts we've seen recently to address the underrepresentation of women artists in major institutions.

«There were very few women artists at that time,» says York, «and in New Mexico we were lucky to have Georgia O'Keeffe as a living artist and example.

A similar opportunity was not, alas, afforded to the artists in the 2015 — 16 show «Modern Scottish Women,» few of whom were shown again here.

Mitchell's early success in the 1950s was striking at a time when few women artists were recognized.

It makes yet another argument for more women artists in galleries and fewer overgrown male children, dead or alive.

Ms. Holt, who lived and worked for many years in Galisteo, N.M., was one of the few women to pursue monumental sculpture in the American West, a place whose wide - open spaces drew a generation of restless artists like Michael Heizer, Walter De Maria, James Turrell and Robert Smithson, whom Ms. Holt married in 1963.

Georgina Davis worked as a commercial artist for over thirty years, at a time when few women were able to pursue independent careers in the arts.

In some ways, this was the magic ingredient in the work of this artist, who was one of the few women to garner the critical acclaim given to such male Abstract Expressionist counterparts as Willem de Kooning and Jackson PollocIn some ways, this was the magic ingredient in the work of this artist, who was one of the few women to garner the critical acclaim given to such male Abstract Expressionist counterparts as Willem de Kooning and Jackson Pollocin the work of this artist, who was one of the few women to garner the critical acclaim given to such male Abstract Expressionist counterparts as Willem de Kooning and Jackson Pollock.

At 23, she was a widow, and one of the few women to participate in the burgeoning scene around the Ferus Gallery, a locus of West Coast cool whose artists included Edward Kienholz, Robert Irwin, Ed Moses and Ken Price.

Goodman's legacy was unique: it was founded by a woman in 1966 — a time when very few women were owning and running businesses — and had provided a platform for black artists to exhibit their work despite apartheid laws against this.

Today is the occasion to bear in mind Nancy Holt (5/4/1938 -8 / 2/2014), she is a pioneer and one of the few women artists involved in Land Art and Public Art.

The Women's Action Coalition was formed here in New York in 1992 and there was a lot of protesting in the art community against a range of issues — the downtown annex of the Guggenheim Museum, for instance, which had opened that year with very few women artists represeWomen's Action Coalition was formed here in New York in 1992 and there was a lot of protesting in the art community against a range of issues — the downtown annex of the Guggenheim Museum, for instance, which had opened that year with very few women artists represewomen artists represented.

LINDA NOCHLIN: You said there were very few women included in that group [the Artists Club].

In this roundup (with a few exceptions), it's a week to honor women with exhibitions, events, and articles highlighting the work of several female artists.

I was not the only woman or artist of color in the class; there were a few of us, so it felt particularly egregious.

In 2011, Feminist artist group the Guerilla Girls discovered that fewer than 4 % of artists in the Metropolitan Museum's modern art section are womeIn 2011, Feminist artist group the Guerilla Girls discovered that fewer than 4 % of artists in the Metropolitan Museum's modern art section are womein the Metropolitan Museum's modern art section are women.

THERE has been a bit of anguished debate in Glasgow these last few weeks about the status of women artists and whether they get the same opportunities as men.

The Turner Prize nominated artist Tracey Emin, an Oscar winning actress, a life changing charity CEO, an Olympic gold medallist and an inspiring nurse of the year — are just a few of the women to showcase the new Autumn collections in a campaign announced by Marks & Spencer today.

A bookshelf, installed 3 - feet from the floor, holds 39 books that the artists found on the C.I.A.'s Intelligence Book List for K - 5th and 6th -12 th Graders: Women in Espionage, The Ultimate Spy Book, and Sticky Situations, to name a few.

For an artist who had largely been overlooked for the first 50 years of her working life, the Spider - Woman's mature period impacted the world in a way few artists have ever done before.

In 1949, she was one of few women artists invited by de Kooning to join The Club, the intellectual artists» group that he and Kline led.

But the bidding remained tempered throughout the rest of the night, and even saw a few stumbles: a late painting of two faces on a collaged background by Jean - Michel Basquiat, who has been a market sure thing in recent months, failed to sell at its $ 5 million - $ 7 milllion estimate, while Cady Noland — who holds the world auction record for a living woman artist ($ 6.6 million)-- had a section of chain - link fence go unsold at $ 500,000 - $ 700,0000.

Although Weusi had previously had a few black women members, including textile artist Dindga McCannon, when Brown joined, she was the only female member in a what was frequently referred to as «a brotherhood» of 14 men.