Sentences with phrase «few women in the movie»

Not only is she one of the few women in the movie (Cooper confirmed this week that Bulger's girlfriend Catherine Greig, played by Sienna Miller, was cut from the story), she's arguably the most reasonable player in the narrative.

Not exact matches

Not only is «Blockers» one of the few women - directed movies coming from a major studios this year, but it's sex - positive message about consent and societal pressures around people losing their virginity make it an incredible feat in the midst of the #MeToo and Time's Up movement.

every man is Jesus if is human a humanitarian who give they life the soldier the real citizen other are person and people we all are a family GOD is the woman we all had a mother think Obama mama is all our mama this nation brain wash because greed and ignorance everyday in deception and manipulation is world order that is why 9/11 call the police the CIA explain all in movie in deception the rich few know all is in the moral, respect and honor the president is correct all in the education but ignorance is bless because we all have greed, they want dome is shipper that is why gay a lot in this nation ignorance..

The top ten men continue to out - earn their female counterparts by a huge margin — $ 488.5 million compared with just $ 172.5 million — a disparity Forbes attributed in part to the preponderance of superhero movies and action blockbusters that offer few starring roles for women.

I'm well aware that to mock an actress for doing a lousy movie is, in effect, to punish her for the sins of Hollywood (i.e., there are too few good roles for women), but didn't Jolie realize that» Taking Lives» makes her look like a sap?

Deanna starts to become a fixture at Maddy's sorority, and we expect mother and daughter to clash, but here the movie throws one of its few curves — Deanna's maternal boosterism turns out to be good not only for Maddy, but for all of the young women in the house, who come to rely on her support during a stressful senior year.

Female friendship gets dismayingly little attention from the movies, probably in part because so few movies are made by women.

It's depressing that there are so few movies with women over 50 in the foreground, but who can say the dearth isn't justified from a business standpoint, if we don't have any proof that the wisdom is flawed?

If Warner Bros. had chopped off the last 20 minutes of Wonder Woman, and worked in a few more Amazon fight scenes, I would've raised the movie's rating by at least a star.

Gal Gadot, however, steals the movie in just a few short scenes as Diana Prince / Wonder Woman, even though it's never explained why exactly she is in the movie.

We've had a few glimpses of Wonder Woman's warrior women in the past — officially and unofficially — but this latest look behind the scenes from the movie gets pretty up close with the movie's Amazon look, and they don't look half bad.

The disc is packed with extras, including some deleted scenes that add very little, a blooper reel and a featurette detailing how Wonder Woman fits in with Batman and Superman as a DC flagship character that are all fairly throwaway, but there are a few neat production featurettes that detail how director Patty Jenkins approached making what could have been a potential disaster given the negativity towards the DCEU's previous movies, and also interesting effects details about the lighting, costumes and the chosen colour palette that may not sound like much but actually prove to be quite enlightening about the whole filming process.

«My Happy Family»: We'll have a longer review on this beautiful film in a few days, but this movie about a woman trying to divorce her family is like if «Krisha» spiked the punch at «My Big Fat Greek Wedding.»

I saw a beautiful movie at Cannes on Saturday night — an artful, surprising and thrillingly intelligent story about a few women trying to make a difference, forging bonds of solidarity in quiet defiance of the repressive, small - minded men in their rural village.

A few other Westerns featuring female protagonists that almost made the cut are: the Coens» «True Grit» although we just didn't really feel like Hailee Steinfeld, good as she is, actually leads the movie; Samuel Fuller «s «Forty Guns» which also stars Western superheroine Barbara Stanwyck; 1995 TV movie «Buffalo Girls» in which Anjelica Huston plays Calamity Jane; William Wellman's «Westward the Women» in which a wagon train of «marriageable» females is brought out to supply a woman - starved town in the West; and straight to video title «The Desperate Trail,» just because this is a list about strong women leads and they don't get much stronger than Linda Fiorentino (alongside Sam ElliWomen» in which a wagon train of «marriageable» females is brought out to supply a woman - starved town in the West; and straight to video title «The Desperate Trail,» just because this is a list about strong women leads and they don't get much stronger than Linda Fiorentino (alongside Sam Elliwomen leads and they don't get much stronger than Linda Fiorentino (alongside Sam Elliott).

By Bob Bloom Over the past few decades, a fair share of movies has followed the trajectory of an older woman who, in her younger years, was either a success or on - track to a prominent career, only to be sidetracked by falling in love, marriage and children.

In the late 1970s Woody Allen served up the essential New York movie (and he's made a few) with this wistful, black - and - white story of a nervy over-thinker (Allen, of course) who steps out with a much younger woman (Mariel Hemingway) before falling in love with a married friend's secret girlfriend (Diane KeatonIn the late 1970s Woody Allen served up the essential New York movie (and he's made a few) with this wistful, black - and - white story of a nervy over-thinker (Allen, of course) who steps out with a much younger woman (Mariel Hemingway) before falling in love with a married friend's secret girlfriend (Diane Keatonin love with a married friend's secret girlfriend (Diane Keaton).

Unfortunately, that killer soundtrack is let down by the actual movie itself, which pales in comparison and winds up being a clunker on a few levels — especially if you're one of the women in the film.

If you subscribe to the idea that most movies yielding best - actress nominations just aren't quite good enough to be nominated for best picture, your best supporting evidence is to look at the films made by top directors — and then emphatically throw shade at how few of them star women in the first place.

Descending on Brooklyn in a warm springtime haze (call it a golden entrance), the movie spends 94 minutes charting a few months in the lives of several men and women occupying a few blocks in the borough's Carroll Gardens neighborhood.

When director Paul Feig wants to make a «Ghostbusters» movie with funny people who happen to be women, bringing a few - isms right to mainstream audiences, that is not a step back in entertainment.

Few horror movies are as lush, or star an avatar of hysteria like Mia Wasikowska, playing a young woman whose fetishized body and violent leanings are bound together in one knotty performance.

A few scenes fleetingly mitigate the almost total dearth of laughs by injecting weird poignancy: a return visit to the stripper played by Heather Graham plays out an interesting idea about the passage of time since the first movie in 2009, and Melissa McCarthy livens up the picture in a couple of scenes as a pawn - shop proprietress with eyes for Alan, suggesting that maybe what the otherwise hopeless case needs is the love of a good woman.

Ironically in the year that the president of the jury is none other than Pedro Almodóvar, God's gift to women in the movies, there have been relatively few substantial female roles — certainly nothing to rival last year's astonishing field, which included Sandra Hüller («Toni Erdmann»), Isabelle Huppert («Elle»), Sonia Braga («Aquarius»), Kristen Stewart («Personal Shopper»), Ruth Negga («Loving») and Sasha Lane («American Honey»).

As far as entertainment goes in the Christmas season, there are few movies that feel as effortlessly graceful, funny, and beautiful as 20th Century Women, the third feature thus far from famed AIR colleague Mike Mills.

Challenges: Will U.S. voters take to a movie with few women (especially in the year of #MeToo) and minimal dialogue about an incident that took place before America entered the war?

And yet the fact remains that I saw a great deal of movies this year and loved very few of them, in part because so many of the prestige pictures («Boyhood,» «Birdman») left me cold, and in part because it was such an excruciatingly paltry year for films about girls and women.

A few days ago we got our first look at Chris Pine as Steve Trevor in Warner's upcoming Wonder Woman movie, which — judging by his clothing — appeared to confirm that the story between Steve and Diana would take place in the past.

There are few ways to poke that proverbial bear with greater effectiveness than to argue that increasing the diversity of casting in superhero movies is a good thing; not to mention, necessary, to reflect the growing fanbase of superhero and comic book movies, which continues to break down the barriers of race and gender (case in point: just ask Tumblr how many women love Tony Stark and Loki).

For this reporter's ghost - hunting experience, I chose the almost 100 - year - old Hotel Monte Vista in Flagstaff, Arizona, where guests, including Wild West movie star John Wayne, have reported seeing multiple ghosts: an old woman who sways back and forth in Room 305's creaky rocking chair, a couple who dance in the cocktail lounge and a bellboy who knocks on your door, just to name a few.

While staring in many movies and TV she's been Wonder Woman in DC Universe Online and a few other game roles.

Bustle writes that the lack of nominations for women directors is significant because it «brings attention to how few women directors are making movies in the first place.»