Not exact matches
Over the last
few months, I've gotten a chance to directly interact with these
artists and get a deeper understanding of where their
work stems from; highly influenced
by their individual place in society, each
living and breathing different aspects of
life that surrounds us.
By some fortuitous coincidence just a few steps separate «Joan Mitchell: The Last Paintings» at Cheim & Read from «Matta: A Centennial Celebration» at Pace Gallery and each show explosively refutes any notion of youthfulness being the province of the young while giving new life to the phenomenon known as «old age style» — used to distinguish formal characteristic of late works by Titian, Rembrandt, or Cézanne, where the artist just wants to get to the heart of the matter and sloughs off all the fine finish he had needed to impress his audience in earlier year
By some fortuitous coincidence just a
few steps separate «Joan Mitchell: The Last Paintings» at Cheim & Read from «Matta: A Centennial Celebration» at Pace Gallery and each show explosively refutes any notion of youthfulness being the province of the young while giving new
life to the phenomenon known as «old age style» — used to distinguish formal characteristic of late
works by Titian, Rembrandt, or Cézanne, where the artist just wants to get to the heart of the matter and sloughs off all the fine finish he had needed to impress his audience in earlier year
by Titian, Rembrandt, or Cézanne, where the
artist just wants to get to the heart of the matter and sloughs off all the fine finish he had needed to impress his audience in earlier years.
Both iconic and relatively unknown
works are featured
by artists whose careers are defined
by their association with the city, who may have
lived in Los Angeles for a
few brief but influential years, or whose visit inspired them to create memorable images.
Among an ever expanding (and as Karen Barad might say, «entangled») list, I am inspired
by the complex and contradictory city I
live in (the city of Chicago) and the incredible community of hard
working, sincere, talented
artists who I am surround
by and have the privilege of
working alongside and in collaboration with every day (too many and to diverse to name individually here) / /
by mentors A. Laurie Palmer and Claire Pentecost and Anne Wilson and Ben Nicholson / /
by Simon Starling and Andrea Zittel and Mark Dion and Sarah Sze and Phoebe Wasburn and Mierele Laderman Ukeles and Joseph Beuys and Eva Hesse and Hans Haacke and Robert Smithson / /
by writers and philosophers Karen Barad and Jane Bennett and Rebecca Solnit and Italo Calvino and Steward Brand and the contributors to The Whole Earth Catalog (of which my father gave me his copies) and Ken Issacs and Carl Sagan and Neil deGrasse Tyson and William Cronon and Bruno Latour and Deluze and Guttari and Jack Burnham / /
by ideas of radical intimacy and transformation and ephemerality and experimentation and growth and agency and mobility and nomadicism and balance and maintenance and survival and change and subjectivity and hylozoism and
living structures / /
by mycelium and soil and terracotta and honey and mead and wild yeast and beeswax and fat and felt and salt and sulfur and bismuth and meteorites and microbes and algae and oil and carbon and tar and water and lightening and electricity and oak and maple / /
by exploration and navigation and «the Age of Wonder» and the Mir Space Station and the Deep Tunnel Project / /
by Lake Michigan and the Chicago River and waterways and canals and oceans and puddles... to name a
few.
Many things intrigued me about Ballroom — the major
works commissioned
by living artists, the landscape of Far West Texas, and the multidisciplinary nature of the program — are just a
few.
One of Ireland's best still
life painters, his
work is admired
by many other contemporary Irish
artists as well as private and corporate collectors, and is represented in several important art collections such as: the Office of Public
Works (including Leinster House), The National Library, AIB, Jefferson Smurfit Group, National Irish Bank, the Irish Management Institute, Smithwicks, Tara Mines, the collection of former President Mary Robinson, the Concept Gallery Pittsburg USA, and the Royal Hibernian Academy, to name but a
few.
Now
living and
working in Paris, she reproduces existing paintings
by artists such as Marcel Duchamp, Roy Lichtenstein, Andy Warhol, Jasper Johns and Frank Stella — to name just a
few.
The
live auction will feature some 20
works by such important
artists as John Baldesarri, Mel Bochner, Mark Bradford, Vija Celmins, Chuck Close, Olafur Eliasson, Mark Grotjahn, Marilyn Minter, Dave Muller, and Richard Serra, just to name a
few.
(10) It would be better for Britain to support
living artists than raise millions to save Old Master paintings from going abroad; (11) In general, buy art for pleasure, not as an investment; (12)
Few video
artists have improved on
works by the great pioneers of video art, namely: Bruce Nauman, Andy Warhol, Vito Acconci, Joan Jonas etc; (13) Blue Electric Chair is Any Warhol's best painting; (14) His favourite non-blockbuster art show was Clyfford Still's retrospective at the Metropolitan Museum of Modern Art, NY, (Nov 1979 - Feb 1980); (15) The fact that only 5 of the last 40 Turner Prize nominees have been painters, says more about curators than about the state of painting today.