Sentences with phrase «few works from this exhibition»

Mother of God is one of only a few works from this exhibition to survive.

Not exact matches

Student work on picnic table tops under plexiglass, mounted on or hanging from the ceilings of pedestrian walkways, as pennants on flagpoles, or mosaics on the vertical parts of exterior stairs — these are just a few options that educators can consider as outdoor exhibition spaces.

An exhibition of his work, Americana — at Gutman Library through March 30, 2013 — features images from Barack Obama's 2008 and 2012 presidential campaigns, wildlife and desert scenes, and a few notable American entertainers.

Ironically work that emanated from mostly American roots is left out of the fourth floor and from the remainder of the exhibition, with only few exceptions.

Bourgeois's diverse practice included drawings, paintings, textiles, embroidered works, sculpture, and installations ranging in scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece of her exhibition at MASS MoCA.

The exhibition features new paintings from a few series — Spatial Dialogues, Quantum Wall, and Portals — and new works on paper.

I've had the pleasure of working with Connie in the past few years, especially during the period she helped organize the important «Witness: Art and Civil Rights in the Sixties» exhibition that included a number of works from my collection.

In her 2005 Artforum essay «From the Critique of Institutions to an Institution of Critique,» Andrea Fraser scrutinized the distinctions between what is inside and outside of the gallery space, emphasizing the inquisitive approach artists working with the framework of institutional critique — Michael Asher and Daniel Buren to name a few — bring into exhibition spaces.

As with that exhibition, many of the works now on view at the Aquavella Galleries» posh, mirrored townhouse on Manhattan's 79th Street (the artist's first show there), a few blocks north of the Whitney Museum of American Art, came from the Thiebaud Family Collection, the artist's studio, museums and private collections.

If this display had been beefed up with a few more Rothko paintings and some choice works from the British artists, it might have made a little gem of an exhibition.

David Shrobe carries the spirit of the exhibition dutifully, as a local artist whose highly - accessible works are constructed in - part from found objects sourced within a few block radius of Gallery 8.

From Surface to Space: 100 Years of Sculpture, Relief and Collageis an extensive exhibition of 20th century highlight works by Claes Oldenburg, Roy Lichtenstein, Donald Judd, Christo, Julio Gonzalez, Fernando Botero, Alexander Rodchenko, Mel Ramos, Allen Jones, Robert Indiana, Roberto Matta and Yves Klein to name but a few luminaries of art history that will be on view in this century spanning showcase.

There are also a few hidden gems in the exhibition, such as two unfinished portraits of Helen Mirren from the 1980s that are tucked away in a back corner, which reveal the bare bones of a portrait, giving us insight into his working practice.

THE DRAWING CENTER «Exploratory Works: Drawings From the Department of Tropical Research Field Expeditions» sets the scene with old magazine articles and comic books; imaginative field - station re-creations by Mark Dion; a few tagged animal corpses as neat and compact as folding umbrellas; and a palmetto fan taken undersea in his bathysphere by the celebrity scientist William Beebe (1877 - 1962), whose field work is the subject of this exhibition.

Icons of modern portrait photography At the invitation of BOZAR — Paleis voor Schone Kunsten (Palace of Fine Art) in Brussels, where this touring exhibition begins its itinerary, Frits Gierstberg (curator of the Nederlands Fotomuseum) selected work by well - known or leading portrait photographers from the past few decades.

A few works by Sunil Gupta from his series, Exiles, will be on view in the exhibition, Coming Out: Sexuality, Gender, and Identity at the Walker Art Gallery, Liverpool.

While the exhibition emphasizes Hofmann's drawings from the 1930s and»40s, there are a few highly suggestive late works in the exhibition, particularly several untitled pieces from 1961 in which the artist contrasts a few seemingly carefree drips and spatters of richly hued oil paint with delicate felt - marker traceries.

In the gallery below is images of original works from the exhibition, alongside a few choice quotes from the reviews that greeted it.

Ranging from her earliest explorations in painting to new works made in the past few years, this survey — the artist's first major exhibition in New York in fifteen years — celebrates a career of exceptional duration and distinction, tracing the development of Kusama into one of the most respected and influential artists of her time.

This March, Milton Keynes based carnival arts organisation Festive Road presents an exhibition at MK Gallery Project Space, showcasing work they have been delivering to children and young people from schools in the region over the past few years.

For the past few years, solo exhibitions present new art that is mostly unavailable for purchase so fans can see the work before it disappears from public view, said Richard J. Demato of RJD Gallery in Bridgehampton, NY, the gallery which exclusively represents the artist.

Between attending the fairs and hosting their own open - house exhibitions of their collection, the philanthropic pair found time to send us a few of their favorite works from the fair.

The exhibition starts with the oldest works, including Dosso Dossi's Psiche abbandonata da Amore (1525) and Antonio Carneo's Aracne tesse la tela (better known as L'Indovina, c. 1660), presented in dialogue with an assortment of books on «magic» from the same period, and ends with works by the most recent generations of contemporary artists — from Christian Marclay to Grazia Toderi, from Markus Schinwald to Clare Strand, Elina Brotherus, Jeppe Hein, Beate Gütschow and Hans Op de Beeck — passing through masters like Gustav Klimt, Giorgio de Chirico, Fernand Léger, Edward Weston, Kurt Schwitters, Yves Klein, Arnulf Reiner, Georg Baselitz, Gerhard Richter, Peter Blake, Christo, Günter Brus, Mimmo Jodice, Gilberto Zorio, Giulio Paolini, Richard Long, Candida Höfer, Giuseppe Penone, Fischli and Weiss and Shirin Neshat, to mention just a few.

The exhibition shows works from the last few decades, alongside site - specific pieces.

This Kent Place Gallery exhibition is a carefully selected timeline, including strong pieces from all periods, reaching back to a few very early works from 1976 and concluding with recent paintings.

Between works displayed on cellphones or vintage game consoles, books, flat screens, projections, gifs, slide projects, a custom carpet job, wallpaper, a sculpture here and there, a few items from each artists» clothing line, and a single repeated verse from a generic pop song fading in and out of the exhibition space, I do not feel particularly set - up to pay close attention to anything.

This exhibition, drawn from the Manilow collection, used a few choice works to call attention to other aspects of Kiefer's practice.

Anselm Kiefer (b. 1945) is perhaps best known for majestic paintings from the 1980s and early 1990s that evoked Germany's contested history through charred landscapes and mythic symbolism.This exhibition, drawn from the Manilow collection, used a few choice works to call attention to other aspects of Kiefer's practice.

In selecting key works from the last few years, alongside a series of new projects, the exhibition demonstrated Paterson's commitment to a way of working that collides art with science in an attempt to make sense of the complexities of our universe.

These are just a few of the things that struck me about work in the exhibition: Feeley was intensely interested in a confounded figure - ground relationship; he was able to economically synthesize the formal and the comic; he was attentive to the erotic; his work clearly stands apart from Color Field painting.»

Marguerite Zorach [Kraushaar] had an exhibition of landscapes and still - lifes from the past six years, together with a few earlier works.

Kertess's catalogue is less a checklist than an introduction to his philosophy of art, and it contains few photographs of actual works from the exhibition or essays about them.

In the last few years, Court «s exhibitions have seemed to approach the question of responsiveness away from the presupposition that his role (and that of his collaborators) would be above all to «reveal,» once more, hidden meaning unspeakable by the institution hosting the work.

Altogether, the exhibition unites over 70 works, among them numerous new productions and a few rarely exhibited pieces from private Cologne - based collections.

Beyond the obvious need for bee activism, this exhibition originates from a pattern of contemporary artists working with bees and their culture over the past few years, as noted by the exhibition's curator Berta Sichel.

UC Davis artists will be represented by about 20 works, and the exhibition will include a few objects on loan from the Fine Arts Collection at UC Davis, such as Arneson cups.

Luisa Maria Basnuevo's solo exhibition presents recent works from her series of painting inspired by eucalyptus seeds she collected in Spain a few years ago.

The Guggenheim Museum in New York, which is organized a touring Richard Prince retrospective, also dates the artist's career from 1980 on its Web site: «Since his first solo exhibition, at Artists Space in New York in 1980...» In this, the Guggenheim is following the lead of the Whitney Museum of American Art, which staged the last retrospective of Prince in 1992 and did not include a single early work by the artist, although a few mid-1970s pieces were mentioned in the catalogue.

The ethos of cooperation has manifested clearly over the last few years, with several loans and international exhibition projects in which works from her collection, which now numbers 700 pieces, are exhibited.

You can meet these artists at the Torpedo Factory, and their work is readily found worldwide, from the Library of Congress to the art collection of British Airways — and for a few days more, you can enjoy a local exhibition that showcases their incredible range.

Anselm Kiefer@Larry Gagosian: Last Century in Berlin (December 24, 2010) The forcible eviction of a few peaceable demonstrators by the NYPD from the Kiefer exhibition at Gagosian Gallery in December 2010 was the spur to consider aspects of this body of Kiefer's work with its inflated production values and questionable arrogation of Judaism.

The exhibition, a survey of Blass's oeuvre over the past fifteen years, comprises some thirty - five pieces, including no fewer than fifteen brand - new works straight from the artist's studio.

From Surface to Space: 100 Years of Sculpture, Relief and Collage is an extensive exhibition of 20th century highlight works by Claes Oldenburg, Roy Lichtenstein, Donald Judd, Christo, Julio Gonzalez, Fernando Botero, Alexander Rodchenko, Mel Ramos, Allen Jones, Robert Indiana, Roberto Matta and Yves Klein to name but a few luminaries of art history that will be on view in this century spanning showcase.

The exhibition, based on paintings, sculptures, installations and photographs from the Sonnabend collection, granted on long - term loan to the Foundation Civic Museum of Venice, affords a comprehensive view of the contemporary art panorama, through artworks by Robert Rauschenberg, Andy Warhol, Roy Lichtenstein, Jim Dine, Tom Wesselmann, Robert Morris, Sol Lewitt, Anselm Kiefer and Jeff Koons, just to name a few, and including works never exposed in Venice, like None Sing / Neon Sign by Bruce Nauman and Inflatable Flower (Yellow) by Jeff Koons.

For a few more days, you can also seek out the yellow Persian bottle at the David Zwirner Gallery, where there is a beautiful Giorgio Morandi exhibition featuring works primarily from the 1940s and 50s.

Jewish Museum: «Other Primary Structures» (closes on Sunday) This two - part exhibition responds to the museum's landmark 1966 show, «Primary Structures: Younger American and British Sculptors,» by assembling the work of artists from elsewhere who might have been included, but makes its case with too few (poorly installed) works.

With its tiered, multipart construction and neat seams, the work differs from the oversized soft sculptures of food in Oldenburg's Store exhibition at the Green Gallery a few months earlier.

On until April 24, 2011 This exhibition features more than 100 of the artist's sketchbooks from the AGO's special collections, displaying the artists thought process and ideas in relation to her finished works, of which a selected few will be on display.

Grounded in an assembly of works dating from the 1980s and 1990s by eminent figures such as Louise Bourgeois, Robert Gober, Mike Kelley, Martin Kippenberger, Paul McCarthy, and Annette Messager, but also foregrounding projects by younger talents such as Paul Chan, Guyton \ Walker, Nate Lowman, and Wangechi Mutu, the exhibition immerses visitors in a focused survey of some of the most salient artistic developments of the past few decades.

«I think it's going to be quite different in the respect that it will be done on a larger scale, have fewer exhibitions and a combination of selling and non-selling exhibitions,» said Schimmel, who served as MOCA's chief curator from 1990 until his controversial resignation last summer and has never before worked in a commercial gallery setting.