Sentences with phrase «fewer exhibition opportunities»

Marter also charts the few exhibition opportunities that were open to women abstractionists in the 1950s including the Ninth Street Exhibition of Painting and Sculpture in 1951 and the annual exhibitions at the Stable Gallery from 1953 to 1957.

Not exact matches

This game is fun as hell, the exhibition mode is fun (with friends), classic fights are a good way to get someone who wasn't into MMA interested in it (e.g. me) Career mode is fun but the problem is that you don't age is kinda dumb to be honest, you're «CRED» has no real purpose other than to get you new equipment, sponsors, sparring partners and opportunities to increase your «CRED» the controls are confusing to someone who's never played a game like this A.K.A me but I'll give it credit for innovation, you can go to training camps which upgrade you're striking and grappling which gives you new moves, their is a few exploits in the game No. 1 if you manage to get all the sponsors you can use them in create a fighter (which by the way has a decent enough amount of options) you can put all of the sponors that give the most cred and get everything easily and I mean everything No. 2 when you go to a training camp all you have to do is watch two demonstrations by the camp fighter and you have full stamina No. 3 any fighter you can beat within a minute of the first round you can beat a few times and shoot up the ranks, the music is good but you'll soon get sick of it and turn it off cause it repeats itself soo often, they didn't add intro walks, music and cage entries which would've made you feel more like an actual UFC fighter, but overall its a fun game but there's a few missed opportunities and not many fighting styles to choose from but rent it if you are curious about the game.

«America Is Hard to See,» the Whitney Museum's inaugural exhibition in its new building, showcased art by Castle, Bill Traylor (who was born into slavery in Alabama and began making art at age 85), and Horace Pippin (one of the first self - taught African American painters to attract the attention of major museums like the Museum of Modern Art and the Whitney), but was also, in Edlin's view, «something of a missed opportunity,» considering the overall ratio of those few works to the entire installation.

Head a few blocks over, and seize the opportunity to see some more top - shelf art by heading to Hammer Galleries to admire their exhibition dedicated to the masters Matisse and Picasso, or to Leslie Feely, currently displaying a selection of paintings by Jules Olitski that explore light and color through his diverse painting techniques, processes, and materials.

Employment opportunities offered to our recent BFA grads include working as an artist's assistant, starting their own design / build firm, art handling and preparing, development assistant at the Rothko Chapel, web design, display design and installation, curating exhibitions, assisting with commercial photo and film shoots, interning at the Contemporary Arts Museum, Houston, and teaching, just to name a few.

Beyond being an individual achievement, the exhibitions were a boon for African American women artists as a whole, whose opportunities over the years at the city's big three museums have been few and far between.

Few have the opportunity to travel around the country to view all of the important and compelling museum exhibitions featuring work by African American artists.

Als will have the opportunity to share his interest in contemporary British art with an American audience through a three successive solo exhibitions he is organising at the Yale Centre for British Art over the next few years.

The American Abstract Artists group was established in 1936 as a forum for discussion and debate of abstract art and to provide exhibition opportunities when few other possibilities existed.

But perhaps what's most valuable about Interstate is that it's one of the few spaces in New York that's committed to providing exhibition opportunities to artists who have yet to have solo shows in New York.

Due to the complexities involved in presenting and traveling exhibitions of this nature, Dark / Light will create a rare opportunity to view important work which finds few venues for presentation.

Over the next few years, the Americans had an opportunity to have themselves acquainted with his work, as several of the shows he was participating in were traveling exhibitions, such as Advancing French Art in 1951, Younger European Painters in 1953, and The New Decade in 1955.

This exhibition is intended to provoke a dialogue and discussion with members of each host community while bringing the work of these young artists to the attention of audiences who would have few opportunities to view contemporary Japanese art.

Nancy Grossman, «T.Y.V.L.», 1970 Image: PS1.org On a recent trip to PS1, I had the unique opportunity to compare a few different approaches to visiting (and hopefully, seeing) exhibitions.

During the 1930s and early 1940s, AAA provided exhibition opportunities when few existed.