Oscar - winning Norwegian director Morten Tyldum is following up his Oscar - nominated film The Imitation Game with a myserious sci -
fi romance film based on a script that's been passed around and drafted for nearly a decade.
Not exact matches
Andrew Stanton on his new
film, John Carter Almost a century after it was written, Edgar Rice Burroughs's classic sci -
fi novel, the swashbuckling interplanetary
romance A Princess of Mars, is finally coming to the big screen.
A piece of ham - handed kitsch at its most asinine, The Lovers, not in any way to be confused with Louis Malle's
film by the same title, is a shamelessly derivative and preposterous would - be blockbuster that goofily fashions itself as a sweeping
romance, time - travel sci -
fi tale, and gallant period piece all at once.
Comedy, sci -
fi, horror,
romance, adventure, action, drama, and thriller, it covers quite a lot of territory in a short amount of time, and does so with its own sense of style that makes it different from any other
film, even if it is an homage
film at its core.
Playing like some warped configuration of sci -
fi,
romance, and heist
film, Upstream Color works best as a portrait of two people's embattled quest to heal after trauma.
And I really like that it doesn't hold back, because with artificial intelligence being addressed in so many sci -
fi films someone smart needs to carefully handle topics like sex and
romance.
Despite devoting roughly half its running time to Ian and Sofi's relationship, I Origins is ultimately not a
romance, or at least, not only a
romance: As the plot advances, Cahill's
film reveals new incarnations of itself in a variety of genre trappings — sci -
fi parable, grisly medical drama, globe - trotting thriller, and even, in one bizarre and possibly genius scene, a Saw-esque horror flick.
Comparisons will immediately be drawn between Divergent and The Hunger Games, as both are dystopian sci -
fi film series based on a trilogy of young adult novels written by women, featuring teenage female protagonists in an action - thriller scenario leading a rebellion against a corrupt and manipulative government force, while also engaging in a bit of
romance on the side.
That
film co-starred Spike Jonze who won Best Original Screenplay for his wonderful sci -
fi romance, «Her», beating out his «Three Kings» director, David O. Russell for co-writing «American Hustle».
Director Drake Doremus (Equals) has filled out the supporting cast of his upcoming sci -
fi romance Zoe, with Christina Aguilera (Nashville), Theo James (Divergent), Rashida Jones (Angie Tribeca), Miranda Otto (24: Legacy) and Matthew Gray Gubler (Criminal Minds) all signing on for the
film.
Writer / Director Rian Johnson (Brick) delivers a very entertaining, creative, thrilling and clever sci -
fi film that features time travel, dark comedy,
romance, metaphysics, and enough action to keep just about any viewer engaged... as long as you enjoy using your brain a bit.
We've been curating our Netflix guides since 2012, helping millions to find the right movie, whether they're searching for sci -
fi,
romance, action, comedy, foreign
films or horror.
It's rare to find a
film that traverses the comedy, psychological thriller,
romance and sci -
fi genres as easily as «Eternal Sunshine».
The sci -
fi /
romance hybrid worked wonders for Kaufman on the aforementioned
film, a
film that has since been decreed a masterpiece as well as a cult classic.
But language barriers were also part of the
films themselves: In John Cameron Mitchell's punk sci -
fi teen
romance How to Talk to Girls at Parties, Elle Fanning plays an alien (like, a literal extraterrestrial) named Zan who becomes fascinated by a human boy (Alex Sharp) and his favorite mode of communication, punk music.
This isn't a sci -
fi film with a dose of
romance, it's a
romance with a dose of sci -
fi.
Stark but with a glimmer of hope from love, this
film is a unique
romance with a sci -
fi backdrop that is riveting, heart - wrenching and poignant.
Whimsical futuro -
romance effortlessly evolves into ambiguous, unfathomable hard sci -
fi in Spike Jonze's best
film to date.