Sentences with phrase «fiber artists group»

We love seeing which fabrics our favorite fiber artists group together.

Not exact matches

About Blog The Hand Weavers Guild of Lincoln (HWGL) is a diverse group of beginning to advanced weavers and artists who share an interest in the art of handweaving, spinning, and other fiber arts.
High Fiber Diet is a group of fiber artists committed to advancing their art -LSBFiber Diet is a group of fiber artists committed to advancing their art -LSBfiber artists committed to advancing their art -LSB-...]
High Fiber Diet is a group of fiber artists committed to advancing their art professionFiber Diet is a group of fiber artists committed to advancing their art professionfiber artists committed to advancing their art professionally.
The selected group of artists manipulate fiber textiles by creating collages, sculptures, paintings, and installations that go far beyond tradition.
HANDCRAFTED: FIBER ART & TURNED WOOD Kay Gallery Regional juried group exhibition juried by Camille Ann Brewer and Fleur Bresler On View: January 13 — February 24, 2018 Exhibiting Artists: Selected works of fiber juried by Camille Ann Brewer: Lynda Andrews - Barry, Sasha Baskin, Marina Baudoin, Atsuko Chirikjian, Linda Colsh, Catherine Day, Erika Diamond, Joan Dreyer, Zoya Gutina, Judy Kirpich, Alice Magorian, Dominie Nash, Yena Peace Park, Amy Wike, Katherine Wilson, and Dianne Miller WoFIBER ART & TURNED WOOD Kay Gallery Regional juried group exhibition juried by Camille Ann Brewer and Fleur Bresler On View: January 13 — February 24, 2018 Exhibiting Artists: Selected works of fiber juried by Camille Ann Brewer: Lynda Andrews - Barry, Sasha Baskin, Marina Baudoin, Atsuko Chirikjian, Linda Colsh, Catherine Day, Erika Diamond, Joan Dreyer, Zoya Gutina, Judy Kirpich, Alice Magorian, Dominie Nash, Yena Peace Park, Amy Wike, Katherine Wilson, and Dianne Miller Wofiber juried by Camille Ann Brewer: Lynda Andrews - Barry, Sasha Baskin, Marina Baudoin, Atsuko Chirikjian, Linda Colsh, Catherine Day, Erika Diamond, Joan Dreyer, Zoya Gutina, Judy Kirpich, Alice Magorian, Dominie Nash, Yena Peace Park, Amy Wike, Katherine Wilson, and Dianne Miller Wolman.
The artist presented the multi-disciplinary performance work red, yellow, lime, pink, lavender, green, scarlet, lavender, scarlet, green, lavender as part of The Magazine Sessions 2016 at the Serpentine Galleries, London, and has participated in group exhibitions including Chromaphilia & Chromaphobia, Kansas City Art Institute (2016); Terra Provocata, Fondazione del Monte and Museo Civico Medievale, Bologna (2016); From The Ruins..., 601Artspace, New York (2015); Hangzhou Triennial of Fiber Art, Hangzhou, China (2013); Paper, Saatchi Gallery, London (2013); Aquatopia, Nottingham Contemporary, Nottingham, touring to Tate St Ives (2013); Graphite, Indianapolis Museum of Art (2013); The Air We Breathe, San Francisco Museum of Modern Art (2011); Coming After, The Power Plant, Toronto (2011); Compilation IV, Kunsthalle, Dusseldorf (2009) and Compass in Hand: Selections from the Judith Rothschild Collection, Museum of Modern Art, New York (2009).
Other exhibition highlights on view in October include Little Black Dress, curated by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs, sculpture and film by Yinka Shonibare MBE; Stretching the Limits, a group exhibition by fiber - based media artists; Reveal the secrets that you seek, featuring installations by Bharti Kher; and Figures, four large - scale wall hangings by renowned American sculptor Lynda Benglis.
The University Art Gallery (UAG) is proud to present the exhibition, Fugitive Fibers, a group show displaying work by four artists who utilize fiber in their practice to speak about contemporary binaries within the contexts of found and created environments.
This exhibition features a group of contemporary Latina American artists who incorporate the language of fiber arts into their practice.
Like their minimalist contemporaries, artists working with fiber exploited the gridded structure of warp and weft, a logic that is also reflected in a large group of drawings and prints featuring gridded, woven, or lace - like lines.
SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!
William Marcellus Armstrong (Fiber» 17) was recently part of the group exhibition Objections and Connections, Fiber Artists Talk Back at The Sculpture Center in Cleveland.
The first of these exhibitions, Oil on Oak, was a group project including a dialogue between live sound performance, ceramic artists, fiber artists, and painters.
Colsh's work has been shown nationally and internationally in solo exhibitions at Visions Art Museum (San Diego, CA), Galerie In Vorm (Stevoort, Belgium); Strassen Szenen (Freiburg, Germany); and Textilmuzeum (Budapest, Hungary) and in juried group exhibitions which include Fiber Philadelphia: «Outside / Inside the Box» (Philadelphia, PA); «Riga International Textile & Fibre Art Triennial» (Riga, Latvia); «Three Artists» Galerie Holtrop (Tilburg, Netherlands); «Art Quilt Elements» (Wayne, PA); «Quilt National» (Athens, OH); «Fantastic Fibers» (Paducah, KY); «The Art Quilt Experience» (Cazenovia, NY); «European Quilt Triennial» (Heidelberg, Germany); and «Fabric of Legacies Exhibition» (Fort Collins, CO).
«The Human Form» in All Mediums Art-Competition.net: Announces a new approach to this Art Call «The Human Form» in 7 mediums for a Group Exhibition, 21 artists will be chosen for the exhibit, 3 artists will be selected for each of the 7 different medium categories: (1) Painting (2) Drawing (3) Collage (4) Photography (5) Sculpture (6) Digital Art and (7) Fiber Art.
About Blog The Hand Weavers Guild of Lincoln (HWGL) is a diverse group of beginning to advanced weavers and artists who share an interest in the art of handweaving, spinning, and other fiber arts.
About Blog The Hand Weavers Guild of Lincoln (HWGL) is a diverse group of beginning to advanced weavers and artists who share an interest in the art of handweaving, spinning, and other fiber arts.
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