More pointedly, Grabner is summoning the complex legacy of 1960s
fiber sculpture by figures such as Françoise Grossen and Sheila Hicks, whose ambitious work has only recently been recuperated in mainstream art history.
Viewing Room is pleased to announce Erik Bergrin: Shadowwork, an exhibition of monolithic
fiber sculptures by the preeminent Brooklyn - based artist.
Not exact matches
The selected group of artists manipulate
fiber textiles
by creating collages,
sculptures, paintings, and installations that go far beyond tradition.
November 13 to December 14, 2014 Fountain Street Fine Art, Framingham, MA Gallery artists bring a new twist to the 2014 Members Show
by incorporating collaborative projects in photo,
fiber, painting, drawing and
sculpture alongside individual works.
The In - Between is a bicultural work of art, produced collaboratively
by Korean émigré JuYeon Kim and sixteen
fiber arts and
sculpture students at the Savannah campus of the Savannah College of Art and Design.
We noticed some very interesting
sculptures this year, including stunning
fiber glass clouds
by a Chicago - based artist Iñigo Manglano - Ovalle, seen below.
and psychological maelstrom
by combing performance art,
fiber,
sculpture, poetry, and song.
Whether you're drawn here
by painting,
sculpture, ceramics,
fiber, glass, or pieces that defy easy description, you know you're seeing — and buying — work that isn't like anything else, perhaps not even other works
by the very same artist.
In 1967, she added
fiber to these metal elements, devising the seemingly paradoxical works for which she is most renowned —
sculptures of cast metal resting on supports hidden
by cascading skeins of silk or wool so that the
fibers appear to support the metal.
The SCAD Museum of Art presents «Notes on
Sculpture,» an exhibition
by SCAD alumna Cory Imig (B.F.A.,
fibers, 2008).
«This is a stunning woven
sculpture by a California
fiber artist who no one paid attention to for so long,» says Wendy Cromwell, a New York - based advisor and president of the Association of Professional Art Advisors.
Other exhibition highlights on view in October include Little Black Dress, curated
by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs,
sculpture and film
by Yinka Shonibare MBE; Stretching the Limits, a group exhibition
by fiber - based media artists; Reveal the secrets that you seek, featuring installations
by Bharti Kher; and Figures, four large - scale wall hangings
by renowned American sculptor Lynda Benglis.
The rich texture, suggestiveness and reserve of Mulligan's photographs connect them to a small gray
fiber piece
by Sheila Hicks and Margaret Lee's
sculpture and painting rendered in a black and white polka dot pattern.
Fiber:
Sculpture 1960 — present is organized
by Jenelle Porter, ICA Mannion Family Senior Curator, and will be on view at the ICA from October 1, 2014 through January 4, 2015.
Usvitsky in Major Museum Exhibition on
Fiber Art Noysky Projects is pleased to announce the exhibition of Katya Usvitsky's
sculptures in «Women's Work» — an international exhibition that calls for a reexamination of traditional gender stereotypes, curated
by San Diego Art Institute's Executive Director Ginger Shulick Porcella.
by more than a dozen Academy alumni and current students including: Torey Akers (Painting» 16), Molly Aubry (Print Media» 18), Eric Broz (
Sculpture» 17), Jim Bullard (Print Media» 17), Rachel Deboard (Painting» 17), Mark Dineen (3D Design» 13), Sabastian Duncan - Portuondo (
Fiber» 18), Lorena Cruz Santiago (Photography» 19), Rachel Ferber (
Fiber» 18), Margaret Hull (
Fiber» 16), Rachel Pontious (Painting» 17), and Anjuli Wright (Ceramics» 17).
Frame assembles solo presentations
by 18 emerging artists, demonstrating both a diversity of positions and a number of common concerns and approaches, whether Gina Beavers's and Patricia L Boyd's departure from online photography into, respectively,
sculpture and painting, or the complementary explorations of
fiber installations
by Liu Shiyuan and Phillip Zach.
2015 Mobile M +: Live Art, M +, Hong Kong, China The Malady of Death: Écrire and Lire, commissioned
by M + for Mobile M +: Live Art, Hong Kong, China The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA
Fiber:
Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany
SCAD Art Sales, the university's full - service art consultancy, introduces new works
by SCAD alumni artists Christopher Paul Dean (M.F.A.,
sculpture, 2016), Cory Imig (B.F.A.,
fibers, 2008) and Britt Spencer (professor of illustration; M.F.A., painting, 2011; B.F.A., illustration, 2005)-- three artists who, like Cruz - Diez, use vibrant color, pattern and crisp lines as primary elements in their compositions.
A variety of media are represented
by the studio artists, including oil painting, photography, wheel - thrown ceramics,
sculpture, and
fibers.
Igbo, Nigeria (
By the Master of the Narrow Face) Male Figure
Sculpture - Wood, textiles, patina, herbal
fiber and metal 165 cm (64.96 in)
Inside the ideaXfactory, We Could Be HEROES exhibition features paintings, ceramics,
sculpture, drawings, mixed media, and
fiber art on the theme of HEROES
by 25 artists.
«Born Once Again»
by Catherine Foster 30 «x44 «x2» Mixed Media Silk
Fibers, Silk Fusion, Cast Paper
Sculpture
Raised on the Apsáalooke (Crow) reservation in Montana, Red Star's work is informed both
by her cultural heritage and her engagement with photography,
sculpture, video,
fiber art, and performance.
SomoS is proud to present «Healing the Process,» a solo exhibition
by soft
sculpture /
fiber artist WonJu Kim (KR), produced in Berlin to conclude her...
By Proxy includes Marcel Duchamp's assisted readymade With Hidden Noise, a ball of string with an unknown object rattling inside it; embroidery works by Alighiero Boetti; three drawings from John Cage's 1990 series River Rocks and Smoke, in which chance operations are performed by smoke settling in the fibers of the paper; Oliver Laric's Yuanmingyuan Columns, a new work created with 3D scans of Chinese cultural artifacts ensconced in Bergen, Norway; Yoko Ono's seminal chess set and war allegory Play it By Trust; and a work from Xu Zhen's recent Eternity series, which juxtaposes the East and West by mounting headless replicas of key Hellenistic and Buddhist sculptures neck to nec
By Proxy includes Marcel Duchamp's assisted readymade With Hidden Noise, a ball of string with an unknown object rattling inside it; embroidery works
by Alighiero Boetti; three drawings from John Cage's 1990 series River Rocks and Smoke, in which chance operations are performed by smoke settling in the fibers of the paper; Oliver Laric's Yuanmingyuan Columns, a new work created with 3D scans of Chinese cultural artifacts ensconced in Bergen, Norway; Yoko Ono's seminal chess set and war allegory Play it By Trust; and a work from Xu Zhen's recent Eternity series, which juxtaposes the East and West by mounting headless replicas of key Hellenistic and Buddhist sculptures neck to nec
by Alighiero Boetti; three drawings from John Cage's 1990 series River Rocks and Smoke, in which chance operations are performed
by smoke settling in the fibers of the paper; Oliver Laric's Yuanmingyuan Columns, a new work created with 3D scans of Chinese cultural artifacts ensconced in Bergen, Norway; Yoko Ono's seminal chess set and war allegory Play it By Trust; and a work from Xu Zhen's recent Eternity series, which juxtaposes the East and West by mounting headless replicas of key Hellenistic and Buddhist sculptures neck to nec
by smoke settling in the
fibers of the paper; Oliver Laric's Yuanmingyuan Columns, a new work created with 3D scans of Chinese cultural artifacts ensconced in Bergen, Norway; Yoko Ono's seminal chess set and war allegory Play it
By Trust; and a work from Xu Zhen's recent Eternity series, which juxtaposes the East and West by mounting headless replicas of key Hellenistic and Buddhist sculptures neck to nec
By Trust; and a work from Xu Zhen's recent Eternity series, which juxtaposes the East and West
by mounting headless replicas of key Hellenistic and Buddhist sculptures neck to nec
by mounting headless replicas of key Hellenistic and Buddhist
sculptures neck to neck.
Perception is likewise revealed to be flexible
by Kronschlaeger's
fiber works, which are created
by threading Merino wool through aluminum mesh screens, combining weaving,
sculpture, and painting.
The featured artists — albeit separated
by 24 years and 5,600 miles — create a compelling juxtaposition, revealing shared interests in graphic art, architecture, and
fiber as mediums that shift between
sculpture and performance.
Carol Wisker's
fiber and found object
sculptures she calls Accumulators, are based on beach findings that come from the ocean picking up shells, fishing lines, seaweed and shards of life as they roll through the ocean as directed
by the tides.
Tawney, along with Abakanowicz and Sheila Hicks (American, born 1934), who is represented
by a major wall hanging, was an early pioneer of a new genre known as
fiber art, in which artists made soft
sculptures by crocheting, knotting, looping, weaving, and twisting
fibers, both synthetic and natural.
Classes are open to all, taught
by some of the most talented and well - known artists in the country, and include instruction in drawing, watercolor, painting, printmaking, photography, ceramics,
sculpture, jewelry making, the
fiber arts and more.