Sentences with phrase «fiction and reality in»

Huyghe employs diverse media to explore the boundary between fiction and reality in contemporary society.

With an affection for utopian novels like Sir Francis Bacon's The New Atlantis and Mary Shelley's The Last Man, Rivers's work blends aspects of fiction and reality in a subversive and poetic manner.

It feels like a fascinating and untrustworthy (but not malicious) fusing of fiction and reality in the way a film like, say, Forest Gump does with its mashing of Tom Hanks into historical television footage.

Something I find really interesting right now that's not new, but is happening more and more, is the blurring of fiction and reality in how brands are engaging with consumers.

Not exact matches

When it comes to technology and innovation, reality seems to be constantly playing catch - up to the visions of the world that are painted in science fiction narratives.

Shortly thereafter, in 1992, just as Berners - Lee's World Wide Web had come to fruition, Neal Stephenson was inspired by the recent invention, which led to him publishing Snow Crash, a science - fiction novel that illustrated much of today's online life, including a virtual reality where people meet, do business, and play.

In a bizarre melding of fiction and reality, Murphy Brown (the character) hit back on the show.

It connected my interest in science fiction and time travel to reality.

While there are the science fiction - driven angles of AI, like robots, self - driving cars, Internet of Things, and augmented reality, there are also more practical applications that affect business owners every day, especially those working in the virtual customer service world of online retail.

I switched from academic papers to climate fiction a few years ago, seeking to inform, and in one story envisioned trouble at the BC / AB border... «Blown Bridge Valley», an excerpt from a climate reality novel series... a free e-book at the link here https://www.smashwords.com/books/view/497190

But his less - known work, a trilogy of science fiction novels, contains some of his most profound, thrilling and decidedly adult notions of the universe we live in, the reality - shifting nature of grace and the Creator who rules over it all.

The studio currently has two more films — titled Snakehead and Fiction and Other Realities — in post-production.

«Hunger, poverty, poor health, fear, violence and lack of freedoms are not just elements of fiction, but daily realities in our world.

Thus, metaphors and models of God are understood to be discovered as well as created, to relate to God's reality not in the sense of being literally in correspondence with it, but as versions or hypotheses of it that the community (in this case, the church) accepts as relatively adequate.16 Hence, models of God are not simply heuristic fictions; the critical realist does not accept the Feuerbachian critique that language about God is nothing but human projection.

In Ghosts, Vampires and Zombies: Cinema Fiction vs Physics Reality, Costas J. Efthimiou and Sohang Gandhi use math and physics to illuminate inconsistencies associated with the popular myths about ghosts, zombies, and vampires.

No longer in contact with the created world or with himself, out of touch with the reality of nature, he lives in the world of collective obsessions, the world of systems and fictions with which modern man has surrounded himself.

I am first defining the poetic function in a negative manner, following Roman Jakobson, as the inverse of the referential function understood in a narrow descriptive sense, then in a positive way as what in my volume on metaphor I call the metaphorical reference.7 And in this regard, the most extreme paradox is that when language most enters into fiction — e.g., when a poet forges the plot of a tragedy — it most speaks truth because it redescribes reality so well known that it is taken for granted in terms of the new features of this plot.

Morrisey thus provides a great example of exactly what the media has done to public discourse: It has blurred the lines between reality and fiction in the service of remaking social and sexual ethics, and it has helped to trivialize the language of relationship in a profoundly significant manner.

But lest the Christian theologian dismiss too quickly the insight into both life's reality and the divine reality which Updike's fiction offers, or lest one wrongly conclude that Updike has totally forsaken his Protestant heritage, let me suggest a biblical parallel to the writings of Updike, one he himself makes repeated use of in his works.

The futuristic scenarios in technological communication which once were the stuff of science fiction are rapidly becoming present realities, and the broadcasters are just as quickly adapting them to their purposes.

13 Reasons Why is a fiction that takes place in an alternate reality (and not just because they call Walmart «the Walplex»).

Now, this is somewhat changing in 2000 +, due to advances in technology (hyperspeed capable missiles pose credible threat to aircraft carries; space bourne weapons platforms are somewhat closer to reality than science fiction) and economics (China finally industrialized; developed better economy; and developed, bought and stole enough technology to place it on a better level).

Politicians in fiction» - and in reality of course.

They were attempting to take something only seen in science fiction movies and make it reality.

In the reality of 2004 — and not the fiction of 1984 — that may be the most important privacy battle of all.

It's the stuff of science fiction: robots that can hunt down and kill humans, powerful lasers that can destroy targets without leaving a trace, and a weapon that can supposedly knock you down without even touching you — all of these, and more, came one step closer to reality in 2008.

Reality sometimes can be scarier than fiction and perhaps that's why we're attracted to horror in such a unique way.

In a little sushi restaurant in Syracuse, George Saunders conceded that, sure, one reality was that he and I were a couple guys talking fiction Writing an online dating profile comes with easy and hard stepIn a little sushi restaurant in Syracuse, George Saunders conceded that, sure, one reality was that he and I were a couple guys talking fiction Writing an online dating profile comes with easy and hard stepin Syracuse, George Saunders conceded that, sure, one reality was that he and I were a couple guys talking fiction Writing an online dating profile comes with easy and hard steps.

2018-04-08 18:46 In a little sushi restaurant in Syracuse, George Saunders conceded that, sure, one reality was that he and I were a couple guys talking fiction Writing an online dating profile comes with easy and hard stepIn a little sushi restaurant in Syracuse, George Saunders conceded that, sure, one reality was that he and I were a couple guys talking fiction Writing an online dating profile comes with easy and hard stepin Syracuse, George Saunders conceded that, sure, one reality was that he and I were a couple guys talking fiction Writing an online dating profile comes with easy and hard steps.

Reality and fiction as complementary propellers in cinema and the distance between the world of ideas and the crudeness of reality are some of the themes that develops this uniquReality and fiction as complementary propellers in cinema and the distance between the world of ideas and the crudeness of reality are some of the themes that develops this uniqureality are some of the themes that develops this unique film.

Fiction and reality collide when the bewildered and hilariously resistant Harold hears the Narrator say that events have been set in motion that will lead to his imminent death.

Stylised mix of documentary and fiction which seeks the true essence of filmmaking and the way in which one can faithfully capture the beauty of reality.

Freaks And Geeks: Garnering a cult following in just eighteen episodes, the 1999 television classic Freaks And Geeks cast aside the standard teenage stereotypes to craft a program steeped in the reality, not the fiction, of secondary schooling.

Dealing in Gilderoy's mental collapse and corruption rather than a physical threat, it is perhaps closest to a David Lynch film, with a strangling claustrophobia and playful approach to time and space, reality and fiction.

, in which Espinosa says he wanted to make «science reality» rather than «science fiction,» filming a scenario that made some scientific sense and portraying the realistic reactions of characters living through a crisis.

It's very good plotted and staged Fiction in multiple original language of the location reflects its oriented reality.

To jump from reality to fiction many times in one day, I love that beautiful dance back and forth between both dimensions.

The audaciousness of science fiction and the commercial nature of the action movie are realities that RoboCop proves itself to be aware of throughout, and also hypocritically revels in the freedoms they provide while critiquing their ills and inanities.

One of those techniques is the «fusion of fiction and reality», highlighting the fact that the most expensive loot boxes in FIFA 18 are advertised with a picture of Cristiano Ronaldo, suggesting that the more you pay the greater your chance is of picking up Ron.

Michael Fassbender is excellent as the title character, blurring the line between fiction and reality with his nuanced portrayal, while the rest of the cast shines in supporting roles.

As a big - budget studio fantasy, its hypocrisy is blatant: If the point is that, in an age of endlessly proliferating screens, mass media has already replaced reality with fiction (as Baudrillard suggests), slow - motion gun fights and revelatory special effects are hardly the antidote.

Josh and Benny Safdie, who made this year's kaleidoscopic crime movie Good Time, split their childhood between a responsible mother in Manhattan and a manic father in Queens who introduced them to stuff like A Clockwork Orange way too young and purposefully blurred the line between reality and fiction after viewings of Kramer vs. Kramer.

Though your films aren't documentaries, you do blend reality and fiction, such as when Frances (Greta Gerwig) visits her parents in Sacramento in «Frances Ha.»

Actor Josh Brolin may be used to playing tougher characters in his movies but it seems that he blurred the lines between fiction and reality when he...

Amy Adams and Jake Gyllenhaal star in a film that successfully melds grit and glamour, the past and present, fiction and reality

I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean auteur Hong Sang - soo, the story of a female student's «sentimental education» as it were, as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.

Sean Baker's The Florida Project was a revelatory experience, both in and of itself and because of the fact that it so fully realized the promise of American place - specific reality - based fiction cinema after so many years of films with intriguing passages and situations that never quite add up to an entire satisfying movie.

And perhaps most impressive is that Stallone fused reality with fiction to create a miraculous comeback that only seems to happen in the realm of movies — resurrecting Rocky Balboa thirty years after our first introduction to him, followed by a return of John Rambo twenty years after last seen on film.

Alas the project, «On High in Blue Tomorrows», has a history in which a previous, doomed production ended as reality seeped into its fiction and the film's onscreen / offscreen lovers were killed.

In a statement included in the movie's publicity materials he describes the complicated relationship between representations of violence in both documentaries and fiction and our perceptions of the reality of violence, then spells out his intentions for Funny Games: «How can I restore to my representation the value of reality which it has losIn a statement included in the movie's publicity materials he describes the complicated relationship between representations of violence in both documentaries and fiction and our perceptions of the reality of violence, then spells out his intentions for Funny Games: «How can I restore to my representation the value of reality which it has losin the movie's publicity materials he describes the complicated relationship between representations of violence in both documentaries and fiction and our perceptions of the reality of violence, then spells out his intentions for Funny Games: «How can I restore to my representation the value of reality which it has losin both documentaries and fiction and our perceptions of the reality of violence, then spells out his intentions for Funny Games: «How can I restore to my representation the value of reality which it has lost?