Sentences with phrase «fiction and reality through»

The future game 21 July Last night, the Australian Centre of Photography launched group show «Synthetic» exploring the ambiguous boundary between fiction and reality through the photographic and video work of seven artists.

Not exact matches

Teleportation, the science - fiction fantasy of moving objects instantaneously through space from one location to another, has become reality — an achievement both more subtle and spectacular than many early news reports indicated.

Through powerful imagery, stellar performances and a mind - bending, mysterious version of reality, the filmmakers have crafted a great piece of science fiction that will last for many years.

, in which Espinosa says he wanted to make «science reality» rather than «science fiction,» filming a scenario that made some scientific sense and portraying the realistic reactions of characters living through a crisis.

I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean auteur Hong Sang - soo, the story of a female student's «sentimental education» as it were, as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.

Back in 1997, Michael Douglas and Sean Penn starred in a film called The Game, where Douglas was put through his paces in a live - action role - play that intentionally blurred the line between fiction and reality.

But make no mistake: In The Ambassador, Mads Brügger — who, as both featured performer in and auteur of films that seek to capture reality through fiction, is sort of the Euro film - festival equivalent of Sacha Baron Cohen, when Cohen was interesting — gives what has to be one of the riskiest and most committed performances of the year.

In essence, we reflect reality in our fiction, through the notion that heroes are born with the potential, but not necessarily the mindset to recognize the difficulties and opportunities ahead.

We blur the line between science and science fiction with Veronica Sicoe and Kate Gwynne, who respectively explore interstellar communication and storytelling through virtual reality.

Through partnerships, we are behind Recovering the Classics, helped power the Subway Library in New York City, run the literary CODEX Hackathon, created a curated mobile reading service, produced a virtual reality adaptation of George Saunders» Lincoln in the Bardo, and helped launch the Twitter Fiction Festival.

This free sampler contains the first 6 chapters of Credence Foundation (A Science Fiction Novel) A detective tasked with solving the seemingly impossible murder of an influential scientist finds a clue that leads him to Credence, a corporation of the future that uses mass beliefs to change reality and send spaceships on the other side of the universe.Suspecting that the murderer had himself flushed in and out of the crime scene using Credence's technology, Detective Trumaine readies his trap.In a frantic chase through his mind, long - forgotten memories from a tragic past, as well as virtual environments, he will finally put together the missing pieces of the most unbelievable plan ever to affect mankind.It's a novel of about 74,000 words...

This title marks the arrival of the series on the Unreal Engine, a leap forward in terms of technological innovation, ensuring incredible enhancements in the visual quality, realistic and impressive lighting effects and completely reworked physics: thanks to a realistic physics simulation, the game faithfully reproduces all the distinctive behavior of the bikes, thereby reducing the gap between fiction and reality, while making it accessible also to casual gamers through the introduction of riding aids and tutorials.

This title marks the arrival of the series on the Unreal Engine, a leap forward in terms of technological innovation, ensuring enhancements in the visual quality, realistic and impressive lighting effects and completely reworked physics: the game faithfully reproduces all the distinctive behavior of the bikes, thereby reducing the gap between fiction and reality, while making it accessible also to casual gamers through the introduction of interactive riding aids and tutorials.

Through installed video performances Wyman explores the interrelationships between fiction and reality, by presenting virtual space within the screen in association with actual objects / bodies located in the gallery.

Through films that combine reality and fiction, Bak positions herself as an observer of communities, of their rituals and objects.

Through each of the artists» engagement with the formal and conceptual properties of the medium, they challenge the notion that photography presents a faithful representation of reality and incite us to look more closely at how images are manipulated, styled and filtered to create fictions that we, the public are too - often ready to accept.

He makes stories, pictures, and objects that are documents of contemporary morality; exploring a reality stranger than fiction, through fantasy, satire and subculture, using themes appropriated from the universal concerns of sex, love, violence, beauty, advertising, food, battle scenes, pornography, writing, politics, religion, crime, dancing, lust, greed, things falling apart, and spaceships.

Filmed in Gaza in 2014, the film's nonlinear narrative investigates the dualities of life in Gaza through live footage and animation exploring the tension between reality and fiction.

Through the use of various media and the exploration of their material possibilities, the artists create multi-media installations and live sound / image performances that transcend the boundaries of reality and fiction, and the spatio - temporal limits.

She examines the strategies of resistance employed every day in her native Morocco and traces the «hidden transcripts» of objects and people in her work, guiding us through the overlapping realities and fictions of these narratives.

Through this process, the archive is brought to life, and new meanings are opened up by intersecting fiction and reality.

As the story unfolds through the gallery space, the distinctions between reality and fiction becomes ever more blurred and the «fourth wall», that invisible line between belief and disbelief, is challenged.