Troels's work has always had this familiar yet universally cinematic style to it, almost bring science -
fiction and reality together in one work.
Not exact matches
Gosling
and co-stars Kirsten Dunst
and Frank Langella don't do anything wrong here but the movie is such a mash - up of tones,
fiction,
and reality that it never comes
together into anything coherent.
Supposed
reality and fiction come
together in the terrifying form of the gangster Charlie Costello, played by a demonically grinning Woody Harrelson.
This free sampler contains the first 6 chapters of Credence Foundation (A Science
Fiction Novel) A detective tasked with solving the seemingly impossible murder of an influential scientist finds a clue that leads him to Credence, a corporation of the future that uses mass beliefs to change
reality and send spaceships on the other side of the universe.Suspecting that the murderer had himself flushed in
and out of the crime scene using Credence's technology, Detective Trumaine readies his trap.In a frantic chase through his mind, long - forgotten memories from a tragic past, as well as virtual environments, he will finally put
together the missing pieces of the most unbelievable plan ever to affect mankind.It's a novel of about 74,000 words...
A wide - ranging survey exhibition, it brings
together contemporary artists from across the Americas who have tapped into science
fiction's capacity to imagine new
realities, both utopian
and dystopian.
With intermingled voices
and references, Han precariously collages
together voices of the perpetrated
and the perpetrator, dreams
and realities,
fiction and nonfiction, carving out the place for confrontation
and unresolved feelings.
Lose yourself in Someone Else's Dream, a group exhibition that brings
together the vibrant artwork of ten artists who boldly blur
reality and fiction.
is a giant stuffed toy whose fur is made from the real skin of a bear:
reality and fiction coming
together in one object.
In his introduction John Ashbery calls the book «the finest work of Surrealist
fiction,» noting that de Chirico «invented for the occasion a new style
and a new kind of novel... his long run - on sentences, stitched
together with semi-colons, allow a cinematic freedom of narration... his language, like his painting, is invisible: a transparent but dense medium containing objects that are more real than
reality.»
Re-thinking the traditional divide between historical monuments
and discarded urban ruins, artists Rä di Martino, Pablo Hare, José Carlos Martinat, Haroon Mirza, Eliana Otta
and Amalia Pica are brought
together to explore contemporary ideas of archaeology,
fiction and reality.
From sulfur aerosols to iron ocean seeding to artificial trees to cloud whitening, new earth - altering technologies are moving from science
fiction to
reality, challenging the capabilities of our international institutions in the process,
and forcing us to re-examine the ideas that hold our political world
together.