Sentences with phrase «fiction and reality with»

Michael Fassbender is excellent as the title character, blurring the line between fiction and reality with his nuanced portrayal, while the rest of the cast shines in supporting roles.

Not exact matches

Something I find really interesting right now that's not new, but is happening more and more, is the blurring of fiction and reality in how brands are engaging with consumers.

Fiction could be combined with reality and imaginations where as life of Last Prophet Muhammad is TRULY based on realistic facts and no Muslim would deny that, no matter if he / she is practicing Muslim or non-practicing Muslim.

Something knottily human perdures throughout all our rough commerce with the world, and it is this sturdy human reality which Cheever's fiction celebrates.

Many of today's most popular films, fiction, and television shows deal with superhuman powers, supernatural realities, and spiritual themes.

Thus, metaphors and models of God are understood to be discovered as well as created, to relate to God's reality not in the sense of being literally in correspondence with it, but as versions or hypotheses of it that the community (in this case, the church) accepts as relatively adequate.16 Hence, models of God are not simply heuristic fictions; the critical realist does not accept the Feuerbachian critique that language about God is nothing but human projection.

In Ghosts, Vampires and Zombies: Cinema Fiction vs Physics Reality, Costas J. Efthimiou and Sohang Gandhi use math and physics to illuminate inconsistencies associated with the popular myths about ghosts, zombies, and vampires.

No longer in contact with the created world or with himself, out of touch with the reality of nature, he lives in the world of collective obsessions, the world of systems and fictions with which modern man has surrounded himself.

In a little sushi restaurant in Syracuse, George Saunders conceded that, sure, one reality was that he and I were a couple guys talking fiction Writing an online dating profile comes with easy and hard steps.

2018-04-08 18:46 In a little sushi restaurant in Syracuse, George Saunders conceded that, sure, one reality was that he and I were a couple guys talking fiction Writing an online dating profile comes with easy and hard steps.

Dealing in Gilderoy's mental collapse and corruption rather than a physical threat, it is perhaps closest to a David Lynch film, with a strangling claustrophobia and playful approach to time and space, reality and fiction.

One of those techniques is the «fusion of fiction and reality», highlighting the fact that the most expensive loot boxes in FIFA 18 are advertised with a picture of Cristiano Ronaldo, suggesting that the more you pay the greater your chance is of picking up Ron.

As a big - budget studio fantasy, its hypocrisy is blatant: If the point is that, in an age of endlessly proliferating screens, mass media has already replaced reality with fiction (as Baudrillard suggests), slow - motion gun fights and revelatory special effects are hardly the antidote.

Creating a space where dreams, reality, fantasy, politics, fiction, non-fiction and other seemingly disparate concepts intermingle with one another, the film is a serene, meditative experience where anything feels possible.

I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean auteur Hong Sang - soo, the story of a female student's «sentimental education» as it were, as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.

Sean Baker's The Florida Project was a revelatory experience, both in and of itself and because of the fact that it so fully realized the promise of American place - specific reality - based fiction cinema after so many years of films with intriguing passages and situations that never quite add up to an entire satisfying movie.

There are no «Matrix» visuals here — you might say that Fassbinder suggests his levels of reality and identity with mirrors — but conceptually it anticipates a genre of science fiction and visually it creates a near future out of modern architecture, gangster - movie fashions, futuristic bric - a-brac, and more glass and mirrors than a crystal palace.

And perhaps most impressive is that Stallone fused reality with fiction to create a miraculous comeback that only seems to happen in the realm of movies — resurrecting Rocky Balboa thirty years after our first introduction to him, followed by a return of John Rambo twenty years after last seen on film.

WSN recently sat down with Shana at SXSW, as well as actors McDougall and Abdul - Mateen to discuss breaking out of old patterns, balancing fiction and reality and working from a place of love and truth.

Director Sean Baker, fresh - faced stars Bria Vinaite and Brooklynn Prince, and Dafoe sat down with the L.A. Times at the Toronto International Film Festival to discuss the unique dynamic of pairing seasoned and non-professional actors, and how filming blurred the lines between fiction and reality.

Blu - ray extras include audio commentary by author Tim Colliver (Seaview: The Making of Voyage to the Bottom of the Sea); the featurette Science Fiction: Fantasy to Reality; and an interview with Eden.

The Lawnmower Man: Collector's Edition (Blu - ray) Details: 1992, Scream Factory Rated: Not rated & R, violence, language The lowdown: Jeff Fahey and Pierce Brosnan star in this science fiction thriller about a scientist (Brosnan), obsessed with perfecting virtual reality software, who finds the perfect test subject in a slow - witted gardener (Fahey).

Yet the characters» lives are utterly defined and guided by science fiction elements (of the sort that could soon be science reality), and the kind of ethical questions implicitly explored are those of classic science fiction going back to Asimov and Wells, here told with a poignant humanism and thoughtfulness rarely found on the screen today.

Iranian in origin and with an interest in Iranian cinema, Bahrani's work shows a great tendency toward naturalism and the observation of ordinary life, although he never rejects fiction in favor of realism and it is difficult to describe his movies as down to earth takes on reality.

Director R.J. Cutler, who comes out of documentaries, reality TV («Flip That House») and series television («Nashville»), has succeeded with «If I Stay» where several recent movies taken from teen - aimed fiction have come up a little short.

However, it is with Blind that their talents have come into full fruition; Vogt's internal dialogue carries the film, with Ingrid acting as narrator for all the film's characters, both in her reality and in her fictions, and Bakatakis» imagery taking an expressionist approach by focusing more on sensory details and framing than a straightforward representation of Ingrid's reality.

Back to reality (in fiction): mapping the contemporary landscape of emotions and ethics, we revisit a couple of films with chats during NYFF

The history of cinema is littered with films plumbing the depths of personal identity and the moving line between reality and fiction.

Complete List of NAACP Image Award Winners Film Categories Best Picture - «The Secret Life of Bees» Best Director - Gina Prince - Bythewood, «The Secret Life of Bees» Best Actor - Will Smith, «Seven Pounds» Best Actress - Rosario Dawson, «Seven Pounds Supporting Actor - Columbus Short, «Cadillac Records» Supporting Actress - Taraji P. Henson, «The Curious Case of Benjamin Button» Independent Film - «Slumdog Millionaire» Documentary - «The Black List» Foreign Film - «The Class» Best Screenplay - Jenny Lumet, «Rachel Getting Married» Television Categories Best Comedy Series - «Tyler Perry's House of Payne» Best Actor in a Comedy Series - LaVan Davis, «Tyler Perry's House of Payne» Best Actress in a Comedy Series - Tracee Ellis Ross, «Girlfriends» Supporting Actor in a Comedy Series - Lance Gross, «Tyler Perry's House of Payne» Supporting Actress in a Comedy Series - Keshia Knight Pulliam, «Tyler Perry's House of Payne» Best Dramatic Series - «Grey's Anatomy» Best Actor in a Dramatic Series - Hill Harper, «CSI: NY» Best Actress in a Dramatic Series - Chandra Wilson, «Grey's Anatomy» Supporting Actor in a Dramatic Series - Taye Diggs, «Private Practice» Supporting Actress in a Dramatic Series - Angela Bassett, «ER» Made - for - TV Movie, Miniseries or Dramatic Special - «A Raisin in The Sun» Best Actor in a Made - for - TV Movie, Miniseries or Dramatic Special - Sean Combs, «A Raisin in the Sun» Best Actress in a Made - for - TV Movie, Miniseries or Dramatic Special - Phylicia Rashad, «A Raisin in the Sun» Best Actor in a Sopa Opera - Bryton McClure, «The Young and the Restless» Best Actress in a Sopa Opera - Debbi Morgan, «All My Children» Best Director in a Dramatic Series - Ernest Dickerson, «Lincoln Heights - The Day Before Tomorrow» Best Director in a Comedy Series - Kevin Sullivan, «30 Rock - MILF Island» Best Screenplay for a Dramatic Series - Shonda Rhimes, «Grey's Anatomy: Freedom Part 1 & 2» Best Screenplay for a Comedy Series - Erica D. Montolfo, «The Game: White Coats and White Lies» News / Information Series or Special - «In Conversation: Michelle Obama Interview» Talk Series - «The View» Reality Series - «American Idol 7» Variety Series or Special - «An Evening of Stars: Tribute to Smokey Robinson» Children's Program - «Dora The Explorer» Best Performance in a Children's Series or Special - Keke Palmer, «True Jackson» Music Categories Best Male Artist - Jamie Foxx Best Female Artist - Beyonce» Best New Artist - Jennifer Hudson Best Duo, Group or Collaboration - Jennifer Hudson, featuring Fantasia - «I'm His Only Woman» Best Jazz Artist - Natalie Cole - «Still Unforgettable» Best Gospel Artist - Mary Mary Best World Music Album - Cheryl Keyes - «Let Me Take You There» Best Music Video - «Yes We Can» - Will.i.am Best Song - «Yes We Can» - Will.i.am Best Album - Jennifer Hudson - «Jennifer Hudson» Literary Categories Fiction - «In the Night of the Heat: A Tennyson Hardwick Novel,» Blair Underwood, Tananarive Due, Steven Barnes Nonfiction - «Letter to My Daughter,» Maya Angelou Debut Author - «Barack, Race, and the Media: Drawing My Own Conclusion,» David Glenn Brown Biography / Autobiography - «The Legs are the Last to Go,» Diahann Carroll Instructional - «32 Ways to Be a Champion in Business,» Earvin «Magic» Johnson Poetry - «Hip Hop Speaks to Children: A Celebration of «Poetry With a Beat»» Nikki Giovanni Children - «Barack Obama: Son of Promise, Child of Hope,» Nikki Grimes (illustrator - Bryan Collier) Youth / Teens - «Letters to a Young Sister: Define Your Destiny,» Hill Harper

In essence, we reflect reality in our fiction, through the notion that heroes are born with the potential, but not necessarily the mindset to recognize the difficulties and opportunities ahead.

Just a little over a decade ago, online learning for many educators fell into the realm of science fiction, or worse, snake oil.Visions of students accessing an array of courses on their computers, interacting with teachers over the Internet, and participating in virtual «field trips» seemed more fantasy than reality.

Selected Reviews «Powerful, mainstream fiction built on a foundation of cutting - edge technology laced with fantasy and the chilling specter of an all - too - possible social and political reality.»

We blur the line between science and science fiction with Veronica Sicoe and Kate Gwynne, who respectively explore interstellar communication and storytelling through virtual reality.

In Fame, nine episodes coalesce to form a coherent whole as Daniel Kehlmann plays a sophisticated game with reality and fiction - creating, in essence, a dazzling hall of mirrors.

Park struggles with the realities of falling for the school outcast; in one of the more subtle explorations of race and «the other» in recent YA fiction, he clashes with his father over the definition of manhood.

The story is based on their true lives but using historical fiction as her method of writing allows her to bring out all the emotions of their lives (Susan B.) The author's style of writing in the first person allows you to become totally immersed in the character of Anne and all her inner conflicts and insecurities in her early years and the strength she exhibits as she is forced to deal with the realities of her life (Brenda D).

The maps in an atlas no longer accord with reality: inland seas and lakes are disappearing; the old geography lessons about how rivers emerged from mountains, gathered water from tributaries and finally disgorged their bloated flows into the oceans are now fiction.

With characters that were grounded in reality, stories that channeled Cold War tensions, and a narrative influenced by popular science fiction, Lee created the Fantastic Four.

I've never written one but have done flash memoir pieces or vignettes and played around a lot with reality by using what I learned in flash fiction to write engaging scenes.

The reality seems to be simply that their interests run parallel; for example, before they even met, she did her Oxford thesis on compulsive collector - artist Joseph Cornell, and Foer created a poetry anthology inspired by Cornell's work; and both their family histories are rooted in the Holocaust, but they are both uncomfortable with having their books pigeonholded as «Jewish fiction».

This free sampler contains the first 6 chapters of Credence Foundation (A Science Fiction Novel) A detective tasked with solving the seemingly impossible murder of an influential scientist finds a clue that leads him to Credence, a corporation of the future that uses mass beliefs to change reality and send spaceships on the other side of the universe.Suspecting that the murderer had himself flushed in and out of the crime scene using Credence's technology, Detective Trumaine readies his trap.In a frantic chase through his mind, long - forgotten memories from a tragic past, as well as virtual environments, he will finally put together the missing pieces of the most unbelievable plan ever to affect mankind.It's a novel of about 74,000 words...

Author Paula Rose brings an «average» family into extraordinary situations, brushes with life - size strokes of reality, adding just a touch of humor, and coats with suspense inside Christian fiction.

Our previous issues have featured works of poetry, fiction, and nonfiction that grapple with harsh realities of everything from social media to systemic oppression and inspire us to fight against these barriers.

With an award - winning technology and a vast set of developed games the studio is defining the future of location - based gaming in Switzerland by blending reality and fiction to create immmersive mixed - reality mobile games.

It feels like a fascinating and untrustworthy (but not malicious) fusing of fiction and reality in the way a film like, say, Forest Gump does with its mashing of Tom Hanks into historical television footage.

These stories - within - a-story play with ideas of the unreliable narrator, as well as the blurring of fiction and reality.

To further highlight the blur between reality and fiction, they speak of the future in the present tense, delivering a science fiction documentary that sketches the idea of a world with no distinction between humans, animals, and things, while reflecting on the metaphorical effects of climate change.

With an affection for utopian novels like Sir Francis Bacon's The New Atlantis and Mary Shelley's The Last Man, Rivers's work blends aspects of fiction and reality in a subversive and poetic manner.

«It has been a unique and uncanny pleasure to recreate an iconic film concerned with authenticity in the very location of Vertigo, and to learn about the «ghosts» haunting both museums, providing ample material for a project questioning identity and representation, in this era where fiction and reality have become increasingly blurred», states Lynn Hershman Leeson.

Seeking to heighten her unique style of production, blending photography with painting, reality with fiction, and the digital with the tangible, to create her trademark, painterly works.