History's Future is the first feature - length
fiction film by Netherlands - based Indonesian artist Fiona Tan.
KN Your inaugural show in Berlin is titled «World On A Wire», referring to the only science -
fiction film by Rainer Werner Fassbinder, made in the early 1970s.
That anticipation came courtesy of «District 9» — the 2009 science
fiction film by Neill Blomkamp, «Elysium's» South African writer - director — which came out of nowhere to be nominated for four Oscars, including best picture and adapted screenplay.
A science -
fiction film by Steven Spielberg has to fill some big shoes.
Showing at the art - house theater was «Errors of the Human Body,» a dark science -
fiction film by Eron Sheean.
Not exact matches
The series, now produced
by Netflix, presents science -
fiction short
films about how tech could change the world in the near future.
I took this from a discussion of Jesus» bloodline that is in wikipedia - «Differing and contradictory versions of a Jesus bloodline hypothesis have been promoted
by numerous books, websites and
films of non-
fiction and
fiction in the late 20th and early 21st centuries, which have almost all been dismissed as works of pseudohistory and conspiracy theory.
On July 14, Kent Westmoreland, head mixologist at Windsor Court's Cocktail Bar, will partner with celebrity guest bartender and host of The Proper Pour Charlotte Voisey of William Grant and Sons to serve special cocktails inspired
by classic noir
films and
fiction.
James Dashner, the author of «The Maze Runner,» a top - selling dystopian science
fiction series that was turned into a
film trilogy, has been dropped
by his publisher, Random House, due to his inclusion on a list of authors who allegedly engaged in harassment.
Events will include a
film festival of science
fiction films «before and after the discovery of DNA», in Italy, an overnight camp at the Science Museum in London for children from all over Europe, science contests in newspapers, and a «scientific ballet» organised
by CERN, the centre for particle physics near Geneva.
«Interstellar,» the latest blockbuster
film by Christopher Nolan that opened Friday, is a science -
fiction movie set in the near future when humanity must depart Earth and find a new home.
In Her, Spike Jonze's 2013 romantic science
fiction film, a man falls in love with an intelligent computer operating system voiced
by Scarlett Johansson.
The Hunger Games: Mockingjay — Part 1 is a 2014 American dystopian science
fiction adventure
film directed
by Francis Lawrence with a screenplay
by Peter Join the Revolution.
Gamer is a 2009 American science
fiction action
film written and directed
by Mark Neveldine and Brian Taylor.
A «creepypasta» is a short piece of horror Gothic
fiction, which is largely known
by the subgenre of Gothic horror, is a genre or mode of literature and
film that combines
fiction and horror, death
She's Dating the Gangster is a 2014 Filipino teen romantic comedy - drama
film based on the best Pop
Fiction book of the same name originally published on's Teen Talk section and it was popularized on Wattpad
by Bianca Bernardino (pen name: SGwannaB).
She's Dating the Gangster She's Dating the Gangster netflix She's Dating the Gangster netflix She's Dating the Gangster She's Dating the Gangster putlocker She's Dating the Gangster putlocker movie25 She's Dating the Gangster movie25 She's Dating the Gangster is a 2014 Filipino teen romantic comedy - drama
film based on the best Pop
Fiction book of the same name originally published on's Teen Talk section and it was popularized on Wattpad
by Bianca Bernardino (pen name: SGwannaB).
Alien is a 1979 science
fiction horror
film directed
by Ridley Scott, and starring Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton Send and receive messages absolutely for free.
2018-04-08 16:22 Alien is a 1979 science
fiction horror
film directed
by Ridley Scott, and starring Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton Send and receive messages absolutely for free.
She's Dating the Gangster is a 2014 Filipino teen romantic comedy - drama
film based on the best Pop
Fiction book of the same name originally published on A gangster's ex-wife has been spared jail after she told a court she had no idea her luxury life was funded
by his drug money.
The direction
by Marc Forster (Quantum of Solace, Stranger Than
Fiction) delivers a fast - paced zombie thriller, and with Brad Pitt front and center, there is a grounding of the
film in seeming more intelligent and plausible than your typical scare flick.
There has not, however, been a corresponding number of non-documentary
fiction films that have based themselves around a contentious political issue (there is the argument that all
films by their very nature are political.
PYONGYANGST - My Review of THE LOVERS AND THE DESPOT (3 Stars) Evoking more questions than answers, THE LOVERS AND THE DESPOT, a documentary
by filmmakers Ross Adam and Robert Cannan details the stranger than
fiction account of a prominent South Korean
film director and his actress ex-wife who were kidnapped
by North Korea during Kim Jong Il's reign and were forced to make over 17 movies for him.
Its actors, its costume design, its music, and countless other facets of the
film are drawn from all over the continent and its diaspora, in a science -
fiction celebration of the imaginary country of Wakanda, a high - tech utopia that is a fictive manifestation of African potential unfettered
by slavery and colonialism.
Neither a documentary nor a
fiction film, it charts the discovery of an odd relationship between a Nazi and a Zionist
by their descendants.
Annihilation follows the familiar form of science
fiction horror found in
films from Alien to The Cloverfield Paradox, with a cast of characters in isolation, slowly being picked off
by a force they don't understand.
Their voyage through the body's bloodstream past assorted organs was created
by inventive special effects that make this one of the more visually interesting science
fiction films of its era.
Beginning his career as an author and responsible for the source material of Danny Boyle's The Beach in 2000, Alex Garland then directly ventured into the
film industry
by doing screenplay's - again with Boyle on 28 Days Later and Sunshine - before he eventually took the reigns himself
by making his directorial debut with the magnificent science
fiction film Ex Machina in 2014.
Niccol's tech - heavy view of the future strays far from the dystopian wasteland and ultra-flashy perspectives favored
by science
fiction films.
Surprisingly enough, Jack's motive for hating Christian and Ana is not that Ana became a
fiction editor at a publisher and her major contributions, as seen in this
film, are finding an author named «Boyce Fox» (could've sworn my accountant worked at Boyce Fox) and increasing a font size
by two points.
The breathtaking, richly eloquent, and visually - poetic
film - deliberately
filmed at a slow pace - about space travel and the discovery of extra-terrestrial intelligence (many years before Star Wars (1977), Close Encounters of the Third Kind (1977), and E.T.: The Extra-Terrestrial (1982)-RRB-, was based on the published 1951 short story The Sentinel, written in 1948
by English science
fiction author Arthur C. Clarke.
Grace Lee's
film betrays its own
fictions by overloading on cheap worst - case - scenario mythology.
The fifth and last of the original series of motion pictures based upon author Pierre Boulle's imaginative novel Monkey Planet, this science
fiction film was the least - liked
by the series» legion of fans.
The filmmakers referred to the
film more as fan
fiction and it might not actually live up to the standard set
by Mark Twain's stories, but it certainly is fun to see them try to tell a modernized story of Tom Sawyer and Huckleberry Finn.
Deja Vu is the latest
film to employ tampering with the past in order to secure a different outcome in the present, but
by the time you realize that it is highly illogical as a
film, you've already gained enough enjoyment out of the
film from a thriller standpoint to forgive the shaky foundations in science
fiction.
If a science -
fiction historical epic starring Michael Fassbender and directed
by Justin Kurzel isn't something worth watching, then everyone had better just give up trying to adapt games into
films in the first place.
There are also directors of
fiction films that I admire, that spire me a lot and that illustrate my pronounced taste for marginal characters: Freaks
by Tod Browning, The 400 Blows
by François Truffaut, The Elephant Man
by David Lynch, Wings of Desire
by Wim Wenders, Dead Man
by Jim Jarmusch, Dogville
by Lars von Trier, Spider
by David Cronenberg, Amores Perros
by Alejandro G. Iñárritu, Time of the Wolf
by Michael Haneke, The Host
by Bong Joon - ho, Old Boy
by Park Chan - wook, Children of Men
by Alfonso Cuarón, Tomboy
by Céline Sciamma, Two Days, One Night
by the Dardenne brothers and the very recent and magnificent I, Daniel Blake
by Ken Loach.
And as a person who's normally enthralled solely
by history and science
fiction, this Crash reminiscent
film is due credit, because it's not only an eye - opening depiction of modern «ailments,» but an admirably acted
film that puts other think - pieces to shame.
They're both produced
by J.J. Abrams and directed
by up - and - coming filmmakers (as were the original Cloverfield and 10 Cloverfield Lane), and all of the
films so far have featured strong casts and high - concept science
fiction stories.
Adapted
by Almereyda from Jordan Harrison's 2014 play of the same title, the
film is a seamless, unshowy weave of chamber piece and speculative
fiction; at times it suggests a lo - fi companion piece to Spike Jonze's «Her» or perhaps an unusually soothing episode of «Black Mirror.»
It's the three pillars of science -
fiction as defined
by J.G. Ballard; the
film plays like a western set on Mars, starring bugs pretending to be men.
Very exciting, it's been 8 years since Primer (a science -
fiction favourite in these parts), and while the writer / director's screenplay for «A Topiary» never got made into a
film, he whipped out this surprise to many earlier this week
by way of the festival announcement and a very shiny bit of key art which confirms that Carruth will star in the
film along with Amy Seimetz (A Horrible Way To Die).
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed
by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek
Film), a story that follows a couple (played
by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten
by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker
by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the
film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science -
fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan
by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned
by overworked parents at a sinister recycling plant, who is reluctantly adopted
by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
Are you influenced
by particular
fiction films and filmmakers?
Attraction is an interesting science
fiction film that has some fantastic performances and visual effects, but it's sadly held back
by an unpolished script and its lack of thematic subtly.
Co-written
by Moverman and acclaimed crime
fiction writer James Ellroy, the
film stars Woody Harrelson, Ben Foster, Robin Wright, Sigourney Weaver, Steve Buscemi, Anne Heche, Cynthia Nixon, Ice Cube, Brie Larson, and Ned Beatty.
The new science
fiction action
film from Bong Joon - ho («The Host,» «Mother») defies the odds
by turning yet another dystopian future into something thrilling and distinctive.
Throughout the
film Kaufman experiments with varying degrees of
fiction (Cage also plays Charlie's made - up twin brother, Donald) and nonfiction (actual events from «The Orchid Thief» are acted - out
by Meryl Streep, Chris Cooper and other supporting actors).
«Jupiter Ascending»: The Wachowski siblings» science -
fiction film may be set in the future, but
by shooting at Warner Bros..
But Solaris is less a science -
fiction film than it is an existentialist melodrama that,
by winnowing itself down to the fierce romanticism at the heart of Lem's novel (and Tarkovsky's trance - like adaptation), locates the core issues of identity and love that plague the dark hours.